Embroidery Craft Research Articles

Research on Inheritance and Innovation under the Perspective of Non-legacy Brand Revitalization

Su embroidery is a kind of folk handicraft popular in the area of Sichuan, and it is regarded as the first of the “Four Famous Embroideries of China”. Su embroidery carries a strong cultural imprint, has a deep historical heritage, and is listed in the National Intangible Cultural Heritage Protection Catalog. In the process of inheritance and development of Su embroidery technology, through the analysis of the challenges faced by Su embroidery technology in the current market to find the market positioning, strengthen the optimization of Su embroidery technology to enhance and promote the brand, explain the innovative use of multimedia technology in the digital creation of the brand, to enrich the propaganda channels of Su embroidery technology, to set up the brand's degree of memory and cognition, and to effectively convey the brand information, to achieve multi-dimensional publicity effect, making its cultural connotation well preserved. The cultural connotation can be well preserved and promoted, which has a positive effect on the inheritance and development of Su embroidery craft.

Case Study of Embroidery Craft Application in Barung-Barung Balantai, Koto XI Tarusan Subdistrict, South Pesisir Regency, West Sumatra: Gus Fitri's Embroidery House

This study aims to describe the motifs and techniques of embroidery application at Gus Fitri's Embroidery House, Barung-Barung Balantai, Koto XI Tarusan Subdistrict. The research method used is descriptive qualitative, with primary data obtained through direct interviews with the owner and workers at Gus Fitri's Embroidery House. Data collection was conducted through interviews, observations, and documentation, with data validity verified through triangulation and member checks. Data analysis was carried out through data reduction, data presentation, data verification, and conclusion drawing. The results show that the embroidery application motifs at Gus Fitri's Embroidery House are generally plant motifs, such as jasmine flowers, orchids, bamboo, sunflowers, and lotuses. The embroidery application technique includes the design of the motif, the determination of the motif placement, the transfer of the motif onto the fabric, the attachment of the motif to the material, the basting stitch, and the backstitch. This study provides insight into the uniqueness and diversity of embroidery application motifs in Indonesia, especially in West Sumatra, and highlights the importance of preserving and developing traditional crafts as part of cultural heritage.

TRADITIONAL CRAFTS IN THE ZYANID PÉRIOD THE CRAFT OF EMBROIDERY AS AN EXAMPLE

Tlemcen is considered one of the most important industrial cities in Algeria, rich in its traditional crafts throughout the ages, particularly the craft of embroidery, which was considered one of the main industries to the Zyanid period. Indeed, the sultans had a great interest in these trades which met their needs, such as making clothes, saddles, mattresses, etc. Sultan Abu Hamo Musa II paid particular attention to this craft and valued its owners, placing them in a social rank immediately lower than that of nobles and jurists. At this time, the artisan class achieved a distinguished place in Tlemcenian society. What is worth mentioning is that the Andalusians helped bring a lot of technical know-how to the Zyanid artisans, which increased the progress and development of the embroidery craft in Algeria in general and to Tlemcen in particular. This intervention raises a few questions: What is the origin of this craft? How did it arrive in Algeria? Did it exist in Algeria before the Zyanid period? What are the most decorative shapes with which royal clothing was embroidered? What were they referring to? What is its relationship to rituals and myths?.

Study on the Adaptability of the Cultivation Mode of Su Embroidery Craft Talents in the Context of Globalization

Abstract The export products of Su embroidery have gradually expanded from tablecloths, handkerchiefs, etc., to murals, screens, etc. The internationalized varieties are increasing, which requires a higher quality of Su embroidery craft talents. In this paper, in order to study the globalization teaching quality and the internationalization vision of the Suzhou embroidery industry in each Suzhou embroidery talent training institution, we construct the evaluation model of the globalization adaptability of Suzhou embroidery talents. After selecting the indicators at all levels, the traditional AHP method is optimized using the OWA algorithm to more reasonably allocate the weights of the indicators, and then the evaluation matrix is established for a fuzzy comprehensive evaluation. Four representative Suzhou embroidery vocational colleges in the Suzhou area have been selected to analyze the globalization adaptability of their embroidery craft training. It has been found that school W has a comprehensive evaluation score of 90.86, which is highly adaptable to the globalization of the cultivation of Suzhou embroidery talents and has excellent international competitiveness. Institutions X and Y have comprehensive evaluation scores of 84.16 and 81.34, which are a good level, but there is a big gap between them and school W in terms of the foreign exchange of the culture of the craft of Suzhou embroidery and cultivation of talents with globalization mindset. Out of the four schools, School Z has the worst comprehensive evaluation score, with only 72.2. School Z has the worst score; its understanding of the Suzhou embroidery craft going to the sea in the context of globalization is insufficient, and the quality of cultivation of graduates in Suzhou embroidery cultural exchange, product export, and other related competence literacy needs to be improved. This study provides a new perspective and feasible path for cultivating export talents of traditional cultural products, such as Su embroidery.

Hot Spots and Frontiers in Embroidery Research: A Visualization Analysis via CiteSpace Based on WOS Databases (2010−2022)

Embroidery and weaving techniques are part of the cultural heritage and are the fruit of human civilisation. With the improvement of the technical level of the embroidery machine manufacturing industry, the global embroidery Market in 2022 has reached 7.35 billion US dollars, growing by 10.18% year-on-year, making it an economic research field. In this paper, we used WOS databases to search core papers and CiteSpace, a knowledge graph analysis tool, to determine the current status and trends of research in embroidery from 2010 to 2022. Based on the screened articles, the number of publications, research authors and institutions, keyword co-occurrences, and changes in highlighted words were analyzed in this study. The results showed that China, the United States, and the United Kingdom are the leading researchers in embroidery. Chinese scholars have had an interdisciplinary trend recently and have begun to publish abroad actively. The results of these studies have provided an opportunity for scholars in the field of embroidery to study the cultural connotation and innovative design of embroidery. These results point out the direction for scholars in the field of embroidery research and innovation, identify the shortcomings of each in the current situation of research in China and overseas, find a sustainable path for the development of embroidery craft, and promote the exchange and mutual appreciation of civilizations.

INDIAN NORTHERN REGION OLD HERITAGE HAND EMBROIDERY MANUFACTURING TECHNIQUES

The embroidery handicrafts of a country reflect its rich cultural and artistic history and are an important part of that country's economy. Embroidery Handicraft: Artists and craftspeople use a variety of methods and beautiful, colorful designs to create the most interesting of art. In rural and semi-urban areas, the embroidery craft employs a large number of artisans. It also contributes to the preservation of culture. Handicrafts are essential to the preservation of a country's cultural identity, and can also be viewed as works of art in their own right. These works of art are often viewed as pieces of nostalgia, providing a connection to the past that can be shared by those who appreciate and admire them. Every state in India has its own textile handicraft. In this paper, only the ancient textile embroidery of the Northern Region has been discussed, in which the history of embroidery, the craftsmen who make it, the fabric, the color of the thread, and the motifs have been told. The Northern Region's ancient textile embroidery is, Kashidkari from Jammu and Kashmir, Chambal Rumal from Himachal Pradesh, Phulkari from Punjab, and Chikankari from Uttar Pradesh. These embroidery pieces are also very expensive because they are only made by skilled artisans. In addition to being expensive, these embroidered items are also labour intensive and time consuming.

Exploration of Adventure Gim Embroidery in Society 5.0

Gim embroidery has been used during the reign of Paku Buwono X at the Surakarta Hadiningrat Palace and Hamengku Buwono VIII at the Ngayogyakarta Hadiningrat Palace. This can be seen from traces of artifacts and documents explaining the existence of gim embroidery in those days. This study aims to identify and describe the gim embroidery in the goverment of Paku Buwono X in 1893-1939 and Hamengku Buwono VIII in 1921-1939 which has survived to the present day. The findings of this study will be used to look at motifs, patterns, materials, and techniques of gim embroidery as a development concept in the present. The research used a qualitative descriptive method by observing various gim embroidery artifacts in museums and documents during the reign of Paku Buwono X and Hamengku Buwono VIII. The findings show that the existence of gim embroidery on it was only used by the king and the king's family for important activities in the palace such as the king's chair, the clothes of the king's sons, the hats of war troops, objects used as the identity of the symbol of nobility. Motifs and patterns use a lot of patran with the development of artifial leaf, materials using smooth purl threads (fine gold gim threads) and gim embroidery techniques using padded couching (stuffing material) with a smooth and luxurious embroidery result. The conclusion of this study is that the palace in Java left traces of artifacts that can be seen directly, and the findings are very useful for knowledge, especially traditional embroidery crafts. This shows that the design can still be used today in the era of society 5.0. Keywords: Gim Embroidery, Motifs, Patterns, Materials, Gim Embroidery Techniques DOI: 10.7176/ADS/103-1 Publication date: January 31 st 2023

Analysis of Promotion and Creativity in Increasing Family Income of Women Aceh Embroidery Articles in Montasik Sub-District

The purpose of this study was to analyze the influence of promotion and creativity possessed by Acehnese embroidery craftswomen in an effort to market their handicrafts so as to increase family income (a case study on the Acehnese embroidery creative craft business group in Dayah Daboh village, District Montasic). This research belongs to the type of field research with a quantitative approach. The population in this study were women who were members of the Acehnese embroidery craft business group. The sampling method used in this study is non-probability sampling with simple random sampling technique, and data collection techniques using survey methods through questionnaires with a sample of 75 respondents. The method of data processing and analysis uses multiple linear regression with the help of IBM SPSS Statictic 22 which includes classical assumption test and hypothesis testing. The results showed that promotion partially had a positive and significant effect on an increase in income of 0.001 and creativity partially had a positive and significant effect on an increase in income of 0.000. Promotion and creativity variables simultaneously have a positive and significant effect on increasing income by 0.000.
 
 Keywords: Promotion, Creativity, and Income

Discover the Beauty of Huangmei Cross-stitch

In Huangmei, Huangmei cross-stitch, Huangmei opera and Zen Buddhism are called "The three most precious treasures of Huangmei". As an important part of the intangible cultural heritage of Jingchu, Huangmei cross-stitch is defined as a traditional folk embroidery craft with a long history and strong decorative effect. The handicraft form of folk art is produced by the traditional natural economy of farming society. Throughout the development history of folk art in the traditional society, it not only truthfully reflects the living customs of the traditional society at that time, but also conveys to us the aesthetic taste and emotional pursuit of the traditional handicraftsman. Due to the influence of local and surrounding areas cultural arts and humanistic aesthetics for a long time, Huangmei cross-stitch has gradually been endowed with more profound significance under the background of the integration and infiltration of various cultures. Huangmei cross-stitch not only reflects the powerful creativity of human beings, but also shows the extraordinary wisdom of human beings. Through the classic cross-stitch works with the beauty of practicality, decoration and humanity, we can find that the colorful and far-reaching patterns and themes not only show the aesthetic taste of the workers, but also show their positive attitude and spiritual sustention for the pursuit of a better life.

Nareh Pariaman Embroidery In Fashion As Creative Industry Development

The aisle in Minangkabau is where the bride (anak daro) sits while waiting for the groom (marapulai) to sit side by side (basandiang) after the marital consent testimony (ijab kabul). In addition to Minangkabau decorations, there are also Chinese and Gujarati motifs. As a creative economic development, the application of aisle embroidery to fashion is related to the creation of economic, social, and environmental added value. The researchers conducted this applied research by innovating the product design through the designing of embroidered fashion. The research employed the participatory observation method, which is also known as active observation. In making a fashion design for aisle embroidery to meet the problems and research objectives, effective steps were taken in several stages, namely: a survey of aisle embroidery craft centers; exploration; analysis, and synthesis; design; and then realization into a fashion work .

Beyond Needle and Thread

Beyond Needle and Thread

ANALISIS TEORI BELAJAR BEHAVIOURISTIK SEBAGAI UPAYA PENGEMBANGAN KREATIVITAS PESERTA DIDIK PADA ABAD 21

The purpose of this study is to analyze behavioristic learning theory as an effort to develop the character of students' creativity. Descriptive qualitative research method. Data collection techniques in this study used observation, interview, and documentation techniques. Data analysis techniques used in this study were source triangulation analysis and technical triangulation. The analysis is in the form of data collection, data reduction, data presentation, and verification or drawing conclusions. The results of the study explain that the behavioristic learning theory on the character of the creativity of students with the formation of a creative behavior. The form of creativity carried out by schools in developing creative character in creative thinking skills (aptitude) with activities such as creative writing in the form of short stories and opinions, the use of PBL and PJBL learning methods. In the aspect of attitude/non-aptitude by way of inspirational stories, changing the layout of the classroom every week, class cooperatives, outbound training, making woven crafts, embroidery crafts, batik dyeing crafts, cooking competitions, outing classes, class meetings, and cultural festivals.

Seni Kriya Sulaman Tangan Tradisional dan Pengrajin Perempuan Nagari Koto Gadang dalam Dimensi Ekonomi, Sosial dan Budaya

This research was motivated by the existence of Minangkabau women's crafts and craftsmen, especially in Koto Gadang who have skills in the field of traditional hand embroidery. This study aims to find out the traditional hand-embroidered craft art of women in nagari Koto Gadang as cultural actors who carry out processes in social activities and craft arts. The research method uses a type of qualitative research, data collection through written sources and literature studies, documentation of cultural artifacts, so that this study can be produced and concluded that the traditional embroidery craft art of Koto Gadang is the embodiment of the expression of aesthetic taste in the form of functional objects and aesthetic objects which in their creation requires ability, experience, and technical skills such as embroidery, terawang, kapalo samek, and suji cair. Traditional embroidery crafts apply ornamental motifs, both flora, fauna and other objects based on nature, become teachers. The traditional embroidery craft art in Koto Gadang as a social product has an impact on the dimension of women's lives in Koto Gadang. The presence of Koto Gadang women and the art of embroidery crafts has become a manifestation of minangkabau women's activities that have produced cultural identity and positively impacted the actors and supporters both the social dimension and the economic dimension.

Pen for the Needle, Line for the Ink

Embroidery is a traditional Chinese handicraft with a long history and profound national culture. It has also been widely welcomed and respected on the historical stage and attracted the attention of numerous foreign friends. Through the construction of the platform, people will have a better understanding of the embroidery culture, so that China's traditional embroidery can be inherited. By allowing people to design customized embroidery online, traditional embroidery culture can be integrated with the new era, creating a blueprint for the development of new embroidery structures. So that our excellent traditional handicrafts from being lost, under the impact of the modern flood of new art, new craft, traditional embroidery craft can keep its simple beauty.

Water-soluble plastic as a medium to make polyester patchwork embroidery craft

This study aimed to describe the process of polyester fabric waste to be an alternative material to make interior textiles. The characteristics of polyester fabric waste meet the qualities needed to be used as the material for making interior textile. The problem in this study is the effectiveness of using water soluble film paper as a medium for the application of manual embroidery techniques to make polyester patchwork. This study used experimental and implementation methods on textile crafts. The results of this study show that water soluble film paper can be used as a medium for applying manual embroidery techniques on polyester patchwork which is profitable and does not leave any residual waste. Thus, this medium is considered environmentally friendly. This method can be applied to bring out the element of craftsmanship based on the scope of textile craft study. Functional products made by using this method are also expected to provide aesthetic value in a room. This study is essential and useful to contribute to an overview to the community about alternative resources for apparel industry waste from the local area that can be created into new products with higher value.

Pendampingan Pelatihan Menyulam Pada Remaja Panti Asuhan As-Salam Kota Pekanbaru

Embroidery crafts are one of the riches of Indonesian traditional culture. Embroidery is a decoration made on cloth with a sewing needle and thread. This embroidery training was attended by the As-Salam Orphanage young women. Community service activities in the field of embroidery skills training on the introduction of basic stitching to decorate fabrics to improve skills in the city of Pekanbaru. This is closely related to skills education that can be used in everyday life and entrepreneurship, namely decorating cloth. The method of implementation is through outreach and training approaches. The results of the activities felt by the training participants were that they could get to know the basics of embroidery skills and in the end they could have the skills to increase activity and productivity and it was hoped that it would increase family income. By providing the As-Salam Orphanage with knowledge and skills regarding basic stitching in embroidery, it can be concluded that in this Community Service activity, it is necessary to carry out repeated exercises to produce better work.

Handmade Bordir Sebagai Produk Unggulan Di Kota Probolinggo

AbstractEmbroidered craft in Indonesia is believed to be carried by many traders from China and India who carry out lots of buying and selling transactions in Indonesia, that's when these traders began to introduce embroidery crafts and their techniques. One of the leading industrial sectors is handmade products in the form of embroidery craft where initially in Probolinggo there was a center for embroidery industry but after the monetary crisis occurred in Indonesia since 1998 many craftsmen could not survive due to the high raw materials and the lack of buyers and the inability of craftsmen to reach other markets, leaving only a few that still exist today. This Community Service Activity Partner is Rizza Bordir. To achieve this goal, theCommunity Service activities are carried out using the Participatory Rural Appraisal Model (PRA), Community Development Model, through Persuasive and Educational Approaches. The results of this activity concluded that: Solving financial problems experienced by partners is to make software software, 2) Creation of new markets through online media in the form of Websites, Youtube, and Social Media is done by re-uploading files and images on IG, Facebook, Update Youtube Appearance and Start looking for Subsribe by promoting it through WA groups and Facebook, and Giving Hastage #RizzabordirProbolinggo so that the media will start to know Rizza Embroidery and can be read by Google.com and 3) That the help of tools in the form of Machines and E-commerce is expected to be maximized by Partners to be able to develop their business and increase turnover.Keywords: Rizza Embroidery, Handmade, E-Commerce

Perception of Foreign Tourists to Karawo Embroidery Handicrafts in Gorontalo Tourist Destinations

The purpose of this study was focused on knowing the perceptions of tourists, both foreign tourists, about the craft of Karawo embroidery in Gorontalo Tourism Destinations. This research method using a quantitative approach itself is carried out using a questionnaire given to the public and tourists who visit the Karawo embroidery craft center. The sampling technique in this study used a non-probability or non-random sample selection technique. The results showed that the quantitative approach itself was carried out using a questionnaire given to the public and tourists who visited the Karawo embroidery craft center. The sampling technique in this study used a non-probability or non-random sample selection technique. The results of this study indicate that the Karawo embroidery craft has the potential to be developed as a tourist attraction in Gorontalo Province. Analysis of the attractiveness and perceptions of tourists who visit the Karawo embroidery craft center as well as the local community provide direction on the development of tourist attractions that are related to cultural aspects. The perception of foreign tourists in general gives a positive value to Karawo embroidery and argues that Karawo embroidery is unique from the manufacturing process and has its own characteristics with very beautiful motif designs.

PENINGKATAN KUALITAS DAN PRODUKTIVITAS KERAJINAN BORDIR DI DESA KETEGAN KECAMATAN TANGGULANGIN KABUPATEN SIDOARJO

In 2016, Sidoarjo Regency became one of the districts with the highest number of SMEs. Embroidery is one of the results of its superior products, especially in the Tanggulangin area. However, currently Tanggulangin is only famous for bag craftsmen. Therefore, there is a need for assistance in boosting embroidery craft through a community partnership program (PKM). Some aspects of the problem that are prioritized in this program are aspects of production, product packaging, and marketing. From the aspect of production, the condition of partner production capacity 1 is still limited because partner 1 only has 1 embroidery machine. In addition, partner 1 does not have a soldering tool to punch holes in the applique. So the solution that will be given to the problem of the production aspect is to procure embroidery tools and production supporting equipment in the form of solder so as to maximize product preparation. The results achieved in this activity included labeling training, packaging, marketing and also machine purchases. Machine purchases are used to achieve the expected production capacity. The implementation of labeling and packaging training aims to make the products they market more attractive to consumers so they can increase the number of sales of their products. While online marketing training aims to make their products easier for the public to know.

STUDI TENTANG KERAJINAN SULAMAN BENANG EMAS DI KECAMATAN SUNGAI BEREMAS KABUPATEN PASAMAN BARAT (Studi Kasus Di Cakar Langit Emas Nagari Air Bangis)

Gold thread embroidery craft in the districts Sungai Beremas is handicraft business in a hereditary from previous parents. Obstacles wich was pound in development gold thread embroidery craft this is motifs design that are used are still using wich is al ready motifs previous, because lack of knowledge in creating motif design, this makes the product resul less varied. The purpose of this study is to describe the design of motifs, tool and materials, and manufacturing technique gold thread embroidery craft in the districts Sungai beremas. This research method is a qualitative descriptive method. The types of data are primary and secondary data. Data collection technique through observation, interviews, and documentation. Data analysis techniques are carried out using data reduction, data presentation, and drawing conclusions. The results of this study indicate there are special caracteristics inthe manufacturing technique gold thread embroidery craft in the disticts Sungai Beremas Wet Pasaman, namely the sikuluang, sikuluang ambek-ambek, labu, and mocco method to fill the inside of the motif. Keywords: Sulaman beanang emas