ABSTRACT This article attempts to locate Percy Bysshe Shelley’s conception of ethics in the poet’s figure of audiovisual synesthesia. For Shelley, I argue, the deployment of synesthesia in “To a Sky-Lark” signals an investment in the problematic of reading poetry—of what it means to hear the music of poetry by seeing words on the page—and, therefore, involves an engagement with the explosion of print that characterizes Romanticism’s media culture. Synesthesia, in other words, becomes a problem of mediation, and it is by linking synesthesia to questions of reading and print that Shelley is able to offer an account of the ethics of media. I seek, then, to trace the development of synesthesia as ethical medium in Shelley’s lyric thought, a synesthesia that neither exactly synthesizes aural and visual, nor signals a mere absence of their relation. The relation that synesthesia comes to typify for Shelley is the very structure of media itself, a structure that joins together at precisely the moment it separates, thereby registering a non-relation at the very heart of relation, or a non-relation that nonetheless relates. In doing so, I hope to position Shelley as one of the most rigorous ethical thinkers of his generation.
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