Male Listeners Research Articles

Perception of Voice Attractiveness: Effects of Speaking Rate, Gender, and Age

Objectives: The purpose of this study was to investigate the effects of the speaker’s speech rate level, listener’s age, and gender on the listener’s attractiveness evaluation of the speaker’s voice. Methods: A total of 8 speaker voices (4 males and 4 females in their 20s-30s) were selected from the speech corpus provided by the National Institute of Korean Language. These voices were manipulated to be 0.8 times and 1.2 times their original speed, resulting in 24 voice files for attractiveness evaluation. Evaluators were recruited from different age groups: adolescents (14), young adults (16), and middle-aged adults (14). They were instructed to perceptually evaluate the attractiveness of the speaker’s voice. In addition, speech data from evaluators were collected to measure their actual speech rates. Results: Evaluator age groups did not show significant differences in attractiveness scores. However, across all groups, the attractiveness ratings were consistently higher for normal speech rates. Middle-aged male evaluators reported a significant decrease in attractiveness for faster speech rates. The correlation between the actual speech rate of evaluators and speakers was significant only for slower speech rates, indicating that evaluators with faster speech rates, especially males, showed lower attractiveness. Conclusion: The listener’s attractiveness evaluation may depend on the listener’s gender and age according to the speaker’s speaking rate, with middle-aged male listeners being particularly inclined to find fast speech rates unacceptable. This study underscores the significance of speech rate as an acoustic evaluation factor influencing listener attractiveness.

Can perpetrators discern survivors from voice?

ABSTRACT Background: Research has shown that potential perpetrators and individuals high in psychopathic traits tend to body language cues to target a potential new victim. However, whether targeting occurs also by tending to vocal cues has not been examined. Thus, the role of voice in interpersonal violence merits investigation. Objective: In two studies, we examined whether perpetrators could differentiate female speakers with and without sexual and physical assault histories (presented as rating the degree of ‘vulnerability’ to victimization). Methods: Two samples of male listeners (sample one N = 105, sample two, N = 109) participated. Each sample rated 18 voices (9 survivors and 9 controls). Listener sample one heard spontaneous speech, and listener sample two heard the second sentence of a standardized passage. Listeners’ self-reported psychopathic traits and history of previous perpetration were measured. Results: Across both samples, history of perpetration (but not psychopathy) predicted accuracy in distinguishing survivors of assault. Conclusions: These findings highlight the potential role of voice in prevention and intervention. Gaining a further understanding of what voice cues are associated with accuracy in discerning survivors can also help us understand whether or not specialized voice training could have a role in self-defense practices.

What do men gain from listening to men's mental health podcast episodes?

BackgroundAlthough men are more likely to die by suicide than women, they are less likely to seek help when feeling suicidal. Masculine socialisation leaves men feeling stigmatised for their mental health problems. Researchers consider podcasts an efficient way to promote health information and offer social support to individuals who are unable to access services. MethodsNine male listeners of a UK based men's mental health podcast series were interviewed using semi-structured interviews. Participants discussed their reflections of six podcast episodes and what they gained from listening. Interviews were recorded, transcribed and analysed using thematic analysis. ResultsFive interconnected themes were identified which described listener's reflections: understanding other men's lived experiences; facilitating male intimacy; combating male isolation; learning how to seek help and reflecting on a culture of positive masculinity. ConclusionsThe podcasts promote more inclusive, flexible versions of masculinity which encourage reflection on an individual's lived experience. Listening to men's mental health podcast episodes may provide a vehicle for men to initiate new ways of seeking informal help, reducing feelings of loneliness and fostering male intimacy. Recommendations on how the findings of this research can assist podcast creators develop episodes promoting flexible masculinity are discussed.

Sex-related communicative functions of voice spectral energy in human chorusing.

Music is a human communicative art whose evolutionary origins may lie in capacities that support cooperation and/or competition. A mixed account favouring simultaneous cooperation and competition draws on analogous interactive displays produced by collectively signalling non-human animals (e.g. crickets and frogs). In these displays, rhythmically coordinated calls serve as a beacon whereby groups of males 'cooperatively' attract potential female mates, while the likelihood of each male competitively attracting an actual mate depends on the precedence of his signal. Human behaviour consistent with the mixed account was previously observed in a renowned boys choir, where the basses-the oldest boys with the deepest voices-boosted their acoustic prominence by increasing energy in a high-frequency band of the vocal spectrum when girls were in an otherwise male audience. The current study tested female and male sensitivity and preferences for this subtle vocal modulation in online listening tasks. Results indicate that while female and male listeners are similarly sensitive to enhanced high-spectral energy elicited by the presence of girls in the audience, only female listeners exhibit a reliable preference for it. Findings suggest that human chorusing is a flexible form of social communicative behaviour that allows simultaneous group cohesion and sexually motivated competition.

The Podcast "Digitization of Medicine" as a Form of Science Communication.

The aim of the podcast Digitization of Medicine is to interest a broader audience and, in particular, young women, in research and work in the field of medical informatics. This article presents the usage figures and discusses their significance for further research on the success of science communication. By 24/02/2022, a total of 24,351 downloads had been made. There were slightly more female than male listeners, and they tended to be younger. Despite the importance podcast are gaining for science communication, little is known about the respective user group and further research is needed. In this context, this paper aims to help make the effectiveness of podcasts comparable.

Perceptual Cue Weighting Is Influenced by the Listener's Gender and Subjective Evaluations of the Speaker: The Case of English Stop Voicing.

Speech categories are defined by multiple acoustic dimensions and their boundaries are generally fuzzy and ambiguous in part because listeners often give differential weighting to these cue dimensions during phonetic categorization. This study explored how a listener's perception of a speaker's socio-indexical and personality characteristics influences the listener's perceptual cue weighting. In a matched-guise study, three groups of listeners classified a series of gender-neutral /b/-/p/ continua that vary in VOT and F0 at the onset of the following vowel. Listeners were assigned to one of three prompt conditions (i.e., a visually male talker, a visually female talker, or audio-only) and rated the talker in terms of vocal (and facial, in the visual prompt conditions) gender prototypicality, attractiveness, friendliness, confidence, trustworthiness, and gayness. Male listeners and listeners who saw a male face showed less reliance on VOT compared to listeners in the other conditions. Listeners' visual evaluation of the talker also affected their weighting of VOT and onset F0 cues, although the effects of facial impressions differ depending on the gender of the listener. The results demonstrate that individual differences in perceptual cue weighting are modulated by the listener's gender and his/her subjective evaluation of the talker. These findings lend support for exemplar-based models of speech perception and production where socio-indexical features are encoded as a part of the episodic traces in the listeners' mental lexicon. This study also shed light on the relationship between individual variation in cue weighting and community-level sound change by demonstrating that VOT and onset F0 co-variation in North American English has acquired a certain degree of socio-indexical significance.

Measuring speaking rate: how do objective measurements correlate with audio-perceptual ratings?

Objective Although speaking rate is central for many speech disorders, no consensus exists regarding the measurement of this feature. The purpose of this study was to examine the correlations between perceptual listener evaluations and various measures of speaking rate. Furthermore, the study investigated the relationship between speaking rate and articulation rate and how pauses in speech affect the perceived tempo. Method Nine healthy females were selected to produce stimuli representing three habitual speech tempi during semi-spontaneous speech: slow (n = 3), neutral (n = 3) and fast (n = 3). Speaking rate was analyzed both by manual calculation and through automatic detection by a script to the computer-based program Praat. Thirty untrained male and female listeners evaluated the recordings with regard to speech tempo on visual analogue scales from very slow to very fast. Results Large, significant correlations (Pearson’s r) were found between all objective measures of speaking rate and perceptual listener evaluations. Words/minute showed the largest correlation (.91), followed by syllables/second (.89), while articulation rate (pauses excluded) as automatically measured by the script, showed the smallest correlation (.69). Possible explanations for the findings are discussed. Conclusion Untrained listeners’ evaluation of speech tempo in normal subjects correlated strongly with objective measurements. The results both support the use of auditive-perceptual evaluation of tempo and the use of automatic script analysis for clinical use. Speaking rate (pauses included) showed better consistency with perceptual listener evaluations than articulation rate.

Is radio an effective method for delivering actionable information for responding to emerging pest threats? A case study of fall armyworm campaign in Zambia

BackgroundThe Fall Army Worm (FAW) radio campaign was implemented between November 2018 and April 2019 in key maize growing areas and locations with reported high severity of fall armyworm as identified by national stakeholders. We evaluated the effectiveness of radio mass extension campaign in achieving scale, and effect on farmers’ knowledge and uptake of management practices for fall armyworm (FAW). We also assessed the factors determining farmers’ participation in radio campaign, to inform future and similar campaigns.MethodsData were gathered through a household survey targeting locations where the campaign was implemented; and 250 male and 215 female farmers were surveyed. The study was conducted in four of the seven provinces where the campaign took place—Eastern, Luapula, Copperbelt and Southern provinces. Selection of the sample provinces was based on reported rainfall distribution during the season and severity of FAW infestation, radio coverage areas and maize growing intensities.ResultsThe radio campaign reached an estimated 1.4 million farmers. Survey results show that both male and female radio listeners were significantly more aware of fall armyworm, and more likely to adopt management practices than non-radio listeners, in particular preventive measures such as frequent monitoring, intercropping and crop rotation. This means that participation in the radio-based extension campaign significantly increased farmers’ knowledge and stimulated uptake of management practices for FAW. However, the survey showed that only 49% of the respondents listened to at least one FAW radio episode. Predictors of farmer participation in radio campaign were; gender, education level, and maize farm size.ConclusionsThe results imply that deliberate promotion of such programs would enhance listenership and improve interactivity while at the same time integrating other extension approaches. The integration also provides opportunities for equally reaching women as men, given the observed digital divide.

BROADCASTING MANAGEMENT STRATEGY V RADIO 106.6 FM JAKARTA IN MAINTAINING POSITIONING AS A FEMALE RADIO

V Radio listeners have decreased significantly since 2018. Even female listeners have also experienced a decline since the beginning of 2020. Nielsen's data recorded in early 2020 the percentage of female listeners was only 33%, while the rest were male listeners. Of course this is inversely proportional to the V Radio segmentation which should be women. The research objective was to find out and analyze how V Radio broadcasting management to maintain its position as a female radio was implemented by the top ranks of the V Radio team. This research uses qualitative research methods with a descriptive approach. The author uses Stoner's broadcast management theory which consists of four elements, namely planning, organizing, directing / giving influence, and monitoring. And there is one more element, namely evaluation. The data sources used were Nielsen data sources and interviews with V Radio management and staff. The data analysis process was carried out by means of theoretical data analysis. The result of this research is that V Radio applies all broadcast management theory according to Stoner. In the planning stage V Radio uses short-term planning to long-term planning. Organizing V Radio using vertical and horizontal structures. Instructions and supervision on V Radio are carried out internally and externally. And the last is the evaluation stage which is carried out periodically. Evaluation is carried out every 6 months which is called the Key Performance Appraisal (KPA)

Influences of listener gender and working memory capacity on speech recognition in noise for hearing aid users

ABSTRACT This study aimed to: (1) examine the influence of working memory capacity on the ability of experienced hearing aid users to recognize speech in noise using new noise reduction settings, and (2) investigate whether male and female hearing aid users differ in their hearing sensitivity and ability to recognize aided speech in noisy environments. 195 experienced hearing aid users (113 males and 82 females, age range: 33–80 years) from the n200 project were investigated. The Hagerman test (capturing speech recognition in noise) was administered using an experimental hearing aid with two digital signal processing settings: (1) linear amplification without noise reduction (NoP), and (2) linear amplification with noise reduction (NR). Gender differences were analysed using a series of independent samples from t-tests on Hagerman sentence scores, and the pure-tone average thresholds across the frequencies 500, 1000, 2000, and 4000 Hz (PTA4) for the left ear and right ear were measured. Working memory capacity (WMC) was measured using a reading span test. A WMC grouping (high and low) was included as a between-group subject factor in the within-group factors ANOVA, NR settings (Nop, NR), noise type (steady state noise, four -talker babble), and level of performance (50%, 80%). Male listeners had better pure-tone thresholds than female listeners at frequencies 500 and 1000 Hz, whereas female listeners had better pure-tone thresholds at 4000 Hz. Female listeners showed significantly better speech recognition ability than male listeners on the Hagerman test with NR , but not with NoP . This gender difference was more pronounced at the 80% performance level than at the 50% level. WMC had a significant effect on speech recognition ability, and there was a two-way interaction between WMC grouping and level of performance. The examination of simple main effects revealed superior performance of listeners with higher WMC at 80% using new NR settings. WMC, rather than background noise, was the main factor influencing performance at 80%, while at 50%, background noise was the main factor. WMC was associated with speech recognition performance even after accounting for hearing sensitivity (PTA4). This is the first study to demonstrate that experienced male and female hearing aid users differ significantly in their hearing ability and sensitivity and ability to recognize aided speech in noise. Thus, the average female listener has a greater speech recognition ability than the average male listener when linear amplification with NR is applied, but not when NoP is activated. An average female listener hears a given sound with greater sensitivity compared with an average male listener at higher frequencies. WMC is an important factor in speech recognition in more challenging listening conditions (i.e., lower signal–noise ratio) for experienced hearing aid users using new NR settings. More investigation is needed for a better understanding of how gender affects the ability of listeners less experienced with hearing aids (such as younger and elderly hearing-impaired listeners) to recognize speech amplified with different signal processing, as gender differences may vary based on numerous factors, including the speaker’s gender and age.

Hoodoo, Kentucky, Workers Adminstration Project, Poetry, Black Folklore, Ancestors and Memory

A poem about realizing freedom through transformation. The poem “ ‘Hoodoo’ Inspired by Mamie Hansberry from Christian Country Kentucky” is based on the voice of Mamie Hansberry, a formerly enslaved woman from Kentucky. Hansberry’s words were recorded by historians and archivists who worked for the Workers Project Administration (WPA). The WPA was a Depression-era program where historians and writers went around the South to collect the stories of the former enslaved. This program provided an opportunity for Black voices to be added and centralized in the archives. Despite positive intentions, the archivists were clouded by their own internal bias. Most of the collectors were white Southern males who held strong biases that influenced the topics they chose to explore. For example, Black folklore is featured heavily in the WPA narratives. To the recorder, these beliefs might have been viewed as eccentric and uncivilized. When interacting with Mamie Hansberry, they more than likely prompted her into explaining “Hoodism”. Instead of a simple introduction, however, Hansberry spun an oral rhyming poem, “A snake head an’ er lizard tail, Hoo-doo; Not close den a mile of jail, Hoo-doo.” Through her rhythmic re-telling, she showcases the beauty and power that resides in “Hoodisms”, that was probably lost by the white male listeners. The archives often offer us silence on Black voices that are women, poor, and rural. If they were recorded, they are often tainted by the bias of our racist and sexist systems, such as in the WPA narratives. Instead of looking to the archives to better tell the stories of my ancestors, I choose to do so through poetry allowing me to reimagine and explore where the archives offer me no assistance. Removing the white male gaze, I give my version of “Hoodism” based on the long line of Kentucky Black women who came before me, like Mamie Hansberry. This is my homage to their voices and stories. Their stories are not lost or forgotten.

The effect of female voice on verbal processing

Previous studies have suggested that female voices may impede verbal processing. For example, words were remembered less well and lexical decision was slower when spoken by a female speaker. The current study tried to replicate this gender effect in an auditory semantic/associative priming task that excluded any effects of speaker variability and extended previous research by examining the role of two voice features important in perceived gender: pitch and formant frequencies. Additionally, listener gender was included in the experimental design. Results show that, contrary to previous findings, there is no evidence that a lexical decision of a target word is slower when spoken by a female speaker than by a male speaker for female and male listeners. Additionally, the semantic/associative priming effect was not affected by speaker gender, neither did female mean pitch or formants predict the semantic/associative priming effect. At the behavioural level, the current study found no evidence for a gender effect in a semantic/associative priming task.

“I was scared to death”: storytelling, masculinity, & vulnerability in “Wet Dreamz”

ABSTRACT This essay uses J. Cole’s song “Wet Dreamz,” the artist’s boyhood tale about losing his virginity, as a case study examining how Black male hip-hop artists draw from ideas about the ordinary to position themselves vulnerably within the contours of the mainstream genre. I argue that Cole positions himself vulnerably by presenting himself as sexually insecure, making him susceptible to criticism around his masculinity and, by extension, mainstream marketability loss in a genre dominantly constructing Black men as sexually confident. Specifically, I explore how Cole discusses seemingly universal boyhood concerns about his penis size, “stroke,” and wet dreams, accentuating a sense of connectedness to his male listeners. Second, I argue that Cole rearticulates his masculinity through his heterosexual desire, which could otherwise be jeopardized by the song’s attentiveness to his sexual uncertainty. Through this case study, I demonstrate how Black male hip-hop artists can carve disruptive rhetorical space for expressing seemingly universal boyhood insecurities that commonly go unexpressed, depicting healthy sexual relationships, and representing Black boys as resilient and with sexual agency.

Enjoying sad music: A test of the prolactin theory

Philosophers have long wrestled with the apparent paradox of the enjoyment of negative emotional portrayals in the arts. An example of this apparent paradox is the enjoyment among some listeners of nominally sad music. An experiment is reported in which 39 participants listened to sad and happy music while serum prolactin (PRL) concentrations were measured. The purpose of the experiment was to test an a priori theory, proposed by Huron, that liking sad music is mediated by elevated PRL levels. Contrary to the theory, sad music did not result in a significant increase in PRL; nor was the pleasure of listening to sad music associated with increased PRL. Nominally happy music did result in a decrease of PRL, especially for those participants who most prefer happy music over sad music. The effect was greatest for those who score high on a measure of loneliness. Consistent with other studies, the degree of liking sad music over happy music was found to correlate with trait openness to experience, although this effect was not echoed in PRL levels. Post-hoc analyses indicate that PRL decreases were most marked for male listeners and those who score high on a loneliness measure. In general, the results are not consistent with the theory proposed by Huron.

Categorical and Dimensional Ratings of Emotional Speech: Behavioral Findings From the Morgan Emotional Speech Set

Purpose Emotion classification for auditory stimuli typically employs 1 of 2 approaches (discrete categories or emotional dimensions). This work presents a new emotional speech set, compares these 2 classification methods for emotional speech stimuli, and emphasizes the need to consider the entire communication model (i.e., the talker, message, and listener) when studying auditory emotion portrayal and perception. Method Emotional speech from male and female talkers was evaluated using both categorical and dimensional rating methods. Ten young adult listeners (ages 19-28 years) evaluated stimuli recorded in 4 emotional speaking styles (Angry, Calm, Happy, and Sad). Talker and listener factors were examined for potential influences on emotional ratings using categorical and dimensional rating methods. Listeners rated stimuli by selecting an emotion category, rating the activation and pleasantness, and indicating goodness of category fit. Results Discrete ratings were generally consistent with dimensional ratings for speech, with accuracy for emotion recognition well above chance. As stimuli approached dimensional extremes of activation and pleasantness, listeners were more confident in their category selection, indicative of a hybrid approach to emotion classification. Female talkers were rated as more activated than male talkers, and female listeners gave higher ratings of activation compared to male listeners, confirming gender differences in emotion perception. Conclusion A hybrid model for auditory emotion classification is supported by the data. Talker and listener factors, such as gender, were found to impact the ratings of emotional speech and must be considered alongside stimulus factors in the design of future studies of emotion.

The Jena Speaker Set (JESS)-A database of voice stimuli from unfamiliar young and old adult speakers.

Here we describe the Jena Speaker Set (JESS), a free database for unfamiliar adult voice stimuli, comprising voices from 61 young (18-25 years) and 59 old (60-81 years) female and male speakers uttering various sentences, syllables, read text, semi-spontaneous speech, and vowels. Listeners rated two voice samples (short sentences) per speaker for attractiveness, likeability, two measures of distinctiveness ("deviation"-based [DEV] and "voice in the crowd"-based [VITC]), regional accent, and age. Interrater reliability was high, with Cronbach's α between .82 and .99. Young voices were generally rated as more attractive than old voices, but particularly so when male listeners judged female voices. Moreover, young female voices were rated as more likeable than both young male and old female voices. Young voices were judged to be less distinctive than old voices according to the DEV measure, with no differences in the VITC measure. In age ratings, listeners almost perfectly discriminated young from old voices; additionally, young female voices were perceived as being younger than young male voices. Correlations between the rating dimensions above demonstrated (among other things) that DEV-based distinctiveness was strongly negatively correlated with rated attractiveness and likeability. By contrast, VITC-based distinctiveness was uncorrelated with rated attractiveness and likeability in young voices, although a moderate negative correlation was observed for old voices. Overall, the present results demonstrate systematic effects of vocal age and gender on impressions based on the voice and inform as to the selection of suitable voice stimuli for further research into voice perception, learning, and memory.

Gender differences in voice onset time perception

It has been known for a while that a gender difference in voice onset time (VOT) production exists such that males typically produce shorter VOTs than females (Swarts, 1992; Robb et al., 2005). However, potential gender differences in VOT perception have not been systematically investigated. This study addresses this question and asks if male and female listeners of English exhibit a different crossover point in a VOT continuum between a voiceless and voiced sound. 11-step VOT continua between /t/ and /d/ (VOT ranges from 70 ms to 5 ms) were created and a set of identification tasks were performed. Results show female listeners switch from a /t/-percept to a /d/-percept at an earlier VOT step (i.e., with a longer VOT) than male listeners do. That is, when female listeners start to categorize a token as a /d/-sound, male listeners still categorize the same token as a /t/-sound. This difference in the perceptual pattern between males and females mirrors their difference in production. VOTs for /t/ are typically shorter for male than female speakers, and male listeners categorize shorter VOT tokens as /t/ more often than female listeners do. This finding highlights the role of social factors like gender in the production-perception link.

Acoustic correlates of female confidence: A production and comprehension study

In the current study, an interactive approach is used to explore possible contributors to the misattributions listeners make about female talker expression of confidence. To do this, the expression and identification of confidence was evaluated through the evaluation of talker- (e.g., talker knowledge and affective acoustic modulation) and listener-specific factors (e.g., interaction between talker acoustic cues and listener knowledge). Talker and listener contexts were manipulated by implementing a social constraint for talkers and withholding information from listeners. Results indicated that listeners were sensitive to acoustic information produced by the female talkers in this study. However, when world knowledge and acoustics competed, judgments of talker confidence by listeners were less accurate. In fact, acoustic cues to female talker confidence were more accurately used by listeners as a cue to perceived confidence when relevant world knowledge was missing. By targeting speech dynamics between female talkers and both female and male listeners, the current study provides a better understanding of how confidence is realized acoustically and, perhaps more importantly, how those cues may be interpreted/misinterpreted by listeners.

Racial categorization and word identification: The influence of sex, race and regional dialect

The speech signal provides information on talker characteristics including socio-ethnic affiliation and racial identity. Regional variation, both similar and divergent from White American English, has been described in African American English. However, it is unknown if such regional dialect variation influences listeners’ racial categorization or word identification accuracy. This work evaluated the influence of listeners’ sex, race, and regional dialect on racial categorization and word identification for Black and White talkers from two dialect regions within North Carolina. Black and White listeners (n = 23) from eastern and central North Carolina participated. In the racial categorization task, listeners heard /hVd/ words produced by male and female Black and White talkers from eastern and western North Carolina. Listeners categorized the perceived talker race for each token as Black or White. In the word identification task, the same listeners matched the speech tokens from the same talkers to one of fourteen /hVd/ words. Results showed an effect of listener sex on word identification accuracy such that female listeners were more accurate than male listeners. No effect of listener race or regional dialect was observed for either task. Follow-up analyses will investigate the interaction between listener and talker sex, race, and regional dialect.

Cross-dialectal analysis of English pitch range in male voices and its influence on aesthetic judgments of speech

AbstractThis study focuses on the differences in pitch register and pitch span across five accents of English, and investigates their potential effects on judgements of speech. We recorded two male middle-aged speakers for each of the following accents of English: Brighton, Manchester, Perth, New Jersey and Edmonton. Then, we modified pitch register in selected spontaneous speech recordings by raising the overall pitch in the recordings by 5 Hz and 15 Hz using Praat. The entire material was then randomized and prepared for an online survey. A group of 50 respondents (30 female, 20 male) who were non-native speakers of English were asked in a blind study to evaluate both the unmodified and modified recordings on a 7-point Likert scale in terms of their perceived attractiveness, friendliness, prestige and self-confidence. Overall, it has been found that pitch span can be a telling cue when evaluating perceived friendliness for both gender groups, while pitch register can affect male listeners in evaluating attractiveness and self-confidence. Finally, it seems that there is a an upper limit for what listeners can aesthetically accept in terms of pitch register, as the recordings with highest registers were disfavored by our respondents.