Colonial Modernity Research Articles

Poverty porn or poverty planning? Slum photography and the politics of spatial representation

This forum article critically examines the politics of visual representation in urban informality, interrogating the genealogies and contemporary manifestations of what we term the “slum gaze.” Drawing on postcolonial theory, feminist visual studies, and critical urban geography, we trace how colonial visualities continue to shape aesthetic constructions of urban marginality through “poverty porn” and spectacles of abjection. We argue that dominant visual regimes not only reflect but actively produce urban informality as a pathologized state of being, rationalizing dispossessive planning interventions while obscuring subaltern spatial knowledges and practices. The article unpacks the contradictory role of visuality in urban planning and policymaking, where GIS mappings and documentary photography paradoxically render informal settlements simultaneously hyper-visible and illegible to state bureaucracies. Against reductive visual grammars inherited from colonial modernity, we advocate for participatory visual methodologies that amplify resident-driven representational practices. By centering community-based visual epistemologies, we gesture toward more emancipatory modes of seeing and narrating the heterogeneous spaces of urban informality. Ultimately, this intervention calls for a paradigmatic shift in how urban scholars and practitioners engage visually with marginalized communities. We contend that cultivating critical visual literacies attuned to the politics of representation is essential for imagining and enacting more just urban futures. This requires moving beyond simplistic denunciations of “poverty porn” toward a praxis of critical visuality that unsettles universalizing gazes while legitimizing plural ways of seeing, knowing, and inhabiting the city.

Decolonizing Forest: The Myth of Panjurli and Guliga in Kantara (2022)

Colonial ideologies reduce nature to a repository of extractable resources and portray the Indigenous communities’ religious understanding of nature as primitive and unscientific. Decolonization foregrounds the silenced Indigenous epistemes that critique exceptional human paradigms of colonial modernity. This paper examines how traditional religious rituals function as a method of decolonization and discusses their exclusion from Western academia. It focuses on Kantara’s cinematic representation of the Indigenous ritual of Bhoota Kola and the worship of forest deities, Panjurli and Guliga, in the coastal areas of southern Karnataka and Kerala. These rituals emphasize the agency of the environment, where the forest, humans, and deities are porous and permeable. This non-anthropocentric understanding of humans questions the dominance of the secular narratives of posthuman theories in Western academia. Rituals foster ecological behaviours and highlight multispecies relationality, providing alternatives for sustainable futures. In emphasizing Indigenous religious practices, the paper undisciplines the Eurocentric study of religion and questions the disciplinary boundaries between scientific thought and Indigenous knowledge. Thus, this paper argues for the inclusion of regional cinemas from the Global South in Western academia to foreground Indigenous epistemes that undiscipline the study of religion and science.

Mapping the colonial modernity of preventing/countering violent extremism (P/CVE)

Mapping the colonial modernity of preventing/countering violent extremism (P/CVE)

Botanical imaginary of indigeneity and rhizomatic sustainability in Toni Morrison’s A Mercy

Abstract This article explores a botanical imaginary in A Mercy (2008), the ninth narrative by African American writer and critic Toni Morrison. Arguably, A Mercy features the botanical design of the rhizome to activate a revisionary model of sustainability. In particular, the narrative’s imaginary suggests a synergy that liberates the restrictive root of Indigeneity as a precondition to reconcile a tension of rigid binaries with the customary routes that lead to closure. This reconciliation will enunciate a radical break with the limited sustainability paradigms that are still constitutive of colonial modernity. Arguably, A Mercy features a transgressive array of journeys whose rhizomatic root of biodiversity transcends what is cultivated in the colonial American soil and mobilizes symbiotic and liberatory sustainability for humans and non-humans. Deleuze and Guattari’s principles of the “rhizome” philosophy contribute a main theoretical framework for construing the narrative’s botanical composition that suspends the inequitable realization of sustainability.

Introduction: Political Ecologies of Paper in Early Modern Art, 1500–1800

Abstract This special issue examines paper as it became the definitive material for both artistic practice and jurisprudence. European paper made from pulped rags and linens to create the mythic white empty grounds for design was foundational to early modern European ideas about both sovereignty and the creative act. The materiality of paper—as a surface created from refuse—also introduced a form of ecological thinking into both artistic practice and political theory that recognised the value and revolutionary potential of the material world to create from the detritus of failed projects and revolutions. Surveying artistic production across the European continent and into the Ottoman empire, this series of essays examines paper as both a material force that redefined the limits of the creative act while also being inseparable from the consolidation of new political regimes emerging from the rise of early modern colonialism. Paper was both the tool of dispossession and also the grounds on which the potential of artistic practice was reimagined.

Negotiating with Colonial Modernity

The emergence of a new elite in Minangkabau, flourishing in the modern milieu of Bukittinggi city at the beginning of the 20th century, represents a pivotal case study in the dynamics of colonial modernity. These individuals distinguished themselves in the economic and intellectual domains, as well as in the authentication of symbolic status through lifestyle emulation of the Dutch. However, their integration into the social circles of both traditional and modern communities in Bukittinggi was met with limited acceptance. This phenomenon underscores a society that embraced novel perspectives on the colonial world without succumbing to colonialist ideologies. This raises pertinent inquiries: who were these new elites? Why did they seek recognition within their modern context in Bukittinggi despite existing within a reality of modernity? And what was the nature of the inclusivity process for these new elites as modernists, without becoming colonialists? This discourse elucidates the process by which the new Minangkabau elite negotiated colonial modernity in Bukittinggi between 1905 and 1942. The findings reveal that the successful negotiation of colonial modernity by the new Minangkabau elite served as a mode of restraint as well as alienation from the social realities of Bukittinggi. Firstly, the negotiation facilitated broader participatory avenues for the new elite of Minangkabau in early 20th-century Bukittinggi. Secondly, it paved the way for them to independently craft mediums of intellectual and inclusive modernity. Thirdly, this negotiation led to the creation of new cultural forms that amalgamated three essential values of early 20th century Bukittinggi: tradition, colonialism, and Islam.

Crafting theories about living heritage: the postcolonial condition of contemporary Asian architecture and urbanism as an Asian ‘display’

ABSTRACT Heritage usually represents how the past is valued today. This paper, however, introduces a new perspective based on historical materialism, which is evident in modern Asian architecture. It argues that contemporary Asian architecture moves away from traditional historicism and embraces different ways of relating to history. The paper explores the idea of “living heritage”, which is shaped by the postcolonial nature of current Asian architecture and urban planning. The core idea is that immediate historicity, the presence of appreciated historical values, creates a unique quality called “display-ness”. This concept involves not just physical, visual, and spatial aspects, but also how a place is institutionalised. As evidence, modern heritage is influenced by global political dynamics. In Asia, the quality of architecture has shifted from modernism to what might be called colonial modernity, showing a new focus on hybridity. By comparing Japan and Singapore, this paper illustrates this idea of display-ness, which suggests a blend of future urban developments and cultural history in the present.

The Evolution of Minangkabau Elite: Modernization and Cultural Shifts in Nagari Kurai, 19th-20th Century

The problem addressed in this research focuses on the socio-cultural transformation of the Minangkabau elite during the colonial period, particularly in Nagari Kurai. Using the historical research method, the study traces the evolution of the local elites through archival analysis and ethnographic records. The key finding reveals that the establishment of Bukittinggi as a colonial center and the spread of modernity in the early 20th century prompted the rise of a new urban elite, distinct from traditional authorities. In conclusion, the study suggests that colonial modernity played a pivotal role in reshaping cultural and political hierarchies in Minangkabau society.

Ibn Khaldūn's reception in colonial South Asia

Abstract Scholars commenting on the reception of the historian and theorist ‘Abd al-Raḥmān Ibn Khaldūn (1332–1406) in modern South Asia have held that it was orientalists and Westernised intellectuals rather than indigenous intellectuals who popularised him in the region. Contesting these impressions, I argue that local intellectuals displayed their agency in using the historian's work to respond to various crises of colonial modernity. They read, translated, and appropriated Ibn Khaldūn to seek inspiration for modern Muslim nationalism, as validation for sectarian convictions and the rhetoric of Islamic reform, and to resist colonial and Hindu revivalist narratives of despotic Muslim rule in India.

‘Comrade unknown to me’: colonialism, modernity, and conjunctural translation in Familiar Stranger

ABSTRACT This essay considers the possibility of what I would call conjunctural translation. While literal translation has accelerated cultural ethnocentrism as well as settler colonial violence, conjunctural translation seeks to glimpse the possibility of solidarity buried beneath the collaborative rule among the empires. This essay first retraces colonial modernity in the British Caribbean and Britain. Reading the selected chapters from Familiar Stranger, I propose that this memoir registers the three phases of colonial modernity: transatlantic slavery, migration to metropolis, and the prison-house of identity politics. In contrast to this, literal translation was at the core of cultural ethnocentrism that underpinned colonial modernity in Korea and Japan. The second part of this essay explicates the relationship between colonialism and modernity in East Asia that is punctuated by the following three phases: settler colonialism, migration to metropolises, and the curtailment of identity and citizenship. In this case, each phase appeared as deprivation of land, migration to Japan and the crises of security, and the loss of nationality during the Cold War era. The last part of the essay concerns unpredictable connections between colonial modernities. Though separately formed in the transatlantic and transpacific regions, these modernities create crosscurrents of thought, struggles, defeats and victories: conjunctures. Published in the early 1950s, the writings of Martin Carter and C. L. R. James differently refer to the Korean War. By comparing their work, this essay concludes that the future of solidarity comes from ‘the ability to be exposed’. As Hall unexpectedly encountered the Caribbean migrants in London in the key moments of his memoir, such conjunctural translation was undertaken by the Caribbean intellectuals of the 1950s. To expose oneself to these unexpected encounters is the very momentum that urges us to be vigilant to the dangers of literal translation.

Public health as critique: examining the caste of filth and disease in Katherine Mayo’s Mother India

Drawing on Dalit writer Kanwal Bharti’s 2019 translation of Katherine Mayo’s Mother India (1927), this essay argues that through the employment of a radical anti-caste reading practice, the original text yields a powerful critique of Hindu caste structures and Hindu supremacist ideologies that assume a new significance in contemporary India. An against-the-grain reading of Mayo’s emphasis on life and health as opposed to casteized purity, when unmoored from the author’s original intentions, offers a vision of public health that operates in conjunction with the social, and can be reclaimed to the advantage of the marginalized and dispossessed. In its emphasis on the impact of colonial modernity on marginalized lives in colonial India, the text finds an intriguing alignment with radical anti-caste politics. This solidarity between what is widely recognized as a colonialist critique on the one hand, and radical anti-caste thought on the other, I argue, is a reminder of the uneasy relationship between colonial politics, Hindu nationalism, and anti-caste politics that sought to use colonial rule to strategically counter Hindu supremacy.

Reading My Father’s Leggìo: An Autotopography of Mourning in Translation

This essay is part of a wider project of autoethnographic exploration of the memory- and place-making function that keepsake objects perform in the context of the multi-scalar and more-than-human temporalities of colonial modernity and its pervasive geographies of displacement. In it, I engage in quiet conversations with an object associated with my father’s life, illness, and death in Bari, Italy – a wooden bookstand, or leggìo, which my father made out of repurposed wood. For over twenty years, this leggìo actively interacted with my spaces of migrant dwelling, affectively modulating my discomfited sense of hyphenated belonging among urban domestic interiors in Canada – at times attenuating my internal displacements and longings and at others amplifying them. This essay converses with the strange animacy accrued by the leggìo over the decades, at first just triggering my own personal memory work, but then moving outward into more difficult and demanding ethical questions about environmental stewardship and decolonial futurity, once I start interrogating the object’s material components and their manufactured provenance.

From colonial conquest to climate crisis: reframing French maritime museums

ABSTRACT Maritime museums occupy a challenging position when it comes to confronting environmental and social justice issues linked to colonial modernity, understood as five hundred years marked by European colonial expansion and exploitation. As institutions that emerged to celebrate national maritime exploits and dominion over the seas, they embody many of the features of colonial modernity itself. In light of the climate emergency, this article examines two recently opened or renovated French maritime museums to analyse the extent to which they are reorienting their focus and embracing more critical, oceanic ways of thinking about human relationships with the sea. An oceanic perspective recognises the fluid, interconnected nature of the oceans and the need for more holistic approaches to environmental sustainability and climate justice. The analysis reveals tensions between nationalist perspectives and emerging efforts to tell more environmentally attuned stories. Significant scope remains for maritime museums to shift their interpretive frameworks towards the seas as entities worthy of preservation in their own right, rather than as resources to be managed for human use and profit.

On the fringes of empire? Rethinking suburbs as colonial spaces in early modern South and Southeast Asia

Abstract This survey challenges conventional perceptions of colonial suburbs in the early modern Indian Ocean world in general, and those under the rule of the Dutch East India Company (VOC) in particular. Recent urban research advocates re-evaluating suburbs as intricate and diverse spaces, yet this shift has had limited impact on historical studies of early modern colonialism. The survey highlights the importance of recognizing suburban regions in eighteenth-century settlements such as Cape Town, Cochin, Colombo or Batavia, where significant population growth resulted from inter-Asian and internal migration. These areas fostered ethnic and cultural diversity, disrupting normative ideas of segregation. By shifting the analytical focus from the core to the periphery and exploring colonial histories from an outside-in perspective, the contribution emphasizes the potential of a more horizontal approach to sub/urbanity for understanding early modern colonial societies, encouraging scholars to delve into the intersection of ‘the imperial’ and ‘the urban’.

Inventing a Nation: Envisaging Tamilised Saivism in Colonial Tamil Society

This study seeks to analyse the complex and contentious relationship between Saivite revivalism and the nationalist aspirations of Tamils during the colonial period in India. One of the versatile faces of Saivite revivalism in modern Tamil society—Maraimalai Adigal, who engaged with the crises of colonial modernity, Brahminical Hinduism and Sanskrit supremacy, is celebrated to have offered nascent nationalist consciousness among non-Brahmin Tamils. Many scholarly works strongly approved his contributions as vital for the modern Tamil society as his passionate exegeses were believed to have laid the foundation for a nation to be imagined by non-Brahmin Tamils. This study disputes such a claim by delineating the inherent supremacy of ascriptive ideology in his Saivite revivalist paradigm. By invoking the conceptual framework of Ernest Gellner, who insisted that a nation is a self-conscious political community where some deep, permanent and profound changes take place in which society is organised. This article seeks to explicate how the contributions of Maraimalai Adigal and his Saivite revivalist fraternity firmly prevented the emergence of a new Tamil society to be organised with a reordered culture as a meta-local homogeneity or of power as a new political community.

Forum: At the crossroads – Critical perspectives on the study of climate security

This discussion forum brings together some of the leading voices in the debate on climate change and security to reflect on the possibilities and limits of critical research in the face of global ecological crises. If we – as critical geography, IR, and security scholars – take the ongoing ecological crisis seriously, how must our questions, concepts, and methodologies change? How, if at all, can security be provided in a climate-changed world, for and by whom? How to come to terms with the unequal landscape of climate insecurity? What is left of security, and what comes instead: mere survival, resilience, or navigating through disasters?Seeking answers to these questions, the authors of these short forum pieces discuss and rethink core concepts and themes of human geography and neighboring disciplines. The reflection pieces trouble the racist imaginaries that often underpin existing policy debates on climate change, scarcity, and insecurity. They discuss the implications of climate security for the liberal international order, North-South relations as well as the relationship between humans and the non-human world. They reflect on the complicity of our research – both critical and problem-solving – in the violent transformation of the planet and the repression of the racialized “others” of colonial modernity. And they explore the emancipatory potential of alternative security discourses that center on the complex web of beings, practices, and relations endangered by the unfolding climate crisis.

Food, Empire, and Mobility: An Introduction

Abstract Imperial and global histories of commodity and food trades predominantly emphasize a South-to-North orientation. This emphasis has tended to obscure lateral networks between colonies and smaller-scale geographies of exchange, particularly across the tropics. The five articles in this special issue address different ways in which food production, trade, and consumption evolved under colonial influence across Asia, Australia, and the Pacific, and variously through transcolonial and trans-imperial connections. This introduction briefly surveys the historiography, summarizes the articles' connecting themes, and outlines the new angles of vision they offer into histories of commodities and colonial modernity.

Religion after Critique

Abstract In the last few decades, religion and its terms have shown to be implicated in projects of colonial modernity. While this critique of religion is now generally accepted, the term continues to be used in the field with little regard to its history and its colonial construction. This essay aims to bring greater attention to the continuing relevance of religion in contemporary society as articulated in postcolonial scholarship. It proposes closer attention to the critique of religion in the work of David Chidester, Talal Asad and Charles Long. Two distinct dimensions of religion are identified in their work. The first is a construction of religion in colonial modernity, while the second suggests ways of studying religions in light of this construction. I show in this essay that their work points to multiple complementary ways of studying religions in the contemporary. Their work suggests that the field of religious studies cannot ignore its discursive history and construction.

Responsibility and the hidden politics of directionality: opening up ‘innovation democracies’ for sustainability transformations

ABSTRACT Developing earlier work, this paper explores analytic and political implications of ideas about direction in innovation. Unduly hidden in mainstream innovation and sustainability transformations literatures, crucial issues arise for responsible innovation. Although essential to both rigour and effectiveness, key realities tend to be concealed by general hegemonic forces in contemporary global colonial modernity, as well as by more specific expediencies to power and privilege in particular settings. To help resist these obscuring pressures, three contrasting (frequently conflated) meanings are distinguished. Directing innovation involves driving narrow motivating processes towards some given end. The direction of innovation concerns broader steering of pathways towards more openly chosen ends. Directionality of innovation entails grasping deeper political potentialities spanning pluralities of ends. Seriously eroding innovation policy and research alike, much current governance activity fails appropriately to focus or act on these distinctions. To assist greater policy robustness and legitimacy, this paper points to important (but often neglected) practises in each regard. To properly address social and ecological sustainability imperatives, greater attention is advocated to irreducibly political aspects of responsible innovation. This entails renewed emphasis not only on precaution, participation and accountability, but on actively supporting emancipatory struggle towards plural ‘directions for progress’ in innovation democracies.

La economía solidaria y del cuidado como propuesta decolonial a la visión eurocéntrica de progreso

The objective of this article is to provide elements of analysis to criticize the universalizing visions of the economy, which carries with it the proposal of the progress of colonial modernity that has denied non-market, non-capitalist and anti-patriarchal socioeconomic thoughts and practices. Making visible the existence of other epistemic and ontological matrices of significance of the economic in social existence will allow us to advance towards a decolonization of economic science, which will propose conceiving progress from the situated particularities of each historical context, and that will allow us to recover the unity of the public and private sphere, the repoliticization of the domestic space, and the need to recover control not only of the means of production, but also of work, subjectivity, collective authority, sexuality and nature. Realidad: Revista de Ciencias Sociales y Humanidades No. 163, 2024: 67-91.