Abstract
The article justifies a comprehensive methodological approach to interpreting the Mongolian artist B. Sharav’s paintings. The proposed approach combines the methodology based on identifying cultural constants and an attempt of iconological analysis. According to the author, such an approach allows revealing deeper semantic layers of pictorial works associated with Mongolia’s cultural constants, namely the “ornament”, and identifying the compositional integrity of multi-figure and multi-plot paintings executed in the original pictorial style Mongol Zurag using the Mongolian ornament as an initial iconological image.
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