INTRODUCTIONBen Okri's aesthetic fervor evidenced in the weird cornucopia of the mythic and the real in his works is impelled by larger-than-life vision of Utopia in which man is untrammeled by any form of bondage, social and political, physical or spiritual. Burrowing beneath the surface turbulence of his prose fiction with its miasma of murders, political and spiritual oppressions, megalomania and concatenation of other human frailties and woes, it becomes manifest that Okri's aesthetic penchant for the phantasmagorical and the liminalities of human engagement with life transcends the satiric; rather, his unusual artistic effervescence encodes an enduring search for new man living in Jerusalem. Like Martin Luther King (Jr), Okri has dream of world in which there is equality for all men, world which abhors suffering and poverty, golden realm from which unbridled materialism and greed-driver leadership have been winnowed out by the magisterial alliance of positive human effort and constructive spiritual forces. This paper posits that Ben Okri's unusual characterization is one of the avenues explored by him to effectively work out and demonstrate his Utopian quest for the New Man.Ben Okri scholarship of recent tends to concentrate on other areas aside from the Utopian essence of his characterization. Such studies include Ikenn Kamalu's Language, Style and Ideology in Ben Okri's Fiction which demonstrates the linguistic can be used to illuminate the ideology that is encoded in literary (67); Sola Ogunbayo's Paradox as Prophecy in Ben Okri's Mental which is a demonstration of how paradox as style in Ben Okri's Mental Flight has lent the text to prophetic reading (186); and Alex Asakitipi's Engaging in Life's Dialogue: A Sociological Interpretation of the Notion of Abiku in the Works of Soyinka, J.P. Clark and Ben Okri can be integrated into sociological account of the experience of transcendental phenomenon is way that acknowledges both the biological and social facts as well as how this experience can be interrogated with the domain of the sociology of illness and diseases (65). None of these works as well as others mentioned below focuses on the Utopianism and quest motif in Ben Okri's characterization. This paper, therefore, fills gap in research and advances the frontier of the knowledge universe.Liminality and Utopian Characterization in the Literary TextM. H. Abrams avers that characters are the fictional persons involved in the plots of narrative works to whom readers ascribe moral and emotional qualities based on their actions and conversations (20). Ian Watt adds that the canons of realism demand that the author of realistic novel provides the readers with enough details about his characters to particularize their identity and individuality in the reader's imagination. In other words, it is incumbent on the author of realistic novel to make his readers so intimately acquainted with his characters that the creations of his brain should be to them speaking, moving, living human creatures (Trollop cited in Allot 285). A careful analysis of Okri's works, however, shows the interweaving of the mythic on the real in Okri's characters, and this paper argues that Okri's recur to luminal characters hacks back to man's archetypal quest for the Utopian ideal.Utopia, concept popularized by Sir Thomas More's 1516 novel of that title, refers to perfect or ideal society which ironically does not exist except in the cerebral realms of literary, social and religious creations. Etymologically, it is Greek word with contradictory significations of a good place and no place. In essence, the Utopian ideal remains tantalizing vision, pristine, desirable but unattainable. At the social-political level, Marxism, Feminism and many other theories of existence and social relations could be regarded as Utopianisms in their strident and passionate philosophical re-envisioning of man's milieu. …
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