ПОРІВНЯЛЬНИЙ АНАЛІЗ МОДИФІКАЦІЙ ЖАНРОВОЇ ФОРМИ «РОМАН» (НА МАТЕРІАЛІ РОМАНУ ЮРІЯ АНДРУХОВИЧА «КОХАНЦІ ЮСТИЦІЇ» І РОМАНУ ДАНІЕЛЯ КЕЛЬМАННА «СЛАВА. РОМАН З ДЕВ’ЯТИ ІСТОРІЙ»)

Abstract

The article deals with modifications of the genre form "novel". These modifications consist of novellas but they show a new quality: the coherent harmonious whole. The comparative analysis extends to the text categories. The category of integrity is the hyper-category of text. It is a bipolar unity with discreteness. The tonality as a category belongs to the first degree categories and expresses bipolar unity of the personality/impersonality on a level with coherence and completeness. Then follow the second degree categories (major) - composition form text organization (KMF), architectonic form text organization (AMF) and oralness / writeness. To these categories submit the third degree categories (primary): phonologic, grammar, semantic and stylistic. They are primary only at the text and in the language system they can have two or more degrees. As the relationships of the parameter "text categories " equivalence, inclusiveness, intersection and inconsistency were considered. The comparison of the novels by Yurii Andrukhovych and by Daniel Kehlmann shows the equivalence of the text categories integrity, coherence and completeness (cohesion), oralness / writeness. The same applies to the categories KMF and AMF. It should be noted, that the equivalence is compensatory at the level of simple categories. Simultaneity of events as a manifestation of integrity is expressed in the novel ofAndrukhovych mainly by anachronisms, Kehlmann does not use they (relationship of inconsistency), but Kehlmann connects his stories with characters, it is absent in the work of Andrukhovych, who minimally mentions some characters in the last chapter. The allusion to cinematography is represented in Andrukhovych's novel through the whole text and the ring repetition (in the title and at the end of the novel). It is something else in the novel by Kehlmann. The character Ralph Tanner, a film actor, who appears in one story as the main character and in four stories as a minor character shows that the novel has the tangency to the cinematography.