Abstract

The purpose of this article is to analyze the originality of the estate topos and its role in the novel The Golden Pattern, and to identify some significant parallels in the depiction of estate space by Tolstoy and Zaytsev. Our tasks include assessing the typology and characteristics of estates in the artistic world of Zaytsev’s novel, clarifying the writer’s attitude to the form of estate life in the past and to the possibility and significance of preserving the memory of it. The estate topos plays an important role in Zaytsev’s novel: it organizes its chronotope, helps the writer lay out the characters’ path to an awareness of the value of home and family. We show that the writer created the psychological portrait and behavioral characteristics of the protagonist of The Golden Pattern with the image of Tolstoy’s Anna Karenina as a reference point. Thanks to a focus on Tolstoy’s discoveries, Zaytsev implements in the artistic world of his novel the motif of disregard for the land, the motif of managing the estate, the opposition of the natural and the machine. At the same time, he creatively uses non-plot connections, which his predecessor developed in the novel Anna Karenina and a number of other works, and which are based on a multi-level interlinkage of various elements of artistic representation.

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