This article presents the group method of data handling (GMDH)application, which is one of the computational techniques for conducting scientific and technical research, namely in the quantitative measurement of knowledge acquired in the educational process. Basically, an attempt is made to present the information about GMDH, its application in knowledge acquisition using the ergonomic modeling.

In this article, an attempt was made to reveal the principles of adding these Turkish words to the dictionary and their place in the German language dictionaries in the XIX-XX centuries from the Turkish languages ​​, directly and indirectly, entering the German dictionary.
 This article discusses the mastered Turkish vocabulary in explanatory dictionaries of the German language. An attempt was also made to reveal the place of Turkish borrowed words and the principles of their selection in German explanatory dictionaries of the 19th-20th centuries.
 In this article turkish lexics in interpretative dictionaries of the German language are looked though. Also, it is tried to. reveal the meaning of turkish borrowing words in German interpretative dictionaries in XIX - XX centuries.

The article considers a comparative analysis of English and Uzbek neologisms.

Мақолада таниқли ўзбек ёзувчиси Омон Мухторнинг ҳикоя ва қиссалари таҳлил қилинган. Адибнинг бадиий образ яратиш маҳорати, кичик ва ўрта эпик асарларига хос асосий хусусиятлар ёритилган.

Мақолада диний жабхада толерантлик (бағрикенглик) тамойили амал қилиши таҳлил қилинган. Ислом дини асосий манбалари – Қуръон ва ҳадислардан толерантликка оид фикрлар берилган.

This article highlights the neologisms of the English youth slang of the XX - XXI centuries.

В статье рассматриваются художественные особенности творчества одного из ярких представителей деревенской прозы в русской литературе: принципы эстетики, нравственные проблемы и поиски героя в рассказах В.Шукшина

В статье рассматривается одна из наиболее важных проблем в творчестве Анны Ахматовой - художественные поиски Анны Ахматовой в области жанровой формы, поисков героя, содержания, средств выразительности.