Abstract

The article is dedicated to researching the acmeist paradigm of Osip Mandelstam and «overcoming» them of the acmeism on the book «Stone» and «Tristia». The subject of analysis is logical connection between concept of acmeism and acmeist formula of art. The influence of poet`s articles on the formation of acmeist paradigm and understanding of the problems of art and role of the poet were reviewed in the research. Artistic whole of Osip Mandelstam considered in terms of the semantic field and causation, omissions and reminiscence poetics of antiquity. «Overcoming» of the acmeism by poet investigated in the context of the «Petersburg text» and eschatological motifs.

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