Abstract

This article explores the history of the understanding of rhythm in contemporary Russian aesthetics. Against this background, it considers the formation and development of the concept of rhythm within Andrei Belyiʼs individual philosophical and aesthetic frame of reference from his early critical works and verse studies of the epoch of Symbolism to Istoriia stanovleniia samosoznaiushchei dushi ( ISSD) and the later works.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call