Abstract
The article studies the peculiarities of poetic translation and specifies the basic principles and ways to preserve the rhythm, meter and form while translating a poetic work (by the example of the translations of G. Byron’s poem “Sun of the Sleepless”). Scientific novelty of the study lies in the development and specification of the basic criteria to preserve the idea-aesthetic overtones of the meaning of a piece of poetry while translating under the conditions of transposing the formal specific character of the melody, rhythm and meter of the source text. The authors conclude that primarily aesthetic dominants of a poetic work as a basis for adequate translation presuppose the explication of the idea-aesthetic overtones of meaning in contextual-equivalent lexemes as well as preserving the formal component of sound representation.
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