Abstract
The article studies the influence of The Tractatus Logico-Philosophicus (Logical and Philosophical Treatise) by Ludwig Wittgenstein, an Austrian philosopher of the 20th century, on the works of an English composer Cornelius Cardew, who created a musical composition “Treatise”. The authors of the article show that Wittgenstein sought to fix the relationship between language and reality by defining the limits of science, and Cardew’s musical “Treatise” is a similar attempt to reveal the relationship between language and perception while defining the boundaries of music.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
