Abstract
The article examines specificity of reminiscence transfer in a screenplay and in its Russian dubbed version. The author traces the chain “source text - film text - dubbing script”. Scientific originality of the paper lies in the fact that the researcher analyzes complicated interaction of the texts under study, linguistic units, linguo-cultural spaces and generated meanings. The findings are as follows: the author determines the means used to express intertextual reminiscences in film texts, reveals correlation of text meanings, identifies translation techniques to transfer the meaningful content of an original text.
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