ABSTRACT In 2018, Amazon Studios announced that they would be collaborating with Nicole Kidman’s production company Blossom Films to produce a series based on Janice Y. K. Lee’s novel The Expatriates. Although Amazon had intended for the series to improve gender and ethnic representation in Hollywood, the Hong Kong online community critiqued the production process for failing to accurately represent Hong Kong by ignoring the political circumstances of its residents. These two concepts of representation, deeply rooted in differing senses of social justice, missed each other. Moreover, the production process of the US series contributed to social inequalities in Hong Kong at the intersections of gender, race, and class. Employing “Asia as Method,” this article maps Hong Kong’s geography of hierarchies to construct a theoretical framework for analysing how US cultural productions about Asia not only reflect social and cultural systems of the sites of production but more importantly become an actor in the production of social inequalities and hierarchies of power. Expat as a historical and social category reveals that while British colonial and economic systems may have laid the foundation for hierarchical power in Hong Kong, expats today continue to build on and create new hierarchies through everyday life.
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