Traditional Art Forms Research Articles

The curation of artists’ film and video and distinction-making processes: Tate as a case study

This article examines the significant changes in the curation of artists’ film and video that occurred at Tate from the mid-1990s. The events taking place in this publicly funded museum, which holds the United Kingdom’s national collection of modern and contemporary art on behalf of the state, are weaved together with the development of the advocacy work in favour of artists’ film and video by US collectors Pamela and Richard Kramlich. The analysis aims to better define the role of private global economic capital in shaping curatorial approaches within state-funded national institutions and, in turn, within the distinction-making processes that lead to social reproduction. Attention is given to how artists’ film and videos, despite their often progressive content and ephemeral nature, in their passage from cinema/television to the gallery, have not escaped the distinction-making role fulfilled by other more traditional art forms, thus contributing to the persistence of class distinctions.

Explore The Application of Folk Arts in Wall Painting Art

This study aims to analyse the inheritance of folk arts in the wall painting art as an example, and to propose the main measure for the application of folk arts in the wall painting art, to allow our country's folk arts to continue the inheritance while enriching the wall painting art form, and to encourage the integrated development of both. Folk arts refers to the art that is inherited and developed among the public. The purpose of folk arts creation is to beautify the environment and enrich the popular culture. Folk arts includes the traditional art forms of various ethnic groups in China and is the embodiment of various art forms. Folk and traditional arts are rooted in and reflective of the cultural life of a community. They encompass the body of expressive culture associated with the fields of folklore and cultural heritage. Tangible folk arts include historic objects which are crafted and used within a traditional community. It applies a qualitative, because of its flexibility in recording observations of elements of folk arts in wall painting. To this day, wall painting still has a large market in Chinese society, and folk arts has gradually developed into the most popular element. Overall, this study will provide an invaluable source of information about folk arts and wall painting. It will benefit wall painting designers, artists, researchers, art students, and scholars interested in studying this theme and traditional elements.

Meanings Behind the Carving Motifs of Traditional Malay Houses

Woodcarving motifs, including Negeri Sembilan, are significant in Malaysian art, bearing ancient knowledge and latent meanings. However, the understanding of Malay woodcarving motifs in Kuala Pilah is relatively limited compared to the east coast. The urgency to study these motifs intensifies as urbanization rapidly changes the landscape, representing not only woodcarvers’ skills but also profound cultural symbolism. This paper aims to interpret the meanings within these motifs in traditional Malay houses in Kuala Pilah, employing qualitative methods such as observation, interviews, photographic records, and secondary data analysis alongside Ferdinand de Saussure’s Semiotics Theory for analysis. The cultural and social significance embedded in these motifs is unveiled through signifier and signified analysis. The results revealed the presence of various motifs encompassing geometry, fauna, flora, and still life. The study also uncovered that each motif plays a pivotal role in conveying the cultural and social values of the Malay people in Negeri Sembilan and enhances our understanding of the traditional art form of woodcarving amidst contemporary transformations.

The effect of augmented reality-based serious game on traditional pattern learning

ABSTRACT Traditional pattern teaching is an important part of the art curriculum, but the pattern are complex and difficult to learn. While schema theory focuses on the integration, understanding and construction process of knowledge, AR technology can provide a three-dimensional and dynamic display of patterns, which has been used in teaching in recent years.Therefore, this study uses schema theory to guide the design of AR serious games and conducts experiments in a university. We selected a total of 120 students for the experiment to test AR serious games and common serious games respectively.The results indicated that both common serious games and AR serious games guided by cognitive schema had good teaching effects, while AR serious games more significantly reduce the cognitive load of students. For comprehension questions, the teaching effect of AR serious games is more significant, but for literacy questions, the difference in learning effect between them is not significant. In addition, AR serious games are more helpful for long-term memory and for understanding of complex traditional art forms such as bone schema and cultural schema. These are inspirational for art education.

Приключения дорожников (1974–1980): национальный колорит грузинской троицы

The author focuses on a series of short films about road workers, created in 1974–1980 by different directors of the Georgia Film studio based on the scripts by Rezo Gabriadze. Despite the light comedic structure, each of the films in the cycle correlates with traditional art forms and is a kind of a parable about the important work of three friends who continue the work of their great ancestors in an already built-up world. This comedy cycle turns to the aesthetic foundations of Georgian cinema, which allows drawing conclusions about transformations in cinema, the processes of irony over the established film traditions, and nostalgia for the national cultural heritage. There is no large-scale epic background in the cinematic reality; it is introduced by a thin visual-semantic layer, paying tribute to national pride and history with the winding road surface, hills, endless fields, and the temperament of the characters. In the narrative and visual form, the three road workers can be interpreted as a homage to the Coward, the Fool and the Pro — the famous characters of Leonid Gaidai. With their undoubted masculinity, the Georgian trio paradoxically corresponds not only with Gaidai’s characters; it also represents a family where a strict ‘mother’ energetically raises a fidgety ‘child’ under the stern and gloomy gaze of a ‘father’. The spatial design of the filmic reality is dominated by road; most of the troubles happen when the characters consciously or forcedly deviate from the asphalt road itself. Overcoming the boundaries of this extended field, the characters find themselves in a moderately hostile world, salvation from which lies in returning to their road ‘Eden’.

Exploring the Narrative and Aesthetic Aspects of Huanglong Opera in Nong'an County Jilin Province China

Background and Aims: Huanglong Opera is a traditional Chinese opera form deeply rooted in the cultural tapestry of Nong'an County, Jilin Province, China. The objective of this study is to investigate the narrative and aesthetic aspects of Huanglong Opera in Nong'an County, Jilin Province, China. Materials and Methods: With a multidisciplinary approach drawing from sociology and anthropology. The research site, Nong'an County, was chosen for its historical significance in preserving and promoting this traditional art form. Three key informants played a pivotal role in providing insights into the narrative and aesthetic dimensions of Huanglong Opera. The research tools employed observation forms and interview forms to collect comprehensive data on these aspects, with meticulous data analysis to categorize and identify patterns in the observations. Result: The study unveiled historical storytelling, the delicate balance between authenticity and fiction, universal themes, character development, and cultural preservation embedded in Huanglong Opera's narratives. It also highlighted the musical composition, elaborate costumes and makeup, choreographic precision, stage design, and props that constitute the opera's captivating aesthetics. Conclusion: The study's findings underscore the cultural significance and enduring appeal of Huanglong Opera while suggesting avenues for its preservation, modernization, and broader cultural impact.

The Exploration of Consumer Perception on Preserving Traditional Daqing Oil Pottery Motifs Design in China

This study investigates how Chinese consumers feel about traditional Daqing Oil Pottery themes being preserved. This study uncovers the significant cultural importance associated with these motifs, which have an influence on consumer choices and the region’s economic stability. One important aspect influencing Daqing Oil Pottery’s output and sales is shifting customer views. This study uses a use an organised database of secondary sources that includes academic publications and article journals. The results highlight the implications of the economy in comprehending and maintaining traditional art forms.

Reviewing the current situation of Huadengxi Chinese folk songs in Yunnan Province

Nestled in the southwestern region of China, Yunnan Province boasts a cultural tapestry that is as diverse and colorful as its breathtaking landscapes. Among its many cultural treasures, the Huadengxi Chinese folk song shine, as a testament to the rich artistic heritage that has thrived in this region for centuries. The objective of this study is to review the present state of Huadengxi Chinese folk songs in Yunnan Province. Five key informants, with extensive knowledge and experience in Huadengxi, provided valuable insights. The data collected included observation forms, interview forms, and questionnaires, with a multidimensional approach encompassing document data, music data, audio data, and video data. This research sheds light on recent innovations, the historical evolution of Huadengxi, and its integration into educational institutions. This finding underscores the significance of preserving this traditional art form and promoting it within the educational landscape. As an era of global cultural diversity unfolds, understanding the challenges and successes of preserving and advancing traditional art forms such as Huadengxi is of paramount importance.

THE ESSENCE OF ROGAN ART CAPTURING HUMAN EMOTIONS

Rogan art, also known as Rogan painting, is a traditional art form that originated in the Kutch region of Gujarat, India. The art is characterized by its bold colors, intricate patterns, and highly stylized motifs, often depicting elements from nature, such as flowers, birds, animals, and geometric shapes. The art of Rogan painting on cloth dates back centuries. The Rogan technique was traditionally associated with the Afridi tribe of Pathans. The main aim was to combine traditional Rogan art with contemporary line work to depict human behavior and emotions through psychedelic art. This project showcases early-stage conceptual clothing that add scent to emotional fashion by amalgamating the confidence-boosting and socially acceptable aspects of fashion design with the beneficial psychological effects of mood manipulation. It investigates the expanding frontier of smell by seeking out unusual sensations that can be integrated into the fashion palette to generate radical properties that benefit the wearer. The graduate collection 'Enkrateia' blends fashion, sustainability, and psychology. The paper explores emotional clothing and new connections with the body to discover how fashion may make a difference. It describes experimental ideas for a collection of clothes that adds function to fashion design, enhancing the quality of life for human beings suffering from stress or illnesses

Fostering Literacy through the Transmission of Chinese Dongbei Dagu Vocal Songs in Xiuyan County, Liaoning Province

Chinese Dongbei Dagu vocal songs, a traditional genre hailing from Northeast China’s Dongbei region, possess a rich history spanning over two centuries, distinguished by their unique combination of rhythmic speech-like delivery and melodic elements. The objective of this study is to investigate the fostering of literacy through the transmission of Chinese Dongbei Dagu vocal songs in Xiuyan County, Liaoning Province. The research utilized questionnaires and interviews with six key informants as research tools, including two academic experts, three singers of Dongbei Dagu, and one musical accompanist, who played a pivotal role in providing invaluable insights into various facets of Dongbei Dagu, ranging from its historical significanceto the methods employed for its traditional and modern transmission. Qualitative data analysis revealed the existence of two primary modes of transmission: the time-honored apprentice style and the familial family-style methods within traditional settings. Moreover, it uncovered contemporary transmission modes that ingeniously adapt to folk activities, tea houses, theaters, and specialized training workshops. The research findingsunderscore the paramount importance of cultural databases, governmental support, educational initiatives, innovation, audience expansion, and early education in the continuous preservation and promotion of Dongbei Dagu. Ultimately, this study not only enhances our comprehension of intangible cultural heritage but also offersa pragmatic blueprint for sustaining traditional art forms within the context of contemporary society.

The Preservation and Transmission of Gannan Tea Picking Opera Knowledge After the Cultural Revolution in 1949

The study focuses on the preservation and transmission of Gannan Tea Picking Opera knowledge after the Cultural Revolution in 1949 using qualitative research methods such as interviews and observations with seven key informants. The following findings were obtained, which can be divided into three distinct periods: The tortuous development phase from 1949 to 1966 marked significant growth and development, with the establishment of specialized schools and the implementation of the “three reforms” contributing to knowledge transmission and preservation. The survival dilemma period from 1966 to 1976 during the Cultural Revolution imposed constraints on artistic expression, but the return of artists from rural areas and their role in recruiting apprentices supported the continuity of Gannan Tea Picking Opera. Finally, the Ganzhou Gannan Tea Picking Opera Troupe and educational institutions contributed to the revival of this traditional art form during the period of rebirth from 1976 to 2023. Retired artists continue to play a vital role in knowledge preservation and dissemination, reflecting the enduring resilience of Gannan Tea Picking Opera.

Korean Pansori Vocal Note Transcription Using Attention-Based Segmentation and Viterbi Decoding

In this paper, first, we delved into the experiment by comparing various attention mechanisms in the semantic pixel-wise segmentation framework to perform frame-level transcription tasks. Second, the Viterbi algorithm was utilized by transferring the knowledge of the frame-level transcription model to obtain the vocal notes of Korean Pansori. We considered a semantic pixel-wise segmentation framework for frame-level transcription as the source task and a Viterbi algorithm-based Korean Pansori note-level transcription as the target task. The primary goal of this paper was to transcribe the vocal notes of Pansori music, a traditional Korean art form. To achieve this goal, the initial step involved conducting the experiments with the source task, where a trained model was employed for vocal melody extraction. To achieve the desired vocal note transcription for the target task, the Viterbi algorithm was utilized with the frame-level transcription model. By leveraging this approach, we sought to accurately transcribe the vocal notes present in Pansori performances. The effectiveness of our attention-based segmentation methods for frame-level transcription in the source task has been compared with various algorithms using the vocal melody task of the MedleyDB dataset, enabling us to measure the voicing recall, voicing false alarm, raw pitch accuracy, raw chroma accuracy, and overall accuracy. The results of our experiments highlight the significance of attention mechanisms for enhancing the performance of frame-level music transcription models. We also conducted a visual and subjective comparison to evaluate the results of the target task for vocal note transcription. Since there was no ground truth vocal note for Pansori, this analysis provides valuable insights into the preservation and appreciation of this culturally rich art form.

Exploring the impact of machine learning on dance performance: a systematic review

ABSTRACT In recent years, the intersection of machine learning and dance has garnered increasing attention as a means to enhance the aesthetics and creativity of dance performance. Machine learning techniques, such as human-pose detection, have been utilized to analyze body movement and generate visual models in realtime, offering new approaches to traditional art form. However, despite the growing interest in this field, there is a lack of comprehensive research that evaluates the impact of machine learning on dance from multiple perspectives. This systematic review addresses this gap by examining the impact of machine learning on four key aspects of dance performance: choreographic creation support; dataset or network collection and training; improved techniques of human-pose detection; perception and new visual representations of dance movement. This exploration reveals that machine learning contributes both positively and negatively to artistic development, introducing a sense of novelty and heightened interest in the performance while concurrently prompting ethical concerns regarding artistic ownership and authorship. Through a nuanced analysis of machine learning's effects on key aspects of dance, this study aims to provide valuable insights into how these technologies can enhance the artistic practice in dance while signaling areas that demand further research in this rapidly evolving field.

The Impact of Digital Media, Virtual Reality, and Computer-generated art on Traditional Art Forms

This paper explores the profound influence of digital media, virtual reality (VR), and computer-generated art on traditional art forms. In the age of technological advancement, these digital mediums have not only redefined the boundaries of artistic expression but have also transformed how audiences engage with art. This study delves into the evolution of art in the digital era, emphasizing the ways in which traditional art forms are adapting, converging, and thriving within the digital landscape. Through case studies, historical analysis, and critical examination, we demonstrate the multifaceted impact of these digital innovations on the traditional arts. We also highlight the potential for synergy between digital and traditional art, fostering a new era of creativity and artistic exploration.

International Education on Vietnamese Folk Music: The Heritage of Ca Trù, Chầu Văn, and Quan Họ Bắc Ninh

The article focuses on the study of representative traditional art forms of Vietnam that have been recognized by UNESCO as intangible cultural heritage of humanity, such as Ca Trù, Chầu Văn, and Quan Họ Bắc Ninh, in the context of international education about Vietnamese culture. These folk heritages not only reflect the history and national identity but also hold significant value in global cultural exchange. The purpose of the study is to clarify their role and importance in cultural education programs for foreigners. To achieve this goal, we employed document analysis and in-depth interviews with experts, artisans, and individuals involved in cultural education activities. The analysis indicated that these art forms are not only entertaining but also contain profound humanistic values, contributing to the formation of cultural awareness of Vietnam for visitors and foreigners in Vietnam. These valuable cultural heritages also serve as effective means to introduce Vietnamese culture to the world. Therefore, the study asserts that incorporating these art forms into international education programs can enhance the value and understanding of Vietnamese culture. The contributions of the article lie not only in highlighting the value of traditional art forms but also in providing a theoretical basis for developing cultural education programs in the context of global integration.

Comprehending AI's Role in Literature and Arts from a Transhumanist Perspective

This research paper embarks on a journey into the transhumanistic intersection between human intelligence and Artificial Intelligence (AI) in the context of producing literature and arts. It argues that human-AI collaboration is a catalytic process for expansion and innovation, with AI emerging as a potential creative partner. This exploration delves into how AI can serve as an extension of human articulation, enhancing artistic capabilities and broadening the horizons of artistic expression. The study underscores the pivotal role of AI in artistic domains by tracing its historical development in creative fields, examining collaborations between human artists and AI systems, and exploring real-world applications to illuminate the potential advantages and challenges of AI-aided creativity. The paper further delves into the ethical and philosophical considerations surrounding authorship, authenticity, and human intervention in AI-generated elements, as well as their societal and cultural implications, offering a glimpse into how AI applications are reshaping contemporary society. Moreover, the research probes into how AI-generated art disrupts traditional aesthetic art forms, reshapes artistic norms, and fosters versatile interpretations. By scrutinizing the potential impacts and risks associated with AI in literature and arts, this research paper aims to shed light on the symbiotic power of AI as an extension of human intelligence in the creative spectrum within the framework of Transhumanism.

The Importance of Thai Christian Art: An Analysis of Three Artists and Their Impact on Society

In this article, three differing approaches to faith representation will be presented. Sawai Chinnawong uses a traditional Thai art form, while Arnan Moontrakorn utilizes an amalgamated approach to Thai and Modern art. Jompol Puatawee, while using Thai imagery in his contemporary art style, does not reference traditional symbols. The artists featured, while all representing their Christian faith, do not use obvious Christian symbolism. As this article shows, Thai Christians can accept Thai traditional art as a useful medium for presenting Christian ideas, and these works of art are understood to have a Christian message.

Why Art Journalism Is Important in Connecting Traditional Art and Entertainment with The Media

Due to an increase in pop culture consumption and social media use, traditional art forms such as classical music, pottery, and painting are not covered enough in modern journalism. Today traditional art forms, such as classical music, sculpture, and painting, are still seen in a very linear way, even though there are opportunities for this medium to be represented in media. Art journalism would not only help music to be utilized in various ways but also enhance society by exposing more people to art. Art journalists act as an amplifier for many artists by giving them a platform to promote their work and also allowing them to draw connections with each other. Additionally, art journalism promotes cultural appreciation because it often covers cultural events, music, and artwork with artistic aspects. Furthermore, providing these artists with an outlet to popularize their work allows people to discover certain cultures that they might not have otherwise. In all, given that classical forms of art are declining in popularity and the younger generation is becoming increasingly less exposed to traditional art, art journalism can be an effective way to maintain traditions and ensure that art forms such as classical music do not die out completely. The purpose of this research is to study how a decline in art journalism and journalism overall will impact our society and today’s youth, as well as study the statistical trends of artistic journalism. The research design will consist of quantitative research on the exact statistics of arts journalism and qualitative research concerning the effects of these factors and will be used to present the argument that art journalism is necessary for our society. The findings from quotes, graphs, and charts will be analyzed to do so, and summarized in the conclusion.

Exploring the Foothold of Kunqu in Modern Society Through a Comparative Study of Different Versions of The Peony Pavilion

After the publication of the youth version of The Peony Pavilion in 2004, Kunqu, a classical Chinese theatre, experienced a significant resurgence in both popularity and esteem. This renewal instigated a stronger emphasis on inventive and contemporary adaptations of the traditional repertoire. As culture evolves and advances, there is no doubt that classical theatre must also adapt to keep up with the times. The primary aim of this essay is to examine a contemporary phenomenon through a research methodology that compares and contrasts traditional and modern theatre styles. Specifically, this research focuses on the modern rendition of The Peony Pavilion, a renowned Kunqu opera that illustrates how traditional Chinese theatre can be adjusted to modern contexts while preserving its allure and importance. Additionally, this research project investigates the qualities and mechanisms of modernization in classical Chinese theatre. By concentrating on The Peony Pavilion, this study seeks to disclose how Kunqu integrates and embraces change while retaining its fundamental aspects. As a result, the research aids in crafting efficient techniques for modifying classical art forms to contemporary settings, guaranteeing that these traditional art forms remain significant and appealing over time. This will meet the increasing demand for contemporary performances while ensuring the longevity and preservation of classical arts in the ever-evolving 21st century.

State Murals, Protest Murals, Conflict Murals: Evolving Politics of Public Art in Ukraine

Russian interference and invasion in Ukraine have transformed that nation’s historical practice of mural painting. A traditional art form with deep religious and political resonance in Ukraine, murals have become an instrument for patriotic mass mobilisation against the Russian military threat. From the mid-2000s, spraypaint graffiti underwent a gradual process of professionalisation and reconciliation with mainstream culture as Ukrainian municipalities pursued urban beautification initiatives and city-branding strategies to mitigate the socioeconomic challenges of postsocialism. It was this legacy of apolitical, privately funded street art that provided the foundations for patriotic muralism following the Maidan “Revolution of Dignity” and the Russian annexation of Crimea. Amidst the post-Maidan search for a postcolonial understanding of Ukrainian culture disentangled from Soviet and Russian influences, professionally produced murals in central urban districts proposed new visions of national identity. The war’s intensification since 2022 has resulted in a decentralisation of mural production. No longer reliant on international festivals in urban centres, conflict murals are now made by Ukrainian artists in large cities and small towns across the country. The newest murals represent a blending of the physical and digital—with a subject matter often inspired by viral conflict memes; artworks are, in turn, shared with worldwide audiences via social media.