Wooden Support Research Articles

Elimination of Delamination during the Drilling of Biocomposite Materials with Flax Fibers.

The present study focuses on the elimination of delamination during the drilling of a linen-based biocomposite material in epoxy resin used for the manufacture of sports kayaks, depending on the tool material, cutting conditions, and the use of additional wooden support plates. In the present study, HSS (high-speed steel) and Carbide cutting tools without coatings, with the same geometry and two types of cutting conditions (n = 1500 rpm, fn = 0.05 and 0.1 mm/rev) were used. A Sololite-type wooden backing plate was used to aid in reducing delamination. The results show that the additional support plates significantly reduced delamination by up to 80% both at the material inlet and especially at the drill hole outlet. In this study, the use of a lower feed rate (fn = 0.05 mm/rev) per tooth was shown to have a significant effect on reducing the delamination of biocomposite materials with flax fibers, which are generally known to be difficult to machine. The Carbide cutting tool shows significantly better results both in terms of its wear and in terms of delamination of the biocomposite material. The highest delamination was obtained without the use of a backing board at the tool exit after 50 drilled holes of 3509 µm. With the use of a backing board, this delamination decreased to 693 µm after 50 drilled holes.

Anatomy of the Painting: The Study of the Serbian Orthodox Icon from the Turn of the Seventeenth to the Eighteenth Century

The paper presents the results of the multi-analytical study of the painting on a panel from the icon collection of the Gallery of Matica srpska museum in Novi Sad, Serbia. It is part of the research aiming to set the methodology for the museum’s database on artistic materials and techniques present in the collection. Computer tomography (CT) scanning was used to understand the structure of the wooden panel support. Ultraviolet (UV) and infrared (IC) imaging, as well as visible (VIS) macro photography, were used to study the paint layer, both the original part and restoration treatments, as well as the coat of varnish. Energy dispersive X-ray fluorescence (EDXRF) and Fourier-transform infrared (FTIR) spectroscopy revealed the pigments, binders, and metal leaf, defining the artistic technique. Optical microscopy (OM) and scanning electron microscopy (SEM) with energy-dispersive X-ray spectroscopy (EDS) were used to disclose the stratigraphy and composition of layers in the artwork. The multi-analytical approach confirmed that protein-based binder, gilding, silver leaf, and traditional pigments were used. The data gathered from this research are important for studying the artistic materials and techniques in icon production and defining the methodology setting for the museum collection’s databases as the reference material.

Elevational Earth-Sheltered Buildings with Horizontal Overhang Photovoltaic-Integrated Panels—New Energy-Plus Building Concept in the Territory of Serbia

The global scientific community is intensively promoting energy-plus buildings. Following the leading world trends, this paper presents a new energy-plus building concept—elevational earth-sheltered buildings with three different types of horizontal overhang photovoltaic-integrated panels: wooden support columns covered with clay tiles, steel pipes as support columns covered with sheet steel, and concrete support columns with concrete coverage. In this instance, the specific multi-numerical case study building model for the city of Kragujevac (located in central Serbia with favorable climatic conditions) was performed over 7 months (from 1 October to 30 April), taking into account the soil temperature, the effects of solar shading, the performance of the heating system—a ground source heat pump—and the characteristics of the artificial and automatic lighting control system. The simulation results show that the optimal depth of a horizontal overhang (energy-plus status) depends on the occupant’s habits, in addition to meteorological conditions. The presented methodology can be used for any other location, both in Europe and the world.

Artworks at our fingertips: A solution starting from the digital replication experience of the Annunciation in San Giovanni Valdarno

The Annunciation is a remarkable artwork painted in the early 1430s by the Dominican friar Giovanni da Fiesole, better known as Beato Angelico, and now preserved at the Museum of the Basilica of Santa Maria delle Grazie in San Giovanni Valdarno, Italy. It is a wide tempera painting with some fine gold foil placed on a wooden support, representing many symbolic details hard to be fully appreciated at a distance by the observer. To enhance the museum's visitor experience on it, as well as providing scholars with a tool to help deep investigations, a digital high-resolution Digital Twin of the painting was developed. This paper summarizes the outcomes of the process, introducing the custom software applications and hardware solutions that were customized for the artwork's digital replication. Exploiting digital photogrammetry and photometric stereo techniques, the model was prepared to host colorimetrically corrected maps at Gigapixel resolution, reaching a high-definition measurable detail threshold and following a well-established process refined over time by the authors. The fruition of such a complex model was performed through a custom process ending in AnnunciatiOn App, a solution integrated by both graphical and physical touch interfaces, whose features grant a deep interaction with the Digital Twin on kiosks destined to exhibitions. The results feed the discussion on the production and communication of digital replicas of artworks in museum collections and how they can be upscaled to be targeted to simple visitors as well as scholars and restorers.

Chemical Ecology, Detection and Identification of Subterranean Termites Based on Electronic-Nose Volatile Emissions Analysis

The effective monitoring and identification of existing subterranean termite populations within coarse woody debris and infested wood in service depend on accurate detection. These insects are often concealed within logs, wooden support structures, walls, and floorboards of buildings. In the absence of external mud tubes, termite infestations normally must be discovered through the destructive exploration of wooden structures to reveal the physical presence of these insect pests. Subterranean termite species are difficult to identify due to similarities in morphological features, but they may be readily distinguished by differences in volatile emissions from which they are divided into chemotaxonomic groups. Consequently, a more effective and nondestructive approach for detection and identification is to take advantage of unique species-specific emissions of volatile organic compounds (VOCs) from termite bodies which easily pass through wooden structures, allowing for detection without physical damage to wood and avoiding expensive DNA analysis. Electronic aroma detection analyses were conducted with an Aromascan A32S electronic-nose (e-nose) instrument, fitted with a 32-sensor conducting polymer (CP) sensor array, for discrimination between four common subterranean termite species based on differences in volatile emissions. Principal component analysis (PCA) of whole-body volatiles effectively distinguished between four termite species with the first two principal components accounting for more than 98% of sample variance (p < 0.01). Unique electronic aroma signature patterns (smellprints) were produced from e-nose sensor array outputs that allowed for the effective identification of termite species based on distinct differences in volatile metabolites released from their bodies. The e-nose methods were determined to be an improved means for rapidly detecting and monitoring termite species in wood. The method is cheaper than conventional detection methods and allows for the timelier discovery of species-specific termite infestations necessary for better management. The e-nose capability of detecting the Formosan termite in indoor living spaces was particularly significant due to the production of naphthalene, a volatile hazardous gas causing many adverse human health effects in enclosed environments.

Combining engineering and wood science for the conservation of artworks: Hygro-mechanical study of Mona Lisa’s wooden support

Since 2004, the wooden support of Mona Lisa has been studied by an international research team formed by specialists of wood science and optical measurements, interacting closely with curators and restorers, to evaluate the climatic specifications adopted for the then new climate-controlled display case, assess the risk of propagation of a historical crack affecting the Panel, suggest possible improvements to the Panel’s framing, and improve the technological aspects of the current monitoring procedure. The study has been carried out mainly by direct observation and measurements during the yearly opening of the display case, by continuous monitoring of the Panel’s mechanical behaviour and by developing a predictive numerical model based on the finite element method. This paper deals with the following topics: (i) a technological description of the Panel and of its framing, (ii) the non-invasive measurement equipment and monitoring methods developed, (iii) the simulations of the hygro-mechanical behaviour, (iv) the most significant results obtained so far, including the derivation of the elastic parameters of the wooden Panel, the description of the contact zones between Panel and framing, the evaluation of contact forces and possible actions for improving the framing. The model implementation evidences the correspondence between principal strains in the Panel and craquelure patterns in the paint layers, and allows assessing the crack propagation risk.

Shipyard Archaeology in the Southern Baltic

In the past two decades, the topic of archaeological studies of shipyard sites has regularly appeared in research devoted to maritime archaeology around the world. The closer attention of archaeologists to shipyard sites is due to the increased interest in studies of the maritime cultural landscape, ship graveyards, and coastal archaeology. The purpose of this paper is to review the problems of archaeological research of shipyard sites in the southern Baltic Sea and to compare these problems with previous research results from other regions. Seasonal or occasional sites for the building or repair of boats and ships have been created since the earliest times. Isolating such sites is often problematic since sleepers or simple wooden supports were sufficient for the construction of plank boats and the work was carried out in the open air. In the coastal cities of the southern Baltic, there is evidence for the existence of designated permanent shipbuilding yards, although without permanent shipbuilding structures, since the late Middle Ages. These were places in which a ship’s carpenter received permission from the city authorities to use a particular section of the yard for shipbuilding in return for an appropriate fee. Structures used for construction were assembled each time to a specific order from the builder’s materials and they could be dismantled after completion of the project. Archaeological research of the Gdansk Lastadia site remains the best recognized shipyard providing a more complete picture of the maritime cultural landscape of this southern Baltic city from the late Middle Ages to the 19th century.

Combined macro X-ray fluorescence (MA-XRF) and pulse phase thermography (PPT) imaging for the technical study of panel paintings

Museum staff usually relies on a proven combination of X-ray radiography (XRR) and infrared reflectography (IRR) to study paintings in a non-destructive manner. In the last decades, however, the research toolbox of heritage scientists has expanded considerably, with a prime example being macro X-ray fluorescence (MA-XRF), producing element-specific images. The goal of this article is to illustrate the added value of augmenting MA-XRF with pulse phase thermography (PPT), a variant of active infrared thermographic imaging (IRT), which is an innovative diagnostic method that is able to reveal variations between or in materials, based on a different response to minor fluctuations in temperature when irradiated with optical radiation. By examining three 16th- and 17th-century panel paintings we assess the extent in which combined MA-XRF and PPT contributes to a better understanding of two commonly encountered interventions to panel paintings: (a) Anstückungen (enlargement of the panel) or (b) substitutions (replacement of part of the panel). Yielding information from different depths of the painting, these two techniques proved highly complementary with IRR and XRR, expanding the understanding of the build-up, genesis, and material history of the paintings. While MA-XRF documented the interventions to the wooden substrate indirectly by revealing variations in painting materials, paint handling and/or layer sequence between the original part and the extended or replaced planks, PPT proved beneficial for the study of the wooden support itself, by providing a clear image of the wood structure quasi-free of distortion by the superimposed paint or cradling. XRR, on the other hand, revealed other features from the wood structure, not visible with PPT, and allowed looking through the wooden panels, revealing e.g. the dowels used for joining the planks. Additionally, IRR visualised dissimilarities in the underdrawings. In this way, the results indicate that PPT has the potential to become an acknowledged add-on to the expanding set of imaging methods for paintings, especially when used in combination with MA-XRF, IRR and XRR.

Biodeterioration effects of three Aspergillus species on stucco supported on a wooden panel modeled from Sultan al-Ashraf Qaytbay Mausoleum, Egypt

This study focuses on the magnificent decoration of a painted and gilded wooden panel with signs of fungal biodeterioration caused by Aspergillus species in the Mausoleum of Sultan al-Ashraf Qaytbay, Cairo, Egypt. Numerous spectroscopic analyses and investigation techniques, including Scanning Electron Microscope Equipped with Energy Dispersive X-ray analysis (SEM–EDX), Fourier Transform Infrared analysis (FTIR), and X-Ray Diffraction (XRD) have been used to study the materials that comprise this painted and gilded wooden panel composition. Aspergillus niger, A. flavus, and A. terreus were recognized as isolated fungi, and their accession numbers are OQ820164, OQ820163, and OQ820160, respectively. The findings showed that the wooden support is of pinewood (Pinus halepensis), the white priming layer on top of the wooden support was identified as gypsum, the blue paint layer has been proposed to be Azurite, Au (gold) was the primary composition of the gilding layer, while Pb (lead) was detected in some spots, suggesting the use an alloy of gold with lead, and finally, animal glue was the bonding medium. Based on these findings, mimic samples with identical substrates and structural components have been designed, and the biodeterioration signs by the growing of the three Aspergillus species—A. niger, A. flavus and A. terreus were evaluated via SEM and color change. However, A. niger was discovered with density growth on surfaces of pinewood, gypsum, and Azurite and with less growth on the gilding layer after 6-month incubation. This contrasts with A. terreus and A. flavus, which had greater density growth on Azurite and stucco than on pinewood and less growth on the gilding layer. The used analytical methods with detailed analyses revealed the novelty and significant future aspects of the conservation of the painted and gilded wooden panel. Particularly given that this location is used for prayer and is crowded with people five times a day, which increases the accumulation of fungi and negatively affects both the historic Mosque and the worshippers' health.

Experimentation of a PVA-Borax hydrogel for the removal of Paraloid B72® from artifacts of archaeological interest from the National Archaeological Museum in Naples, Italy

This paper shows the results of an experimentation aimed at the removal of a polymeric film of aged Paraloid B72® originally placed to protect some wooden artifacts belonging to the Egyptian collection of the National Archaeological Museum of Naples (MANN). The study was conducted on two shabtis dated to the 19th Dynasty and a sculpture of Ptah-Sokar-Osiris dating to the late period. Thanks to the collaboration between the National Archaeological Museum of Naples and the Laboratory of Restoration of Wooden Artifacts of the University of Naples Suor Orsola Benincasa, it was possible to conduct an in-depth study of the artifacts, from both an archaeological-historical point of view and from a conservation point of view. This led to the development of the above-mentioned experimentation and to the planning of a proper restoration intervention. The study and experimentation were supported by several diagnostic techniques. In a first stage, non-invasive investigations were carried out to study the execution technique and the state of conservation of the artifacts. This allowed the recognition of the wood species that constituted the three sculptures through optical microscopy, whereas IR reflectography, UV induced fluorescence and X-ray radiation (XRF) were conducted to identify the type and the chemical nature of the pigments. Based on the above analysis, different restoration strategies, based on the removal of Paraloid B72® through a methodology that would act in full respect of the wooden support of the artifacts, were considered. Pros and cons of the different methodologies applied in the recent past for the removal of aged Paraloid from artifact surfaces were analysed. A removal technique based on the use PVA-Borax hydrogel loaded with a solvent mixture was selected. Experiments were conducted to validate the effectiveness of the selected method.

Exploring the colour palette of Wasily Kandinsky: The case study of Spitz‐Rund (1925)

AbstractThe study and conservation of a painting by Wasily Kandinsky, titled Spitz‐Rund and dated to 1925, was carried out at the Centro per la Conservazione ed il Restauro dei Beni Culturali “La Venaria Reale” 2018 and 2021. This work, owned by the Galleria d'Arte Moderna e Contemporanea of Bergamo (GAMeC), was created with oil paints on cardboard, and later glued onto a wooden support. A first phase of the project entailed a thorough scientific investigation of the artist's materials and techniques by means of a multi‐analytical approach, including both non‐invasive and micro‐invasive techniques. The present contribution discusses some of the most relevant results obtained from scientific analyses on Kandinsky's masterpiece. The painting stratigraphy and colour palette were investigated using multispectral imaging, spot XRF and in situ Raman analyses. Micro‐samples were also taken and analysed with FTIR spectroscopy, Py‐GC/MS, optical microscopy and SEM–EDX. Additional investigations using MA‐XRF provided further insight into the distribution of various chemical elements, proving essential to deepen our knowledge of the painting and to integrate the information obtained from other analytical techniques. The study highlighted several similarities between Spitz‐Rund and other Kandinsky's artworks and made it possible to gain a broader understanding of the artist's technique during the Bauhaus period (1922–1933).

KNOWLEDGE AND DOCUMENTATION OF RENAISSANCE WORKS OF ART: THE REPLICA OF THE “ANNUNCIATION” BY BEATO ANGELICO

Abstract. The Annunciation by Guido di Pietro from Mugello, known as Beato Angelico, is a wide tempera painting with some fine gold foil placed on a wooden support, today hosted at the Museum of the Basilica of Santa Maria delle Grazie, in San Giovanni Valdarno. On the occasion of the exhibition “Masaccio e Angelico. Dialogo sulla verità nella pittura”, the museum asked to the Department of Architecture at the University of Bologna to develop a digital high-resolution surrogate to favour deep investigations, to plan restoration and to simply tell the stories behind the artwork. Two tasks were accomplished: to let visitors discover the secrets in the painting and to let scholars study the artwork, to better understand the masterpiece. This paper introduces the outcomes of the research developed to digitize the Annunciation, following a dedicated pipeline developed to improve the fruition of its digital replica, originated from different input sources, and surrogating the user experience on the real object. This work presents a method for the 3D reconstruction of the surfaces based on different techniques for elements with different depth resolutions (i.e., the painting and the wooden frame) which combine photogrammetry and photometric stereo exploiting both procedures and pushing forward the boundaries of Gigapixel Imaging and photogrammetric-based 3D model representation.

Development and Evaluation of a MASH TL-3 Modified Single Wood-Post Skid-Mounted Sign Support System

Previous crash testing determined that the conventional Texas Department of Transportation, U.S., single wood-post, skid-mounted temporary sign support system did not satisfy guidelines included in the American Association of State Highway and Transportation Officials Manual for Assessing Safety Hardware (MASH). Modifications were made to the system to improve impact performance and meet MASH requirements. The modifications included increasing the mounting height of the sign, installing weakening holes in the wood support post at a prescribed height, and adding a wire rope loop around the weakening holes to act as a hinge mechanism when sections of the wood sign support fracture during vehicle impact. Crash tests were performed on the modified system in accordance with the MASH Test Level 3 (TL-3) matrix for work-zone traffic control devices. The modified single wood-post, skid-mounted temporary sign support system with a 90 in. sign mounting height, weakening holes, and tether cable met the performance criteria for MASH TL-3 work-zone traffic control devices.

Modelling of hygro-mechanical behaviour of wooden panel paintings: model calibration and artworks characterisation

Wooden Panel Paintings (WPP) are among the most significant historical and artistic artifacts from the Middle Ages and Renaissance and pose a challenge to conservators and scientists in both their comprehension and conservation. From a structural point of view, they can be considered as multi-layered objects, consisting of a wooden support and several pictorial layers. The wooden support, hygroscopic in nature, constantly seeks equilibrium with the humidity of the environment, and consequently deforms. Based on a series of hygroscopic tests carried out on six original WPPs, the present work aims to model their deformation tendencies induced by moisture changes and to characterise them by means of an inverse identification process. The sensitivity analysis of this study provided valuable insights into the complexity of the phenomenon of WPP deformation: even small variations in input variables (board anatomy, stiffness and emissivity of pictorial layers) led to significant changes in the deformation trend over time, highlighting the high variability of the physical problem under investigation. Sobol's analysis variance confirmed this complexity, demonstrating the different levels of influence of input variables and the existence of interactions between them. Overall, the results of this analysis highlighted the need to carefully evaluate the interactions and uncertainties in input variables to fully understand the complexity of the system. The iterative optimization process led to numerical results tending to agree with experimental data, with most results showing a very high correlation. This suggests that the chosen variables and modelling assumptions sufficiently described the physical system and that numerical models can be accurately calibrated. The proposed concept of 'learning from objects', by conducting experimental investigations specifically dedicated to understanding the deformation tendencies of the artwork, is essential. In this approach, numerical analysis is used in conjunction with experiments to gain a deeper understanding of the artwork, characterise it and extract valuable information.

New Insight on Medieval Painting in Sicily: The Virgin Hodegetria Panel in Monreale Cathedral (Palermo, Italy)

The Virgin Hodegetria, located in the Cathedral of Santa Maria Nuova in Monreale, near Palermo (Italy), probably dating the first half of the 13th century, is one of the earliest examples of medieval panel painting in Sicily. A diagnostic campaign was carried out on the panel aiming to identify the constituting materials and the executive technique, as well as to assess the state of conservation for supporting the methodological choice of the restoration intervention. Both non-invasive (X-ray radiography, digital microscope, multispectral imaging, ED-X-ray fluorescence) and micro-invasive (polarised light microscopy, ESEM-EDX, ATR-FTIR spectroscopy and micro-Raman spectroscopy) analyses were performed. According to the results, the executive technique followed the 13th–14th-century Italian painting tradition. A complex structure was applied on the wooden support, consisting of a double layer of canvas and several ground layers of gypsum and glue-based binder. The underdrawing was made by a brush using carbonaceous black pigment. The original palette includes red ochre, red lead, azurite, carbon black and bone black. During the several restorations, mercury-based red, indigo, smalt blue, orpiment and synthetic mars were used. The original silver leaf of the frame was covered with red tin-based lake and subsequently regilded with gold leaf. Proteinaceous and oil binders were also detected.

A consolidation of degraded lime wooden support from heritage objects using two types of consolidant,

The novelty of the research consists in the fact that the decayed wood was taken from an old icon, on which several consolidation treatments were applied, and the improvement indices of the decayed wood (by Anobiidae insects) were also determined. This research investigated two types of the most used consolidant (Paraloid B72 10% and Regalrez 1126 25%) solubilized in three types of solvents, to improve the properties of lime wood samples coming from cultural heritage objects that presented different degrees of degradation. Testing methodology for dimensional changes and wood swelling due to solvents impregnation, retention of consolidant in the degraded Tilia cordata wood, and the effectiveness of the consolidation treatment by the Mark hardness method was extensively presented. The highest amount of consolidant was observed when using Regalrez solution, and the lowest amount of consolidant was determined for Paraloid B72 solubilized in acetone. As a general conclusion, the use of Paraloid B72 or Regalrez 1126 for the consolidation of old and degraded lime wood, regardless of the type of solubilizer, will lead to stabilization of the wood degraded properties and the life span of the heritage object.

Hygromechanical behaviour of wooden panel paintings: classification of their deformation tendencies based on numerical modelling and experimental results

Wooden panel paintings are among the most important historical and artistic artworks from the Middle Ages and the Renaissance period. Currently, they represent a challenge for conservators and scientists who face complex issues related to their conservation. Panel paintings can be considered multilayer objects, that for brevity can be considered to consist of a wooden support and various paint layers. The wooden support is known to be hygroscopic and is continuously seeking hygroscopic equilibrium with the humidity of the environment, thus it tends to deform. Based on various hygroscopic tests carried out on 6 real panel paintings chosen by expert restorers to represent different periods and construction techniques, this paper describes the deformation tendencies of the selected panel paintings. Among possible variables, three most important variables were identified: (a) tree ring orientation of the wooden support, (b) stiffness and (c) emissivity of the paint layers. The internal equilibrium of the forces, governed by the moisture gradients across the thickness of the wood, changes drastically according to the varying characterisation of these factors. To observe their individual contributions, the 6 panel paintings underwent various humidity cycles, were completely free to deform and were always in complete safety. To characterise the stiffness and emissivity of the paint layers, the 6 panel paintings underwent a few humidity cycles with the front face totally waterproofed; thus, the moisture exchange was forced from the back only, and one of the three variables was eliminated. A complex system emerges where the tree ring orientation of the wooden support, the stiffness and emissivity of the paint layers are strongly coupled and determine the deformation modes of the panel paintings. A numerical analysis was conducted to classify the various general deformation modes of panel paintings and the specific classification of the 6 real panel paintings analysed experimentally. The complexity of the interaction of the variables studied suggests that experimental procedures must be conducted in preparation for numerical analyses of real panel paintings.

Authentication of a Stradivarius “Petite Violin” Type from 1723

By correlating the structural–functional dimensional data with a series of archaeometric and chemometric characteristics determined by dendrochronological analysis and by three instrumental techniques (Scanning Electronic Microscopy, coupled with Energy Dispersive X-ray, µ-FTIR Spectroscopy and Thermal Analysis in Dynamic Mode), a Stradivarius violin was authenticated as having been made by one of the two Stradivari sons (Francesco or Omobono) in 1723. It should be noted that the “petite” type violin, which comes from a private collection and was recently purchased on the open market, has the original label and is in a poor preservation state. There is only one revarnishing intervention on the violin, and it is older than 80 years. There have been several attempts at sampling (all of which are under 30 years old) for the wooden support and varnish (from the top cover of the resonance box), but the existence of some analysis results is unknown. The dimensional characteristics of the structural–functional components place the violin in “petite violins”, and it is one of the more than 40 still preserved as an authentic artifact.

Development of a system for ranking geomechanical factors, which influence the stability of uranium mines workings

The subject of research presented in the article are processes that take into account the influence of geomechanical factors on the stability of mining workings of uranium mines. The purpose of this work is development of a system for ranking geomechanical factors by the degree of danger based on the analysis of risk factors that affect the stability of uranium mines. The work uses critical analysis and generalization of both own research results and the results of domestic and foreign authors. The geomechanical factors that affect the stability of the mining workings of uranium mines have been determined. It is shown that their influence has both a direct and an indirect effects due to the connection with mining-geological and technological parameters. The stability of the workings is significantly influenced by mining and technical factors (outcropping time, working space length, floor height, compression properties and structure of the backfill mass, chamber width, dynamics of cleaning works progress), mining and geological factors (depth of mining, thickness of the ore body, strength (deformation)) and physical and mechanical properties of the rock mass. In addition, the engineering and technical conditions of mine construction have a significant impact, in particular, the form and size of the workings, their orientation in the massif, the method of carrying out and supporting, the design and technology of fastening, etc. It is practically impossible to simultaneously take into account all factors in an analytical way, so it is necessary to select one or two main factors that are of decisive importance for the description of a specific geomechanical process. The originality of the work is the proposed ranking of geomechanical factors that affect the stability of mining workings of uranium mines. The ranking of geological, physical and mechanical factors on the stability of the chamber system elements at underground mining of uranium ores, according to the degree of attenuation of the influence, is as follows: strength of rocks → structure of the massif → angle of fall of the deposit → water content of the deposit → thickness of a seam. The ranking of the influence of support preparatory and capital workings on their stability, according to the degree of risk decrease, is as follows: no support → grid with anchors → sprayed concrete → wooden support → metal frame support with tightening → metal arches in concrete. Generalized ranking of the influence of the most significant factors on the stability of mining workings: geological, physical and mechanical factors → parameters of the development system → fastening technologies.

«Птицы и ЛЭП» в России: наследие СССР, современные достижения и вопросы

«Птицы и ЛЭП» в России: наследие СССР, современные достижения и вопросы