Abstract
The article analyses Vasily Kamensky’s avant-garde poetical text “Tango with Cows: Ferroconcrete Poems”. The paper describes lexical, grammatical and graphical peculiarities of the nonlinear poetical text. Special attention in textual analysis is paid to the visual aspect, namely the interaction of different semiotic systems that make up the “fabric” of the poetic text. The authors suggest an interpretation of interaction between different text levels when realizing the author’s pragmatic intention. Results and prospects of the study are provided.
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