currents The Five Names of Tatamkhulu Afrika Africanness, Europeanness, and Islam ina South African Autobiography Gabeba Baderoon Rejecting the"Europeanness" thathis upbringingand his lightskinhadgiven him,TatamkhuluAfrika sought Africanness through Islam,activism,and empathy with otherblacks.ForAfrika,anAfrican identity does not reside in theskinbut isearnedand recognizedbyothers. rChameleon (2005) is theautobiography of theSouth African political activist,poet, and novelist Tatamkhulu Afrika,who was born inCairo in 1920 and died eighty-twoyears later inCape Town. Afrika converted to Islam in the 1960s and classi fiedhimself asMuslim, therebyceding the racialprivilege ofwhiteness under apartheid. Afrika titledhis autobiography after the chameleon, which embodies thediscursive elusiveness of the life recounted in Mr Chameleon.Afrika's autobiography is simultaneously thenarration of a politically engaged lifeand a meditation on thenature of identity. By the timeofhis death in 2002, thepoet Tatamkhulu Afrika's extraordinary lifestoryhad become well known in literary circles in South Africa. In often beautiful prose, Mr Chameleon recounts a narrative that traverses fromEgypt to theBo-kaap, reversing the colonial Cape toCairo sweep up the continent.1 Within a continental range of reference, Mr Chameleon tellsof thehard-earned selfhood of awriterwhose five successive name changes and racial reclassification confounded the certainties of apartheid. Afrika was born inEgypt in 1920 to a Turkish fatherand Egyptian mother, who moved to South Africa when Afrika was two.After thedeath of his parents shortlyafter theirarrival in South Africa, he was raised by family friends as a white child.Afrika foughton theAllied side in theSecond World War and later as part ofUmkhonto we Sizwe (or "Spear of theNation" inZulu, thename of the armed wing of the African National Congress) in the anti-apartheid struggle.After being known asMogamed Fu'ad Nasif, John Charlton, Ismail Joubert,and Tatamkhulu IsmailAfrika,Afrika adopted the lastofhis names, which means "Grandfather ofAfrica" inXhosa, froman honorific titlegiven tohim by fellow soldiers inUm khonto we Sizwe. As part of apartheid's racial project, the idea ofAfricanness itself was denigrated?the Nationalist government advocated a policy of exceptionalism, through which South Africa was cast as separate and qualitatively different from the rest of the continent.However, thename Afrikaner (literally "African") revealed thecontradiction of claiming a purely European identityat theheart of apartheid. It is therefore notable that,inaddition to rejecting theapartheid category ofwhiteness, Tatamkhulu Afrika also insisted on claiming anAfrican identity.In fact, Mr Chameleon embodies theanxiety behind apartheid ("separate ness"), the systemof racial hierarchy thatgoverned SouthAfrica from1948 to 1994,being that whiteness could be indistinguishable from blackness and, moreover, Europeanness could be indistinguishable from Africanness. Gabeba Baderoon received a PhD inEnglish from the University of Cape Town and has heldfellowships at the African Gender Institute, the Oxford Centre for Islamic Studies, and the University of Sheffield. She has published widelyon representations of Islam, slavery and the construction of "race" and sex inSouth Africa. Baderoon was the inaugural Humanities Writer inResidence at the University ofWitwatersrand in2008 and isAssistant Professor ofWomen's Studies and African & African American Studies at Pennsylvania State University. 56 i World Literature Today The relation of Europe toAfrica inSouth Africa's racial politics points to the legacy of the colonial era.While Mr Chameleondocuments thebrutal implicationsofapartheid's racial categories,notions of race in apartheid South Africawere based on the meanings of skin color inventedduring thecolonial period, under theDutch from 1652 and, from 1806 onward, under the British. From the seventeenth century, thepopulation of the colonies that would become South Africa consisted ofAfricans, European settlers, I and "Malays," the slaves brought to theCape by Europeans fromEast Africa, India, and Southeast Asia. 0 The category "coloured" came into widespread use at theCape aftertheabolition of slavery in 1834,and| referredtoKhoisan people and freed slaves. As thehistorian Shamil Jeppie and the literaryscholar Zoe 5 Wicomb write, thepossibility of a largerblack collectivityafter the end of slaverywas undermined by p colonial policies that would exacerbate differencesamong blacks and imbue the term"coloured" with the 1 burden of "shame" for itsassociation with miscegenation and African and slave roots.This "shame" of January-February 2009 157 3 slavery led to an erasure in folk memory of such origins and an emphasis on European family con nections instead. Therefore, meanings of Europe anness and Africanness became deeply implicated in conceptions of race inSouth Africa. In the era ofDutch...
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