This study analyzes signage systems and markers that have meaning in terms of character and character in the film. The Best Movies From Heaven published in 2014 were used as a study material. In the context of this research, the film is a full-text and multi-interpretative text composed of markers and markers. This corresponds to the notion of semiotic theorist Roland Barthes who developed the Pierce signage system to a wider two-stage marking marker and a sign to detonations, connotations, and myths. Detonation is what we see through the image / visual / image. The connotation is what we can think about its meaning. Therefore, the researcher formulated the following problem: how the meaning of construction in the selected film is related to character and semiotic analysis. The selection of scenes on a particular character in the movie will be reviewed for the purpose of obtaining the marking system that is being tried. This study found that a film featured The narrative of social-cultural relations is not merely a single moving image but involves a lot of specific messages being tried through sign and meaning systems. This sign and meaning system is not easy to get by simply watching a cinematographic narrative and technique but needs to relate to the social and reality of human life. The film is a discourse from the reality of the society and is different from the reflection of the reality in which the film forms and re-presents reality based on codes, conventions, and cultural ideologies (Sobur, 2009: 128). Movie work is developed with a solely marking system that is both verbal and non-verbal symbols that have to mean either denotative meaning nor connotative meaning.