Ритуальные приговоры и импровизированные возгласы-призывы джегуако в контексте свадебной обрядности адыгов (в рамках корпусных исследований адыгейского языка)

Abstract

The collaborative team of the authors of the Adyghe State University created a folklore subcorpus of the Adyghe linguistic corpus, comprising more than 3000 words and word combinations drawn from archival sources and expeditionary materials recorded in the Republic of Adyghea and among the Circassians of Turkey. The Adyghe ritual incantations used in various ritual situations, weddings, and clan and family festivals, have been compiled into a separate collection. Here we consider two poetic forms of musically intoned and non- toned genres of the ritual folklore of the Adyghes: dzhegoklo tepch”ekher “ritual incantations of dzheguako” and dzheguako kladzhekher “extemporaneous invocation of dzheguako.” The formulas of ritual incantations are found to feature at least five thematic clichés. The invocations are systematized according to several criteria: by the addressee, semantic content, and structure (verbal and musical) by the concordance with the folk tune. The paper describes the subethnic differences in using invocations and their names. The semantic and construction formulas are identified, allowing non-intonated and musical-poetic exclamations to be transmitted to a new generation. The materials of the folklore sub-corpus of the linguistic corpus of the Adyghe language allowed new terms and concepts to be introduced into folklore studies: tepch”ekher “ritual incantation, ritual appeal to participants of the ceremony”; kladzhekher “improvisational invocations and appeals”; kledzheguakh’ “final coda of wedding ceremony”; k1ekuuakh’ (Bzhedughe, literally: “accompany with shouts”) “short rhythmic verbal cues, humorous remarks.” High ideals of traditional culture, especially the etiquette norms of interaction in the society, manifest themselves through dzhegoklo tepch”ekher and kladzhekher.