ТРАНСФОРМАЦИЯ ФАНТАСТИЧЕСКОГО СЮЖЕТА В ЖАНРОВЫХ СТРУКТУРАХ ТАНЦЕВАЛЬНОГО ИСКУССТВА ОТ ЭПОХИ РЕНЕССАНСА К РОМАНТИЗМУ

Abstract

The author refers to the Renaissance era – mainly to the Italian region, which is associated with the development of theatrical dance. In Europe, it appeared a little later and French courtyards, mostly became a source of exquisite stylization and baroque beauty of this kind of art. It is noted that such rulers of Italian city-states as L. Medici, M. Sforza, the Este and Gonzaga dynasties began to pay more and more attention to magnificent spectacles. Using approaches and methods of system analysis, the article analyzes the main features of the development of dance from the Renaissance to the Baroque of the XVII century.then to the XVIII century and ballet Romanticism of the XIX century. The problems of transformation of dance vocabulary into the plot fantastic structure of performances and choreographic compositions are considered. As a result, having brought the existing transformations of the fantastic plot in the ballet into a single whole, it is indicated that in this transformation of the plots the connection of the times from ancient mythology to the fantastic refraction of the romantic narrative is revealed. Special attention is paid to the main types of theatrical dances at the court, which contributed to the development of stage choreography. The article also analyzes the main issues of the development of ballet in the period, mainly from the late Renaissance to the XIX century, in particular, the history of the opening of the First Ballet School in Paris, which influenced the composition of the technique of classical dance and the aesthetics of the formation of movements. It is noted that the increase in the level of classical dance technique enriched the artistic potential of ballet and largely expanded its thematic and genre range. As a result of the work, the author draws conclusions about the significant influence of the Renaissance era on the transformation of fantastic plots in the ballet theater of the subsequent time.