Great Creator Research Articles

A Biblical response to Neil deGrasse Tyson’s rejection on God’s Intelligent Design

Neil deGrasse Tyson is one of the most famous scientists in the United States. In particular, Tyson has expertise as an astrophysicist and hehas written several books and received extraordinary awards as an Astrophysician. Tyson is not only a scientist, he also recognizes himself as an agnostic. Tyson’s disbelief in the existence of God by seeing various event such as volcanoes, hurricanes, tornadoes, earthquakes, pestilences, and birth defects that produce suffering is totally against the Nature of Almighty God. Tyson considers God's intelligent Design as a philosophy of ignorance or neglect. The subject raised by Tyson that rejects God’s omnipotence and His Intelligent Design is categorized as a Problem of Evil. This article rejects Neil deGrasse Tyson's opinion built on God's teleological and theodicy philosophy as a form of defense of God's intelligent design and God's omnipotence. It is evident that a plan is needed for the existence of every creature by looking at integrated goals and structures. The beauty of the world also shows the existence of God's intelligent design as the Great Creator. Because the universe has been designed for the life of living things themselves, a plan is needed that is produced through a Person for the lives of the living things themselves. God's omnipotence means that God has no limits and He is able to do something that is impossible for anyone else who is limited through one’s nature and ability. Evil itself arises from humans who are God's creations, but they have free will. The very existence of Evil cannot detract from God's purpose in the creation of the universe. Evil itself requires the existence of an objective standard of goodness with a metaphysical foundation, namely God himself. Christianity cannot ignore the existence of evil itself. Crime is a reality. Crime itself is divided into three types: moral crime, physical crime and natural crime. Evil is in a sense very dependent on the existence of God who opposes evil. Evil cannot take away the Providence of God who has a wise, good and holy purpose. James has taught that there are different attitudes in the face of trials (James 1:2-18). Believers are encouraged to be diligent in facing trials that make one's personality mature and give one spiritual strength. People who believe Jesus Christ is God, have hope as the children of God to obtain certainty of the afterlife in the future based on striving for ideal conditions in their earthly human life. These notions support the existence of God's intelligent design and His Omnipotence.

ВЛАДИМИР ИВАНОВИЧ ДАЛЬ – ВРАЧ, ВЛАДЕЮЩИЙ СЛОВОМ (К 150-ЛЕТИЮ СО ДНЯ СМЕРТИ)

The article is devoted to the medical activity of the great creator of the Russian dictionary V.I.Dal. Many of us are well aware of the merit of V.I. Dal before Russian literature, but only the true experts of his work are aware of the undoubted abilities of Vladimir Ivanovich in the field of medicine. Meanwhile, in the biography of V.I. Dahl has a lot of bright moments confirming his undoubted contribution to the development of medicine as a scientist and as a practicing doctor.

Global trends in research of glutamate in epilepsy during past two decades: A bibliometric analysis.

Epilepsy affects more than 70 million people in the world. It is characterized by recurrent spontaneous seizures, and it is related to many neurological, cognitive, and psychosocial consequences. Glutamate neurotransmitter dysfunction has essential functions in the pathophysiology of epilepsy. In this work, bibliometric analysis was conducted to explore the trends, frontiers, and hotspots of the global scientific output of glutamate in epilepsy research in the past 20 years. The Science Citation Index Expanded of the Web of Science Core Collection (WoSCC) was searched to obtain information on publications and records published between 2002 and 2021. VOSviewer and CiteSpace were used to conduct bibliometric and visual analyses on the overall distribution of annual output, major countries, active institutions, journals, authors, commonly cited literature, and keywords. The impact and quality of the papers were assessed using the global citation score (GCS). Four thousand eight hundred ninety-one publications were retrieved in total. During the past two decades, the number of publications (Np) associated with glutamate in epilepsy has risen yearly. The United States has published the most papers; its H-index and number of citations are also the highest. The League of European Research Universities (LERU) was the most productive institution. In 2016, the total score of the paper written by Zhang Y was 854, ranking first. The keywords that appear most frequently are "epilepsy," "glutamate," "temporal lobe epilepsy (TLE)," "hippocampus," and "seizures." This study showed that although the publications related to epileptic glutamate fluctuated slightly, the Np increased overall. The United States is a great creator and influential country in this field. The first three authors are Eid, T., Aronica, E., and Smolders, I. "spectrum," "animal model," "inflammation," "mutation," "dysfunction," and "prefrontal cortex" are increasing research hotspots. By recognizing the most critical indicators (researchers, countries, research institutes, and journals of glutamate release in epilepsy research), the research hotspot of glutamate in epilepsy could help countries, scholars, and policymakers in this field enhance their understanding of the role of glutamate in epilepsy and make decisions.

PEMBANGUNAN DAN LINGKUNGAN HIDUP : DILEMA ETIS MANUSIA

Various facts and experiences show that the negative impacts of development cause development goals to improve people's welfare to be delayed or not achieved. In preparing development policies with an environmental perspective, environmental considerations become a subsystem that is included in economic development and human resource development. Apart from conquering and fighting for the environment, there is still one more thing that can be done to save the environment, namely designing a sustainable life. The assumption is that if development does not pay attention to the quality of the environment, then the depreciation of natural resources will become increasingly evident. Therefore, the balance between the social environment, the built environment and the natural environment needs to be known and taken into account empirically and objectively in environmentally sound development. This research contains studies related to the Application of Environmental Ethics that must be developed by humans. Humans need to see and understand that a damaged environment is not only part of human moral and ethical responsibility for nature and God's creation that is not damaged, but has become the responsibility of the Christian faith. God the Great Creator. Ecosystem crisis, especially regarding the exploitation of natural resources and pollution, has ethical implications, especially regarding human attitudes and behavior towards nature. This is covered in what is called environmental ethics (eco-ethics).This environmental ethics arises because it is driven by social issues that arise as a result of excessive exploitation of natural resources which has an impact on decreasing environmental quality and pollution. Where environmental ethics is a reflection of humans and nature (environment) which understands that humans and the environment have a close relationship.

Negative values expressed in Vannadasan's work

Tamil literature has a continuity of more than two thousand years. Literature is the gateway to the present and the future for oneself and one's own society. It helps to know the past society and living conditions. Creativity can convey the ideas people need or people's thoughts. The experience a person gets while learning such creativity sometimes causes positive thoughts and negative thoughts. Learning to think and act positively is essential to change negative situations. Only a man who has seen many failures can create a steady path of success. In this situation, Vannadasan is a great creator who is moving forward in life by taking positive experiences from fellow human beings. If one wants to excel as a high man, it is better that the thoughts that appear in the heart also be high. One should agree with the people living in the society with affection and attachment. It is known in the way of Vannadhasan's work that when we help each other and understand each other's feelings, relationships improve and we act in such a way that the values ​​are identified by us.

CREATIVE WORKS OF ALISHER NAVOI

The article, based on the study of historical sources of the time of Navoi, extensively covers the creative works of the great poet of the East and statesman Alisher Navoi (Khondamir, Muhammad Khivaki, Navoi, Babur) in the field of architecture, urban planning, landscape art and landscaping works carried out by him in Herat and other territories of Khorasan. It is reported that Navoi built mosques, madrasahs, hospitals, Khanaqah, Langarkhana, caravanserais, baths, Rabats, ponds, bridges, dug wells and canals for the administration of the people and citizens ' comfort.By the author developed the first table on the objects constructed by AlisherNavoi, their location and territories based on specific examples.It is proved that Navoi was not only a great poet of the East, but also a great creator, that is, the architect of his time and people. It is proved that Navoi was not only a great poet of the East, but also a great creator, that is, the architect of his time and people.

The evolution of philosophical views of R. M. Rilkein the context of his literary works of the turn of the XIX – XX centuries

The works of Rainer Maria Rilke, one of the most influential modernist poets of the XX century does not lose its relevance and continues to draw interest of the researchers. The goal of this work is to trace the evolution of philosophical views of R. M. Rilke in the context of his literary works of the turn of the XIX – XX centuries. The research employs hermeneutical approach for interpretation of the texts of R. M. Rilke through the prism of socio-historical conditions of that time. Systematization and generalization of the acquired data allowed assessing the formation and significance of philosophical and aesthetic views of R. M. Rilke, as well as contradictions therein. Rilke did not adhere to any philosophical systems; however, his works reflect the philosophical-worldview principles and patterns of the era, first and foremost, the symbolic aesthetics, philosophy of life, and metaphysics of art of Nietzsche. The philosophical views of R. M. Rilke in the works of his early period developed in pursuit of the unique, and in many ways, subjective attitude towards life. The conducted analysis demonstrates the process of philosophical reorientation from the subject-centered recognition of the great creator towards the objective world of things. In the lecture on Maurice Maeterlinck (1902), Rilke clearly expresses the ideas on the function of art, tasks and capabilities of an artist. After getting familiar with the work of A. Rodin, Rilke turns to the “poem-thing” genre, when the concept of thing encompasses the entire universe. The establishment of transcendental-poetic unity between the subject and the world is one of paramount philosophical ideas in the works of R. M. Rilke. The artist, objectively depicting the “thingness” of the world, is an intermediary between God and the divine spark in its interaction with the real world and man, correlates times and spaces and preserves the eternal values, which comprise the basis of the cultural code of each nation.

SUJATHA'S WORKS ON THE BACKGROUND OF LANGUAGE

The purpose of this study is to explore the innovations that creator Sujatha has used in her works and that she has some unique identities in handling language. The explanatory approach approach has been handled based on the thread study of this study. The researcher confirms that Sujatha is also a great creator in the world of Tamil literature. Creators use many elements in their work to convey to the reader the emotions they have received. The creator can be identified by examining those elements. The study aims to identify her uniqueness in Sujatha's work. In Sujata's works, the language structure is better than the plot. His essence has been adopted by later literary men as well. I am learning a lot from Sujatha in the post-modernist Charu Nivedita uirmai magazine. Also says my teacher (p.43). S. Ramakrishnan says of Sujatha's "chopped verses are a forerunner to those like me today".

Understanding of White Color in the Art of Valerian Gaprindashvili

The article “Understanding of White Color in the Art of Valerian Gaprindashvili“ analyses what symbolic weight colour have in belletristic works, especially in poetry. In the paper the main attention is drown on sensation of color in Valerian Gaprindashvili's creativity. Color as comparison, as epithet, as metaphor, symbol and manner of allegoric description has exclusive charge in the artistic and cogitative system of any great creator. The aim of the article is colours’ structural-semantic analyze and to gain argumentive materials.The theme is actual because nowadays the interest on colour indicating vocabulary is increasing and Georgian linguists paid their attention on it as well. The survey showed that Georgian symbolists were very interesting phenomena in studing colors. Color artistic analyze has an important part in Valerian Gaprindashvili works. White color dominates in poesy of Val. Gaphrindashvili. As a result of analyzing the symbolism of colors white color is considered as a symbol of light. In some cases white color is symbol of coldness, austerity and in other ones is symbol of concinnity. One can meet black, red, blue, green and yellow colors as well that have semantic charge in his poetry.Color symbols are changeable through time and culture. According to this studying the theme fully is not possible. We can summarize that color is esthetic phenomena and reveals the traits of so called “mark” which is the foundation of color symbols.

STRUKTUR RASA ADORASI

The true religious feeling is rooted in adoration. The taste of adoration is derived from the experience of God which indeed shake one’s soul. On one side, the experience of God leads to the recognition of God as the Great Creator of the universe. In this case, God is experienced as the everything. On the other side, it causes that human being encounters the self-recognition as a helpless creature. One feels as a nothingness of creature here. The feeling of adoration, therefore, has a religious structure in human soul that has a direction to God. As the structure of soul, the adoration is likely to be subjective which means that the subject experiences God (the world of ideas) and at the same time, it is objective that God is experienced by the subject (the real world). The object of the experience of adoration is, particularly, transcendent. Finally, the sense of adoration is needed to revive the living of faith for the believers.

АЛИШЕР НАВОИЙ УЛКАН БУНЁДКОР

The article, based on the study of historical sources of the time of Navoi, extensively covers the creative works of the great poet of the East and statesman Alisher Navoi (Khondamir, Mu-hammad Khivaki, Navoi, Babur) in the field of architecture, urban planning, landscape art and landscaping works carried out by him in Herat and other territories of Khorasan. It is reported that Navoi built mosques, madrasahs, hospitals, Khanaqah, Langarkhana, caravanserais, baths, Rabats, ponds, bridges, dug wells and canals for the administration of the people and citizens ' comfort.By the author developed the first table on the objects constructed by Alisher Navoi, their location and territories based on specific examples. It is proved that Navoi was not only a great poet of the East, but also a great creator, that is, the architect of his time and people. It is proved that Navoi was not only a great poet of the East, but also a great creator, that is, the architect of his time and people.Key words: Alisher Navoi, Herat, Khorasan, architecture, urban planning, lands-cape art, land-scaping works, geography of Navoi's creative activity, table of his creative works

Forming The Virtue Of Hard Work In Students Through The Life And Work Of The Composer Yunus Rajabi

This article gives an idea of the life and work of Academician Yunus Rajabi, an artist who has been coming for centuries without losing his value, who has added a great character to the Uzbek art of music. In particular, the feeling of Yunus Rajabi's contribution to the development of the status art is also mentioned in the article about the formation of the great genius of cocktails in young people through the life path of the Great Creator.

АЛИШЕР НАВОИЙ ЛИРИКАСИДА БАДИИЙ САНЪАТКОРЛИК МАСАЛАЛАРИ

The article discusses the artistic skill of Alisher Navoi and the problems of the poet’s lyrical style. The author analyzes the originality of the poet’s lyrical style on the material of his own collections of poems composed and edited by his own - “Badoy ul-Bidoya” (“Rare Beginnings”), “Navadyr un-nihoya” (“The Beginnings of the End”) and “Khaza’ine ul-Maani” (“Treasure of Thoughts”). The poet’s artistic and aesthetic views are most vividly reflected in his artistic techniques to create the image of the lyrical hero, in the application of aruz technique, also in the verses of social content. In the collections of Navai poems, the Great Creator’s ghazal praises, reflecting the advanced ideas of Eastern religious thinking, occupy a wide place. In them, the poet expresses his humane reflections, which go beyond national, racial, primitive-religious, ideological barriers and praise the person, serve for his spiritual perfection. One of the main criteria of Navai’s poetry is its reflection of the positive ideas of Sufism, the poet’s belonging to the Sufi Naqshbandia

Facetas de la melancolía en la novela "Otoño" de Ali Smith

Ali Smith es una gran creadora de atmósferas melancólicas. En su novela Otoño nos sumerge en la añoranza de la vida por parte de un hombre centenario, Daniel; añoranza que toma tintes políticos en la joven Elisabeth, enfrentada a la pérdida de derechos y libertades en la Gran Bretaña del Brexit, pasando en otros momentos por las reminiscencias de la infancia de ella, así como por la nostalgia recurrente de Daniel por su hermana muerta y por la olvidada pintora Pauline Boty; encuadrados en el marco del otoño que se cierne sobre ellos, dejando sin embargo briznas de color desde las que remontar el entorno desolado que les atenaza. Procedo a examinar el abanico de facetas que se va modulando a lo largo de la narración, culminando en la melancolía moderna, que postula Bartra, y en la consideración de la transcripción con la tinta de la melancolía que, como dice Starobinski, transmuta la negrura en luz.

دلالات القدرة الإلهیة فی المملکة النباتیة فی ضوء الإسلام والعلم الحدیث Evidence of Divine Power in the Plant Kingdom in Light of Islam and Modern Science

بدأ الباحث بملخص أظهر من خلاله قيمة بحث الآيات الکونية، ثم تناول موضوع البحث من منظور الإسلام والعلم الحديث، وفي کل مبحث على حدة قدم الباحث -بالدليل- القاطع دلالات القدرة الإلهية في المملکة النباتية بما يبين عظم الإعجاز الإلهي فيها، ثم أنهى بحثه بخاتمة اشتملت على أهم النتائج والتوصيات، تلاها ثبت المصادر والمراجع ثم فهرست الموضوعات. وفي هذا يذکر الباحث أن أول إشارة وردت في المملکة النباتية وردت في سورة الأعلى، فکانت المراعي والغابات أول صورة بيانية تنبه الإنسان إلى دلائل القدرة الإلهية في المملکة النباتية، ومما لا شک فيه أن من الأعمال الصالحة التي لها مکانتها الراسخة في حياة الأمم والشعوب: تعمير الأرض بالزراعة، ولم لا! وهي عامل رئيس من عوامل رقيها ورخائها، وقوتها وحضارتها، بل وأمنها، والذي يتدبر القرآن الکريم يجد أنه قد تناول- في الکثير من آياته- الحديث عن الأشجار ومنافعها، والزراعة وفوائدها، وعن النبات ودلالته على وحدانية الله تعالى وقدرته، وعن الحدائق والبساتين التي تملأ النفوس بهجة وسرورا، وعن الفواکه التي تسقى بماء واحد ومع ذلک تتفاضل في مذاقها فسبحان الخلاق العظيم. The researcher began with a summary in which he demonstrated the value of researching the cosmic verses، then he addressed the topic of the research from the perspective of Islam and modern science، and in each research separately the researcher presented with definitive evidence the evidence of divine power in the plant kingdom, showing the greatness of the divine miracles in it, then he ended his research with his conclusion that included the most important Findings and recommendations followed by proven sources and references, then indexed topics. In this، the researcher mentions that the first reference in the plant kingdom was mentioned in Surat Al-A'la, so the pastures and forests were the first graphic image to alert the person to the indications of divine power in the plant kingdom. The land is cultivated and why not? It is a major factor in its advancement and prosperity. its strength and civilization، and even its security. Whoever ponders the Noble Qur’an finds that in many of his verses he has covered the talk about trees and their benefits, agriculture and their benefits, about plants and their indications of the oneness and power of God Almighty، and about gardens and orchards that fill souls with joy. And with pleasure, and on the fruits that are watered with one water, yet they differ in their taste, so glory to the great Creator.

The figurative world of Florent Schmitt’s piano works (following the diptych “Mirages”)

The figurative world of Florent Schmitt’s piano works (following the diptych “Mirages”)

Soils and Human Creation in the Holy Quran: from Point of View of Soil Science

THERE is no doubt that the universe is totally controlled by the Great Creator (God or Allah). Allah created everything in this universe, from humans (Man) to animals, plants, soils, air, water, etc., where everything was made or created from water. Concerning the creation of humans, Allah created or made all things in an excellent phase and the first step of human creation was fashioned from clay. These steps include the creation of Man from spurting water, a drop of semen, the sperm fashioned into an embryo, this embryo fashioned into a shapeless lump of flesh, then from the lump of flesh, fashioned bones, then clothed the bones with flesh and then created the consanguinity and affinity. So, a very strong link between soil and human health has been reported and the great roles of soils in plant and human nutrition have also have been established. On the other hand, the effect of pollution of soils and their security on human health should be considered. Therefore, this review is an attempt to emphasize the great roles of soils in human creation and health as well as the security of soils under pollution conditions.

The authorial delusion: counting lady Macbeth’s children

ABSTRACTIn 1933, literary critic L. C. Knights published a caustic essay against the notion cultivated by certain of his colleagues, predominantly A. C. Bradley, that Shakespeare is a ‘great creator of characters’. Knights (1973) regarded the examination of isolated particles such as ‘character’ as disorientating, alleging that an analysis of this sort obscures the greater merit of language. Knight’s polemic essentially stands in the threshold of the dissention between formalists and realists: the former consider the examination of the fictional narrative as anything but a textual construct a scholarly faux pas; the latter regard the referential relationship between text and the world as a foundation for the creation of fiction. This is a pseudo-dilemma. The notion that literature is denuded of its artistic merit once it is defined by its constituent artefacts is disorienting, for it completely bypasses the dynamics of its creation. Put differently, a post-event analysis can exist as a standalone act, albeit it cannot challenge or dismiss the foundational principles of the event’s creation process.

Ambiguity and Audience Response

Ambiguity and Audience Response FELIX BUDELMANN, LAURIE MAGUIRE, AND BEN TEASDALE In Milton’s Paradise Lost, ambiguity is the tool of the devil. Satan’s “ambiguous words” are “replete with guile,” functioning as a linguistic Venus (or Eve) fly-catcher (v.703 and VI.568; ix, 737).1 By contrast, in 20th-century poetry and criticism, ambiguity becomes the highest good, the mark of the great creator. William Empson’s Seven Types of Ambiguity (1930) was the work that established polysemy as the semantic shibboleth that distinguishes great poets and great poetry from lesser poets and their poetry. Consequently, Empson’s interest is in the poet: even as he analyses how poetic language, “ambiguous and with double sense deluding” (Paradise Regained i.435), affects the reader, his focus is on creation rather than reception. His seven types of ambiguity are seven kinds of things that authors and texts do. But the text is not the only place where ambiguity resides. In much thinking about literature in the latter parts of the twentieth century, ambiguity inserts itself in the reading process. For Wolfgang Iser, the doyen of reader response, “the blank in the fictional text induces and guides the reader’s constitutive activity.”2 Reading—all reading, and especially reading of literary texts—is an exercise in ambiguity. This fundamental interpretative stance is mirrored in much thinking about theater, a genre in which the receiver is visibly present. This is how actor Richard McCabe, playing Iago, describes the final moment of Michael Attenborough’s production of Othello for the Royal Shakespeare Company in 1999: Our production ended in a tableau, with the three dead bodies in the foreground and myself at the rear of the stage, heavily guarded arion 23.3 winter 2016 and with my back to the audience. As the lights went down, I would turn slowly and regard the bodies in profile, with a deliberately neutral expression in my face. This, as I discovered through the run, was regarded variously as being sorrowful, triumphant, bewildered or empty—which shows how an audience will supply any ambiguity with an interpretation.3 Greg Doran aimed for a similar effect at the end of his production of Othello for the RSC in 2004, as Antony Sher [Iago] explains: Iago was left in a sitting position after Othello wounded him; handcuffed , head bowed. Then … just before a snap black out, we had Iago suddenly look up, confronting the audience with his eyes. Greg wanted the moment to be a strange, final aside, enigmatic, open to your own interpretation. [our italics]4 The effects of ambiguity on audiences prove a fascination for theater practitioners. In this essay, we want to develop the shift in focus from Empson’s poetry on the page to McCabe’s / Doran’s audience response to drama by experimentally assessing and analyzing the reactions of a live audience. We had run an experiment on a live audience with live theater once before when, for an article on character, we commissioned stagings of Sophocles’ Antigone and Shakespeare’s King Lear.5 For our second experiment , on ambiguity, we used film extracts from two ancient Greek and two Shakespeare plays—Aeschylus’ Libation Bearers, Sophocles’ Ajax, Shakespeare’s Othello and The Winter’s Tale—to test how audiences process ambiguity in the theater. An audience of 72 participants watched four film extracts, each of which was approximately five minutes in duration; the auditorium was purpose-built for film projection and the viewing experience was commensurate with that of a movie theater. After each extract, the audience members filled in a questionnaire. This article reports and analyzes what we found. Before setting out what we did, it is as well to make clear what we (deliberately) didn’t do. This is not an essay about textual ambiguity and audience response 90 ambiguity. We do not emulate Empson, either by theorizing textual ambiguity in general or by analyzing individual texts. Even less do we try to use audience responses to arrive at objective truths about the texts. The texts are not our chief interest here. Nor, secondly, is this an essay about the locus—or rather loci—of ambiguity in drama. We do not...

Héctor Germán Oesterheld

This text was inspired by a personal perplexity occasioned by the Argentinian miniseries on TV Pública, Germán, últimas viñetas [Germán's Last Panels] with actor Miguel Ángel Solá in the leading role. (The series aired from 30 April to 23 May 2013.) I mean perplexity because why would a TV channel devote a whole series to a comics scriptwriter? I ask because in many countries and moments in history the comics scriptwriter was not even credited. On the other hand, the series implies another question: what happens to a great creator when he finds himself, because of his life's circumstances, in the situation of practising his trade in a primarily conservative and commercial environment? I'll try to answer those questions, but since Oesterheld's achievements are still too unknown in Europe I hope to also give here my humble contribution to help correct the situation.