Онтодиалог как синергийный принцип организации музыкальной драматургии (на примере «Торжественной литургии» Л. Дычко)

Abstract

The article analyses L. Dychko’s “Triumphant Liturgy”, a symbolic composition of the early ХХІ century, through the lens of the “ontological dialogue” category, one of the key categories of musical analysis. Ontology of music reveals spiritual essence of a musical composition taking into account its genre specificity (secular or liturgical music). The authors propose a model of musical composition in which ontological parameters system integrates hierarchical elements through interaction of the human’s image and worldview, elements of musical language and spatial-temporal arrangement. Choice of L. Dychko’s composition is conditioned by the fact that it presents synthesis of ontological systems on the basis of synergy. The research findings are as follows: introduction of the “ontological dialogue” category allows interpreting musical composition dramaturgy as a spiritual vertical integrating different genres and styles. The synergetic type of musical dramaturgy arrangement is determined by specificity of liturgy as an archetype of the Christian culture.