This study categorizes anecdotes related to concubines in Yijianzhi(夷堅志) and analyzes their narrative structures to examine the societal value orientation of the Song Period and the perceptions of people regarding concubines or husband-concubine relationships. Research on concubines in the Song Period has been actively conducted, primarily focusing on their legal status, obligations, and roles within the household from a legal history perspective, as well as reconstructing their daily lives and social positions from a social history perspective. This paper examines the psychology of the common people and the socially formed implicit agreements surrounding concubine and husband-concubine relationships in the Song Period, utilizing anecdotes of judgment and retribution in the underworld within Yijianzhi. Furthermore, it analyzes the limited positions of the husband, wife, and concubine as represented in the typified narrative structures. The anecdotes in Yijianzhi(夷堅志) related to concubines and their husbands can be categorized into several narrative types. These include warnings against literati(士人) who fail to uphold marital fidelity or recklessly take daughters from liangjia(良家) as concubines, judgments against primary wives(本妻) who abuse or kill their concubines or maidservants, and cases of concubines resisting their husbands when left with no other options due to their husbands’ change of heart. These recurring narrative patterns illustrate the conflicts surrounding concubines and the processes of resolution in Song Period, often through judgment of the underworld or karmic retribution in the form of death. Ultimately, what was expected of literati(士人) was the establishment and maintenance of proper marital relationships in accordance with societal norms. By remaining faithful to their wives or refraining from taking concubines from liangjia(良家), they contributed to social stability, aligning with “the rulers(治者)” intention and societal expectations of maintaining a “family order centered on the primary couple.” Primary wives(本妻) were expected to be tolerant and benevolent toward concubines. Rather than condemning jealousy itself, the focus was on punishing the abuse or murder of concubines resulting from jealousy. This reflects the social sentiment of the time, criticizing the reality that punishing primary wives for such actions was often difficult. For concubines, who had no alternative means of resistance against their husband’s betrayal or cruelty, their only options were suicide and becoming vengeful spirits or taking extreme measures such as poisoning their husbands. This highlights the restricted position of concubines in reality. Moreover, the husbands who indiscriminately took concubines often met tragic ends, reinforcing the notion that such actions would lead to retribution. By analyzing the narrative patterns and themes of karmic retribution in Yijianzhi(夷堅志), this study reveals the conflict structures surrounding concubines in the Song Period, the limited positions of the individuals involved, and the social expectations or exclusions imposed upon them. The societal demand for literati to maintain marital fidelity and to refrain from taking concubines from liangjia(良家), the societal demand for control and punishment of the primary wife's abuse of concubines, and the restricted agency of concubines who had no recourse against their husband's betrayal are all vividly illustrated through judgment of the underworld and karmic retribution in these stories.
Read full abstract