135 Exhibition Review The Black Fives. New-York Historical Society. Claude Johnson, Curator. On view now through July 20, 2014. Reviewed by Debra Jackson, Independent Scholar Basketball fans who follow the game and its players can appreciate the fascination and allure of the multi-billion dollar industry, even its more offensive permutations. Although recently the sports community was stunned by the revelation of unsavory remarks made by Los Angeles Clippers owner Donald Sterling—and the subsequent censures imposed on Sterling by the National Basketball Association (NBA)—one can nevertheless detect a palpable taste for scandal fed by the exuberant media coverage of the sport and its personalities. Perhaps it is no surprise that racism surfaced in an organization that long claimed to have moved beyond its history . But the sports industry could hardly remain immune to society’s ills. This is just one of the reasons why this gem of an exhibition at the NewYork Historical Society, The Black Fives, is so provocative. The exhibition recounts the story of triumph over adversity, and recovers from an undeserved obscurity the exceptional individuals who created and promoted the all-black ball clubs; it tells the story of the exceptional athletes who overcame the reality of Jim Crow segregation in public sports, and who made the game what it is today. The Black Fives, developed by guest curator Claude Johnson, is well worth the investment of time needed to absorb the wealth of material included in each thoughtful display. The majority of the documents and artifacts come from Johnson’s personal collection and include photographs, souvenir programs, newspapers, vintage team uniforms, and several sound recordings. Collectively these items reveal how thoroughly basketball—and the business of promoting the game—was incorporated into the fabric of 136 ■ NEW YORK HISTORY black life during the era of The Black Fives (1904 to 1950). Once defined as a healthful activity that might diminish the morbid effects of residential overcrowding in urban communities, basketball grew in popularity during the first decade of the twentieth century. Black literary clubs, neighborhoods , churches, schools, and newspapers all formed basketball teams; early ball venues included church basements, ballrooms, and armories, demonstrating that the sport became an integral part of the African-American urban public sphere. Installed in the Historical Society’s intimate, second-floor gallery, the exhibition entrance greets visitors as they make their way up the stairs from the first floor. The gallery’s entrance is flanked by visual displays that prepare the visitor to step into the world of the early twentieth century; on the left projectors cast life-size images of some of the great hoopsters of the period, including Charles “Tarzan” Cooper of the New York Rens (1939) in team uniform, onto a large screen. On the right side of the entrance is an interactive display featuring a brief video which provides historical context for the exhibition. These installations prepare visitors for the first display of artifacts: flannel trunks, shoes, leather knee pads, and a life-size photographic image of Cumberland Posey, Jr.–one of the most gifted players of his time. This clever arrangement, illustrating what well-outfitted basketball players wore in the 1920s, captivates visitors and draws them into the world of the Black Fives. The gallery’s oblong shape is designed to suggest a diminutive basketball court, and the displays are organized chronologically around six themes: Early Basketball, Amateur Ideals, SemiPro Opportunities, Professionalism, Depression Era, and Racial Integration. The section devoted to the early period explores basketball’s origins. Invented at a Young Men’s Christian Association (YMCA) in Springfield, Massachusetts by James Naismith in 1891, the game quickly took hold and spread around the world. In the African American community, the organized participation of basketball began in 1904, when public school teacher Edwin Bancroft Henderson, known as the “Grandfather of Black Basketball,” incorporated the game into his gym classes in the Washington, D.C. public school system. The first black athletic club was also founded in 1904 in Harlem, as the Alpha Physical Culture Club. Other early clubs in New York City included the St. Christopher Club (the athletic branch of New York’s St. Philip’s Protestant Episcopal Church) and the Smart...
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