ملامح تشكيل المهارات الأدائية لطلاب آلة الكمان في نظام التعليم الموسيقي العالي

Abstract

Modern music pedagogy aims to develop progressive forms of learning and create new technologies to modernize the educational process and increase its effectiveness. The main task for music-pedagogical educational institutions is to bridge the gap between artistic ideas, interpretive intentions, and technical abilities in the professional training of students, in order to achieve a well-rounded development of all performance qualities. Under these circumstances, the issue of developing the performance skills of violin students in music-pedagogical education systems holds significant global importance and requires urgent research and development. Solving this task will contribute to improving vocational training for students in educational institutions and universities that train performers and teachers. Additionally, it will enhance the development of effective teaching methods by providing students with practical experience not only in performance but also in teaching the violin. Drawing from foreign experiences in this field can have a positive impact on the productivity and validity of research aimed at modernizing local education, making it an additional source for development and enrichment. Although resources may currently be scarce and insufficient, the global trend is to continuously increase and reevaluate existing resources and methods. Examining the techniques, approaches, and studies of violinists helps in developing more effective performance techniques. The techniques of the violin instrument have a long history of development and have always been of interest to musicians and methodologies. Methods have evolved and improved based on various factors, such as the development of music, its relevance to different musical periods and cultural contexts, and advancements in the design of the instrument. These methods are constantly evolving to meet specific technical requirements and specifications. It is important to emphasize that contemporary performers are often not limited to rigid interpretations of musical texts. They strive to find their own unique interpretations, which may at times diverge from the original ideas and intentions of the composer.