Abstract

The scientific work examines the work of the poet Budaev Husey Aslanovich (1880-1973), his contribution to the development of spiritual poetry, his place in settlement poetry, and works aimed at harmony in family and social life are also analyzed. The article establishes the insepara-ble connection of the works of H. Budaev with the semantics and poetics of folklore, which is the specificity of the author's poetic world. The depth of philosophical thought and the acuteness of social analysis permeating the work of Budaev Husey are noted. The analysis of the author's crea-tive heritage ("Altyn tau" - "Golden Mountain", "Khak Zholunda" - "Dear truth") allowed us to determine his creative individuality and uniqueness. Poems like "Din ieleny kuyu" ("Crying for the Lights of Faith, defending theologians, express protest against the violence committed during the era of Stalinism. The work establishes that the work of Husey Budaev was formed within the framework of the poetic traditions of the pre-Soviet period, laid down by the classics of Karachay-Balkarian literature Semenov Kaltur, Dzhanibekov Appa, Kochkarov Kaspot. The presentation of their ideas in clear words and understandable images is a tradition of Karachay-Balkarian oral folk poetry. The work notes the direct realization of folklore artistic installations in the poetry of Husey Budaev. To complete the tasks, the author employed comparative and contextual method-ologies, which are coupled in the paper with the concept of consistency and integrity of analysis. Historicism is the primary methodological and systematic premise guiding the inquiry.

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