ABSTRACT Several studies have explored the participation of the Chinese martial arts team in the 1936 Berlin Olympics cultural activities as a crucial historical phenomenon but lacking a female perspective. This article examines media reports, documents, and biographical literature related to three unbound-foot female martial artists: Zhai Lianyuan (1913–1989), Fu Shuyun (1916–2004), and Liu Yuhua (1916–2008). This is the first attempt to investigate their feet and related symbolism, offering an intriguing perspective on the intersection of sport and gender in East–West transnational body culture exchanges while shedding light on the implicit societal views of women in China in the 1930s. The findings show that they were mocked for ‘no marriage’ and verbally attacked by foot-binding supporters but persisted in entering the male-dominated martial arts. Women were allowed to participate in sports during China’s nation-building process and became warriors through exceptional performances, which fostered the nation’s honour and affirmed that East Asian women were not weak. The experiences in international sports of Zhai, Fu, and Liu, who grew up during a national crisis, strengthened their self-identity and national consciousness. While this article cannot ascertain the German audience’s perspective, examining women’s perspectives helps fill this historical knowledge gap.
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