Oscar Coop-Phane Zenith Hotel Ros Schwartz, tr. Arcadia Books Oscar Coop-Phane shows he is not afraid to tackle the darker sides of life as he tells the story of a prostitute and the men she serves. The novel unfolds with a sympathetic clarity that refuses to shy away from both the harsh realities of life and the bits of gentleness and hope that can be found among the shadows. Colette Shipwrecked on a Traffic Island Zack Rogow & Renée Morel, tr. State University of New York Press This charming collection of previously untranslated stories, advice columns, and articles captures the passion and whimsy of influential French writer and personality Colette. The brevity of each piece (the longest is eleven pages) only serves to highlight the author’s remarkable wit, insight, and economical yet beautiful prose. Each offering disarms and delights. Nota Bene “the echo of centuries rings in your heart,” in Maryland it bridges the gap between America and Albania with prosaic images. Freed from Albania’s strictures, Hana realizes: “Now I have to invent my own life.” Her cousin, Lila, wants her to become “a normal woman” quickly, but Hana answers, “I can’t hurry my soul.” First she must resurrect the life of her body, its sexuality repressed before it could ever be experienced. As Hana sheds Mark, a “carapace,” she and her Irish American seatmate on the plane from Albania begin an intricate dance of the sexes that leads to physical and psychological rebirth. Sworn virgins still exist; Dones has filmed a documentary about their lives. But her novel does not simply investigate a unique custom. Rather , it explores many binary oppositions —urban/rural, tradition/modernity , wealth/poverty, West/non-West, communism/capitalism, home/diaspora , male/female, body/soul—to reveal how sociopolitical forces mold individual lives. Ultimately, this spare but evocative novel portrays a woman who negotiates and finally reconciles those binaries to shape an identity that transcends history, tradition, and societal constraints. Michele Levy North Carolina A&T University Herstories: An Anthology of New Ukrainian Women Prose Writers. Michael M. Naydan, ed. London. Glagoslav. 2014. isbn 9781909156012 The common thread that unites the diverse works of fiction presented in Herstories is that they were all written by Ukrainian women. Editor Michael Naydan explains that he compiled this anthology in an effort to bring some due attention to the scores of women currently writing fiction in Ukraine (and a few from beyond) and to introduce them to the English-speaking world. This probably explains why he decided to include so many excerpts from longer texts; unfortunately, such a format would probably work better if its target audience could actually read the writers’ other works. In this case, the reader is frequently left puzzled by a piece taken out of context, or unsatisfied when she turns the page to find the story suddenly over just when it was getting good. This abruptness is perhaps what lends a pervasive sense of incompleteness to what is seemingly a farreaching collection. More thorough editing would probably have eliminated much of the confusion that even backing up and rereading a few sentences doesn’t clear up. It could also have brought consistency to the transliteration of names and places. But the best works stand out on their own, in spite of any redactional shortcomings. Some of the exceptional talents include Larysa Denysenko, Natalka Śniadanko, and Liudmyla Taran. Many of the stories are draped in, if not cast in, a certain fairy-taleness that strives to persuade us (and mostly does) that the most interesting stories arise all around us. This is not magical realism, per se, for nothing breaks the rules of our world; it is rather a realistic look at the everyday , which takes on an almost sacral significance when sculpted out of prose. Central to this literary ordinariness is the quotidian dissatisfaction that forms the principal conflict of so many of the protagonists’ (female and male) lives. More than just showing that there’s a whole wealth of female fiction writers beyond the poets of the November–December 2014 • 57 reviews Soviet period, this anthology also shows their adeptness at presenting multiple voices: women and men, young and old, urban...
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