Abstract
The article is devoted to identifying the peculiarities of the imaginative and stylistic system of porcelain of the Imperial Porcelain Factory of the second quarter of the XIX century; the clearly traceable elements of military esthetics were introduced in this type of decorative and applied art as the symbols of glorifying the reign of Emperor Nicholas I. The author analyzes the iconographic and iconological meaning of the porcelain paintings executed within the romantic artistic trend but conforming to the classicist tradition of glorifying the sovereign’s genius.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
