Abstract

The article is devoted to the research of reception of A. Mickiewicz’s model “the Poet and the People” in twentieth- century Ukrainian writers’ criticism. The writers traced the canon of relations between the artist and society created by A. Mickiewicz, which had a profound influence on the literature of Polish Romanticism. Considering the reception of the ‘poet and people’ paradigm, the authors of the article note that Ukrainian poets of the Soviet period were forced to dissect certain artistic phenomena through the prism of the communist ideology of the time. One of the most consistent and productive interpreters of A. Mickіewіcz among Ukrainian writers was M. Rylskyi. He left a considerable inheritance of literature and publicist articles about the Polish poet. M. Rylskyi as a critic gave the deepest scientific standards to the analysis of the poetics of A. Mickіewіcz’s works. He did not cast aside the generally accepted scheme of the creative evolution of the Polish poet but cautioned researchers from the monolinear measuring of it. M. Rylskyi was the first one in Ukrainian Mickіewіcz Studies who noticed that mixing of styles was inherent in А. Mickіewіcz’s works during all of his creative life. M. Rylskyi allowed the identification of the poet Konrad Wallenrod with A. Mickiewicz himself, warning that after all the person of the hero does not reflect and cannot reflect the personality of the author. M. Rylskyi described Konrad Wallenrod as mysterious and contradictory, as was A. Mickiewicz. The article also compares the interpretations of M. Rylskyi and Polish researchers and writers, in particular, Maria Cieśla-Korytowska and Jan Kasprowicz. The authors trace that the Ukrainian poet D. Pavlychko was the first in Ukrainian literary criticism to draw attention to the idea of Europe in the artistic and ideological system of A. Mickiewicz as the idea of the Fatherland.

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