painting'. I presented a study of the epistles of St Paul. We began to realise that a systematic study of theology was needed. The idea of a religious-philosophical seminar in which we would all learn from Charting the Russian Religious Renaissance 61 each other was proposed by Tat'yana Goricheva. We started meeting at the end of October 1975. Goricheva turned out to be an excellent organiser it took great skill to stimulate and direct the activity of the assorted crowd of people who attended the seminar. What kind of people did this crowd consist of? A portrait of a typical participant will to some extent be the portrait of a young, religiously minded member of the 1970s intelligentsia. This type of person would normally be doing something creative (or would say he was) an artist, a poet, an essayist and would tend to view his creations as the revelation of a divine principle. The overwhelming majority of the seminar's participants would be very far from traditional forms of religion. Even those who insisted they were church members normally held quite individual religious views. What unified all these people was not similarity of dogma, but conviction that the religious search should be completely free: in the psychological atmosphere of those years it was not difficult to accept this 'spirit of freedom' as the Spirit of the Lord. The atmosphere at the sessions of the seminar was to a large extent defined by those who came to them: bohemians, some of them alcoholics and drug addicts, habitues of the famous 'Saigon' cafe on the corner of Nevsky Prospekt and Vladimirsky Prospekt. The sessions sometimes turned into 'happenings': people came who were drunk or high on drugs. Quite often people who were simply insane turned up. It must be remembered that our seminar was the only open, active, unofficial cultural activity in Leningrad at that time (all the others were deep underground). There was simply nowhere else for people wanting to meet in cultural freedom to go. They came, then, not so much because they wanted to learn but because the atmosphere satisfied their desire to find something 'different' and to break free from the constraints of official atheism. It is therefore understandable that the membership of the seminar was constantly changing. We met in different flats and each time there were different people present, apart from the core group of six or seven. Sometimes as many as 80 people crowded into one room. They sat on tables, on windowsills, on bookcases and on blankets spread out on the floor. Most of them did not participate in the discussion of the lectures; it sometimes seemed that they were not interested in the subject at all. Nevertheless, 30 to 50 people came every time. Several hundred people attended the seminar at one time or another. In circumstances like these any systematic study of patristic theology was of course doomed to failure. There were too many people and the meetings were wrongly organised. So we soon had to change the format. We would have a lecture on some theme concerned with Christianity and culture, and then discussion. Topics included religion and poetry, Christianity and humanism, Christianity and nationalism, 'neo-Christianity'. In the final stages of the seminar we again turned to what had originally stimulated our religious search: Russian religious philosophy of the turn of the century. Developing this tradition, we published a collection of articles under the title Tserkov', kul'tura, ideologiya, in the style of the famous Vekhi. I fear that its main value was as a courageous idea. The best time for the seminar was when it met at flat 37, no. 20 Kurlyandskaya Street near the Baltic Station, where Tat'yana Goricheva and the Leningrad poet Viktor Krivulin, who were married at that time, lived in the later 1970s. The flat was in the semi-basement and you could get in through the window. As well as the constant crowd of people there were a great number of stray cats which were fed generously by both hosts and guests. The number of this flat gave its name to the journal 37, which from 1976 was the journal of the seminar. It was subsequently given the subtitle Zhurnal pravoslavnoi kul'tury (The Journal of Orthodox Culture), which in