Abstract

The article examines the aesthetic principles of Islam and their influence on the family, including the Islamic one. A person in an Islamic family is focused not on a specific image, but on the emotional world. In a family, a person seeks an exquisite sensual being, mental and spiritual pleasure. The Islamic family is beauty-oriented, where calligraphic symbolism is associated with sensual emotions. The article substantiates the idea that Islam and the Islamic family reject Christian imagery. This also affected the Bashkir family, which is largely predetermined by such a mild form of Islam as Sufism. But the author of this article was primarily interested in the moral substance of the people, the family as a natural and moral union of man and woman. In this respect, the antinomical nature of love, the teachings of I. Kant and I.G. Fichte about love and family. The author comes to the conclusion that the ideology of the Islamic family and its aesthetic principles coincide with the national and artistic thinking of peoples. The family is focused on the beauty and morality of interpersonal relationships.

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