Abstract
It is shown that the real measure of the aesthetic value of systems, products and technologies, in contrast to the general measure, is in constant development, reflecting the corresponding changes in the aesthetic tastes and perceptions of consumers. It is substantiated that a full aesthetic measure is formed on the basis of a real aesthetic measure, taking into account the universally valid aesthetic and cultural values that characterize the aesthetic ideals of society in the field of culture, art, artistic design, ergonomics and design. The variants of the interaction of ergonomists and designers at various stages of ergodesign are considered. The nomenclature of aesthetic indicators of the quality of systems, products and technologies, such as the integrity of the composition, the rationality of the organization of form, artistic expressiveness, is given. Recommendations are developed on procedures for expert evaluation, aesthetic properties of systems, products and technologies using the theory of odd sets.
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