Baudrillard is a famous French postmodern philosopher with a vast array of theories and writings. Based on Baudrillard's reflection on Marx's critique of political economy, the article takes the social and ideological origins of the theory of mimesis as the starting point of the study. Unlike Marx, Baudrillard's theory of mimesis involves a 'model' that appears as the initial form of the mimesis. Baudrillard's argument that the proliferation of mimesis and simulation has led to the demise of the real, and that the real world can be produced through modelling without the need for prototypes, adds a new dimension to reflections on Marx's critical theory of society, and expands the horizons and methodologies of contemporary Marxist research. The paper traces the premise and development of the theory of mimesis by analysing the turn towards consumer society, and presents the specifics of mimesis theory as a whole by keeping in mind Baudrillard's principle of symbolic exchange and his reflections on modern technology. This paper analyses the concept of mimesis based on Baudrillard's later theories, and attempts to explain the specific connotations of mimesis and its related concepts. This paper focuses on three related concepts of mimesis: "mimesis", "hyperreal" and "implosion", and explains in detail the differences between these four concepts on the basis of Baudrillard's work. Based on Baudrillard's work, the differences between these four concepts are explained in detail. Explores the symbolic order, social entities, and media influences in which the concept of "mimesis" occurs.
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