Abstract
The paper aims to reveal specificity of artistic realization of the “anti-Barth” world model based on the formula “the world isn’t a text” in V. Sorokin’s novel “Manaraga”. Scientific originality of the study lies in the fact that the researcher for the first time provides a comprehensive analysis of cultural and philosophical, sociological, artistic components of the “post-literary” world model constituting architectonics of the futurological “civilizing project” in V. Sorokin’s culturological anti-utopia. The findings indicate that in V. Sorokin’s novel, hyper-textual semantics of “alleged worlds” is represented through inter-texts of the semiotic space “biblioclasm”, which implicitly contain logic of destruction of the “civilized mankind”.
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