Abstract

The study is devoted to the analysis of methods and techniques of mythologization in the novel The Ground Beneath Her Feet written by the British author of Indian origin S. Rushdie. The paper explores the narrative organization of the novel, in which images and motifs of ancient mythology are used as a special code for artistic interpretation of European culture of the second half of the 20th century. The article examines the artistic reality of the novel, which combines the modern history of rock culture and classical mythology of Ancient Greece. S. Rushdie addresses problems related to the nature of creativity using as the main plot-forming motifs such mythologemes as the love story of Orpheus and Eurydice, the myth of alldevouring Tartarus, twin myths. The study shows that a typical technique for creating expressive threedimensional multivocal images in Rushdie's novel is a combination of real facts from the world of rock culture and mythological allusions, intertwining, overlapping and collision of various motifs and plots of Greek mythology, which, taken all together, generates the original artistic reality. The article analyzes how the myth of Orpheus and Eurydice acquires a cultural dimension in the novel and what techniques are used by the author to activate the extensive cultural memory of the Orphic myth. The concentration and interpretation of iconic images and motifs of ancient mythology are used in the novel for artistic analysis of the state of culture in the second half of the 20th century and of its attempts to counter the catastrophic tendencies of destruction and death of the modern civilization.

Highlights

  • Екатерина Владимировна Васильева к. филол. н, доцент кафедры русского языка, современной русской и зарубежной литературы Воронежский государственный педагогический университет

  • Одним из ведущих принципов организации повествовательной структуры в романе «Земля под ее ногами» (The Ground Beneath Her Feet, 1999) британского писателя индийского происхождения С

  • В романе «Земля под ее ногами» делается акцент на использовании образности именно античной мифологии

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Summary

Introduction

Екатерина Владимировна Васильева к. филол. н, доцент кафедры русского языка, современной русской и зарубежной литературы Воронежский государственный педагогический университет. Исследуется повествовательная организация романа, в котором используются образы и мотивы античной мифологии в качестве особого символического кода для художественного осмысления европейской культуры второй половины ХХ в. Используя в качестве основных сюжетообразующих мотивов такие мифологемы, как история любви Орфея и Эвридики, миф о всепожирающем Тартаре, близнечные мифы.

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