Abstract

This research aims at identifying the structure of dialogue in the Arabic grammar, as well as developing its concept through a suggestion that facilitates the structure representation not as a sentence grammar structure but as a text grammar structure. This is accomplished through incorporating relevant modern linguistic concepts with the concept of the grammatical structure along with giving analytical examples taken from the literary dialogue. Hence, the research is divided into two main parts: theoretical and applied. The most important of the theoretical part are the framework, standing point, speech conditions and speech structure as it is manifested in the Arabic grammar as well as the textual linguistics and other approaches. It concentrates on Van Dijk ideas on conversation analysis. Based on that, the research introduces suggestions to conceive the structure of speech that is built gradually to look like an internal basic structure of speech in Arabic grammar. In the end, it is unified with the data of studying conversation in textual linguistics to enhance a producing a wide suggestion for analyzing the structure of speech that includes some semantic and pragmatic features. The analytical part is an attempt to investigate the impact of the proposed speech structure as a textual grammar structure on the coherence of literary texts and their artistic components through deploying literary dialogue in three various literary examples: a poetic play (Masraa Cleopatra), a mindful prosodic play (AhI al-Kahf) and a novel (Do’aa al-Karawan).

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