К вопросу об актуальных проблемах исследования истоков жанрового синтеза в поэтике отечественной драматургии XX—XXI веков

Abstract

The article identifies key problems of modern genology, such as the lack of unified criteria for the definition of the genre as an aesthetic category, subjectivity of genre relatedness in new concepts of the genre, the lack of a widely acceptable genre classifications and genre systems. Relevance of the study of a unified genre model of literature of 20th-21st centuries dramaturgy is proved with categorical position of dramatic genres transformation, synthesis / syncretism of homogeneous and heterogeneous form-and-content units in the whole structure of the dramatic text. Prospective directions of this study are designated. The definition of the category “meta-genre” is given. New principle of construction of genre models in latest domestic dramaturgy built on the basis of transgressive compounds-mates is demonstrated. There is an increase in the proportion of subjective principle in the artistic modeling of the present. The newest Russian dramaturgy is primarily considered as a dialogical zone of aesthetic experimentation and sustained literary traditions. At this, the integrity of the ontogeny of dramatic text in Russia, the continuity of stages of development and typological intersection of the “new drama,” “new wave,” “new new drama” with the dramaturgic heritage of the 19th century are emphasized. All marked characteristic features of the considered dramatic material are based on the realities of the complex socio-cultural construction and paradoxes of the metaphysical existence of 20th-21st centuries.