Мобильные формы в архитектуре, живописи и музыке как парадигма современного пространственного образа мира

Abstract

The object of research in this article is formed by the mobile forms in 20th architecture, sculpture, painting and music which appeared in the art and the lives of humanity in connection with the changes of conceptual foundations of science, philosophy and culture. The issue of the research consists in determining the universal foundations, regardless of whether or not all of these experimental forms are united by a common paradigm based on a fundamental reevaluation of the world. The innovative discoveries of science in the 20th century formed a new, ambivalent, multilevel method of thinking which generated a complex polyvalent artistic epi-system. The mobile forms turned out to be the expression of a new perspective of the modern world. The methodological basis for the world is comprised of the study of the history and theory of contemporary art and architecture, philosophy and science. The methodology for the research was comprised of the polyvalent analysis of scholarly literature on the theory and history of 20th century architecture, art, science and philosophy; the graphical-analytical of the compositional structures of works of art and architecture, as well as the capaciously spatial modeling; a comparative analysis of the compositional techniques and methods of the 20th century avant-garde trends in the visual arts, architecture and music. This research has shown that the expression of profound and mobile perceptions of human consciousness, reflections on the world, self-realization in the cosmic space, and the perception of the instability and polyvalence of the image of the Universe, in which everything changes rapidly and everything is ambivalent, has also begun to attract the attention of art. The scholarly novelty of the subject is present in the systematization of the mobile forms in the various arts, the disclosure of the connections between them and the scientific and philosophical foundations, the recognition of the common organizational and constructive ideas of the mobile forms, as well as the determination of the future perspectives of application of mobile forms. Keywords: mobile forms, architecture, open plan, painting of action, sculpture, mobile forms, aleatory technique.