АСПЕКТИ ПІЗНАННЯ ТА ОВОЛОДІННЯ ХУДОЖНІМ РИСУНКОМ ЯК ВИРАЗНОЮ ФОРМОЮ ПРОФЕСІЙНОГО ПОСТУПУ ХУДОЖНИКА

Abstract

The article deals with the general analysis of reformation of modern art education, its course, models, content outlines the principles of updating and the degree of importance of drawing as an important component of the formation of professional competence of the future artist, defined and justified a key position and format the immediate effectiveness of artistic drawing, the principles and mechanisms of development of its both at the theoretical and practical levels. Disclosure of this is permeated by the characterization of the drawing as one of the basic components and fundamental educational components of the modern training of the first (Bachelor) and second (Master) higher education levels of the field of knowledge 02 “Culture and Art” of specialty 023 “Fine art, decorative art, restoration”. In the specified context, the emphasis primarily is placed on adhering to the actual principles of constructing of educational process, forming an aesthetic-creative microclimate at the classes itself and actually implementing the creative tasks through the format of direct imaging activities. In addition, bachelors and masters at the classroom must necessarily be implemented drawing through art and philosophical awareness of the educational and professional issues, curriculum learning objectives, general trends and culture-art processes, flashy results and high artistic achievements in various fields of plastic arts.The illuminated materials also show that the success of achievements in mastering the artistic pattern is determined by the maximum integration of the acquired drawing base as such in its own artistic and creative activity, the formation on this basis of high artistic potential, the synthesis of all possible varieties of artistic and creative manifestation in it. In this regard, a special place is given to the ability to create an artistic image, to transmit in it both objective and sensual, emotional, associative. The disclosure of the indicated issues was carried out through the vision of the drawing and as a type of figurative art, the sphere of artistic and creative manifestation of man, and as the actual science, which teaches to think in form, line, tone, volume, to understand the constructive and plastic basis of the depicted, and hence to express it for all this purpose demonstration of his individual artistic-figurative vision of the world, his creative, extraordinary and certainly interesting view to the audience.