Dominant Narratives Research Articles

Wartime soldiers, civilian relations: Zimbabwean soldiers in the Democratic Republic of Congo war 1998–2002

While the dominant narrative on and about war in postcolonial Africa is that soldiers are deployed to kill and destroy perceived enemies, this article contributes to our understanding of war as a social practice and a space of social mutuality that also constitutes an establishment of social relations with civilian people in the context of war. Thus, it is therefore important to note that war does not always change the ways in which soldiers understand civilian life. In the context of war, soldiers can demonstrate humanity, which is a social resource in establishing relationships with local civilians.

“Filling the void”: the diversified grassroots disaster narratives of the 2023 riverine flood in Z City, China

PurposeDisaster narratives constitute a crucial and unique element in disaster understanding, recovery and communication. Along with facing various severe disasters, China’s dominant official disaster narratives have played an indispensable role in promoting post-disaster social solidarity. However, the consequences of “weak” official disaster narratives remain unknown.Design/methodology/approachIn 2023, during a riverine flood in northern China’s Z City, diversified grassroots disaster narratives emerged, “filling the void” when the official narratives were comparatively “weak”. This paper uses this riverine flood in Z City as an uncommon case to analyze the official-grassroots disaster narrative interaction. During fieldwork, first-hand and second-hand data from in-depth interviews, on-site visits and public information were collected.FindingsBased on fieldwork, this paper first introduced the “weak” official disaster narratives in Z City. Second, this paper organized and classified these grassroots disaster narratives into three interconnected stages: the flood’s causes, government and social responses, and recovery. In “filling the void,” “sacrifice” and “betrayed” sensemaking are detected and functions of these diversified grassroots disaster narratives become clear.Originality/valueOfficial and grassroots disaster narratives are not simply competing, but complementary. As a unique soft lens to interpret disasters, this paper further discussed grassroots disaster narratives’ underlying connotations and potential impacts on social resilience building. Also, this paper provides insights into the disaster narrative dynamics, especially in China’s political and cultural context.

Synchronous (In)significance: Recording Ukraine’s Cultural Heritage in Real-Time

ABSTRACT Synchronous (In)significance argues for the recognition of a mode of heritage conservation within war-torn Ukraine that is already underway. The paper examines the digital initiative Polycam: Backup Ukraine which allows for everyday users to record, upload and share three-dimensional scans of places, sites and objects that they deem significant within their immediate environment. This evolving contemporary archive is positioned by its founders as a tool for citizen empowerment through the shared availability of the technology and storage of items for heritage capture. The resulting collection provides an unconventional account of the sites, spaces and objects at risk in Ukraine, creating a constellation of high, local, formal and idiosyncratic personal entries. Through this portal, a broad and unsanctioned account of Ukrainian heritage is revealed. This paper draws on the work of Tracy Ireland, Steve Brown and John Schofield which examines the dichotomous relationship of significance and insignificance in the practice of value creation and negotiation of heritage identity. Through this lens it examines how notions of sharing; shared technology, shared ownership and shared access might allow for the creation of a contemporary heritage archive, that interacts with memory, place and things, but does so in ways that “are often not possible in the context of official heritage regimes because of rigid aesthetic paradigms, urban or class conflict, identity politics, or dominant national narratives.” 1 The archive, which draws together digital records of well-regarded heritage sites with unexpected spaces and objects of the personal and the everyday, becomes a means of assessing notions of significance and (in)significance in real-time. This in turn, provides a mechanism for re-evaluating what aspects of the war-torn country are considered worthy of recording and sharing.

Digital fist bumps: searching for datafication and digitalisation in everyday CrossFit coaching practice.

The research presented here explores the nuances of data collection and sharing via digital platforms in everyday CrossFit coaching practice. There is a growing body of work on data and digital platforms in CrossFit, though currently there is a lack of understanding of the role of coaches in these processes. Empirically grounding the digital fitness practices of CrossFit coaching is essential for our understanding of the sport, as well as to critically engage with the dominant socio-technical narratives of the digital fitness revolution: narratives that obscure the agency of coaches. This research foregrounds the coaches' agency and lived experiences, focusing on their everyday coaching practices around data and digital platforms. Six semi-structured in-depth interviews with CrossFit coaches in Sweden were undertaken in 2023. These focused on if, when, how and why they collect, or encourage their participants to collect, data on their training and share this via digital platforms. The findings reveal several different, though interrelated, areas where the CrossFit coaches can be seen as mediating between often competing narratives around data and digital platforms. These everyday practices include mediating between group vs. individual training, data collection and sharing vs. "moving well", CrossFit's methodology of quantification of fitness vs. the needs of the participants and navigating the techno-solutionist vs. reductionist narratives around digital fitness tracking.

Developing critical consciousness of epistemic (in)justice

Societies and economies are, in part, structured and organised epistemically. However, who has the power to shape key territorial decisions and policies, and based on whose/which knowledges? Whose and which voices, practices, methods, problems, problem definitions and solutions matter in the process? Whose/which knowledge systems are legitimised or delegitimised? These are some of the questions that are raised in this paper on epistemic (in)justice. The discussion contributes to reflections on the development of action research pedagogies and methodologies, in particular on facilitating approaches and processes that are respectful and conducive to the central human capability of different people and groups to produce and receive knowledge. The genesis of the argument is rooted in a critical understanding of the on-going damages caused by epistemological hegemony and coloniality of power, and consciously working towards integrating perspectives of epistemic justice in our praxes. By stimulating the inclusion and participation of those who are marginalised, we contribute to countering dominant narratives and bringing forth nuanced perspectives of the lesser heard, and visible. With those in mind, I highlight the importance of epistemic governance, epistemic freedom, epistemic humility, and inter- and intra-territorial connectivity for enabling the co-creation of transformative relations, visions, spaces, dialogues, and actions in responding to climate change and the associated challenges.

Digital post/colonial feminism: Poetics and politics of digital literary activism by Arab women

ABSTRACT This article proposes digital post/colonial feminism as a viable theoretical and conceptual framework to understand and analyse Arab women’s literary resistance to patriarchal and post/colonial powers in light of the new communicational paradigm shift of digitality. It provides an interdisciplinary and contextual engagement with digital literary works to transcend monothematic approaches, considering the role of digital tools and techniques in enabling new forms of feminist literary activism. It is motivated by the absence of a robust theoretical framework that adequately encapsulates Global South women’s digital literary resistance – particularly Arab women – in the broader context of postcolonial feminism. It aspires to fill this gap by tracing Arab women’s literary resistance practices in digitality, arguing that the digital media helps female artists challenge dominant narratives, amplify marginalized voices, and reclaim collective memory. Two digital literary works by Arab women are investigated to capture their new digital aesthetics and tools of resistance.

Tools for the Portuguese contemporary art market

In the past two decades, the art market has seen significant growth, with scholars and academics across the globe showing newfound interest in its potential as an interdisciplinary field. This has led to a prolific number of publications, particularly through the lens of globalization. However, a dearth of studies from regions outside the main axes remains, despite the potential for such studies to challenge globalization. This article investigates the primary art market of Portugal, located in southwestern Europe, which borrows ideas from the Global South due to similarities with regions from outside Europe and North America. We apply this concept to the features from a country, namely Portugal that is considered semi-peripheral and marginalized within dominant narratives. We emphasize the permanent tension between the local actuation and the global aspirations of the players in this market. Using literature published on the subject, reports, and interviews, we systematize the mechanisms of activation of the primary market; the launch of art fairs; the emergence of contemporary art galleries, museums, and collectors; and the discourse surrounding the recognition of the global art scene. Despite being a small-scale, semi-peripheral market, a willingness exists to internationalize. Furthermore, in addition to its rich cultural history and substantial investments, mainly from the private sector, the market has attracted international audiences from the artistic milieu and thereby contributed to the heterogeneity observed in the Global South.

Using Catholic Social Thought and the Normativity of the Future in Responding to the Super Wicked Problem of Climate Change

The climate crisis has been dubbed a “super wicked problem”—one where there is a sense of urgency, complicity in the problem by those who wish to solve it, and difficulty in sacrificing the short term for the long term. To respond to the difficulty of long-term thinking in addressing super wicked problems as part of SDG 13 (Climate Action), there is a need to pay attention to the narratives, norms, and values at work, and how we employ these categories in climate action. This paper discusses how Catholic social thought and the concept of the normativity of the future can be an approach to understanding the SDGs and the alternative future they offer in order to energize communities toward responding to the climate crisis, especially in response to current dominant narratives that make climate action difficult, as well as a way to make sense of the tensions found within the SDGs themselves.

L’industrie de la seconde main en Ouzbékistan, ébauche d’une économie circulaire urbaine

The goal of this thesis is to highlight the role of practices related to the acquisition, repair, and resell of second-hand goods in shaping the urban circular economy. By using Gibson-Graham’s methodology for reading for difference, we seek here to shed light on the actors and practices of the second-hand industry in Uzbekistan. Partnered with a postcolonial analysis, this method shifts the focus away from the dominant economic narrative centred around the corporation and infinite growth towards more sustainable and ethical ways of living together in urban settings.

The Rodrigo & Luz Chronicles: A Composite Counterstory

We provide a composite counter story based on our own experiences grappling with investigating elementary Latinx learners’ experiences and how we have leaned on each other to resist the whiteness of learning to do research in pursuit of a Ph.D. As the counterstory shows, we collectively worked together to write our own continuations of the story between Rodrigo, a graduate research assistant on a project about Latinx learners’ experiences, and Luz, a 4th grade Latina learner who is participating in the study. Together, we supported each other to use storytelling to challenge dominant narratives of the relationship between researcher and researched. Our hope is that this counterstory helps others to reflect on and explore issues of assimilation and provides them permission to challenge how we do research.

Antigone or the Right to Kill: Making Noise As Resistance

ABSTRACTThis article delves into the relation between the terms social dissonance, necropolitics and Sophocles' tragedy, Antigone. By attempting an interdisciplinary analysis and by bringing together elements of sound studies, political theory and classical literature, I will explore the contemporary dynamics between social dissonance, necropolitics and resistance. The key point is that beyond contemporary contexts or rather recent modernity, resistance to the authoritarian volition can be understood metaphorically as noise within a context of a wider social dissonance arrangement. While examining Antigone's defiance in the face of oppressive power, we are reminded of the individuals striving for justice and autonomy in the face of oppressive systems, as resistance to generalized capitalism prevailing positivity and appropriation. By juxtaposing the sociopolitical context in which Sophocles wrote Antigone and various manifestations of necropolitics in our times, this article explores the relevance of the play in today's ubiquitous surveillance and subjugation. Moreover, it emphasises the significance of the term 'social dissonance', as proposed by Mattin, in understanding the responses towards power struggles and forms of resistance. The collision of these concepts occurs, here, in their shared focus on power dynamics and resistance against oppressive systems: it explores the ways in which power operates, so as to control and manipulate individuals and communities, creating conditions of voluntary servitude and subjugation. As this analysis emphasises the potential for resistance, these terms can serve as a framework to challenge dominant narratives. When examining the intersection of necropolitics and social dissonance, we can explore how the exercise of necropolitical strategies leads to oppression by silencing dissent, suppressing alternative narratives and perpetuating oppressive structures. Silence is metaphorically seen here as a system of perpetuating power, subordinating resistance and ultimately, incorporating noise into the capitalist narrative. The clash between the dominant necropolitical regime and the underlying resistance exposes the tension and contradictions within society, laying the foundation for social movements.

Tracing Dissent: A Study of Simulated Gendered Memories in V. V. Ganeshananthan’s Brotherless Night

This article critically examines the interplay of memory, gender, and political consciousness in V. V. Ganeshananthan’s Brotherless Night against the backdrop of the Sri Lankan Civil War in the 1980s. Focusing on the protagonist, Sashi, the study employs theories of memory and gender studies to illuminate how her gendered memories contribute to the formation of political consciousness during the conflict. Sashi’s gendered memories emerge as a crucial lens through which the traumatic events of the war are remembered. By navigating the complexity of war, Sashi’s memories function as a form of dissent against dominant narratives, carving out a representation of subversive forms of memory often marginalized in such turbulent conditions. The concept of “simulated memories” by Kourken Michaelian can be used to analyze the narrative, wherein Sashi reconstructs major historical events she did not directly witness. This act of imaginative reconstruction, combined with the violence she has witnessed, forms a cogent narrative that transforms readers into secondary witnesses of the war. By engaging with theoretical frameworks of memory and gender studies, the study contributes to a deeper understanding of the intricate dynamics between personal memory, gendered experiences, and the political landscape in times of conflict.

“A Woman, With No Evidence, Can Send Any Man to Jail Whenever She Wants”: Men’s Rights Activists’ Digital Narratives of a Culture of False Rape Allegations

A dominant narrative among men’s rights activists (MRAs) is that rape culture does not exist. Despite statistical evidence that men are more likely to be sexually assaulted than wrongfully accused of assault, false rape allegations are the most frequently discussed topic on MRA forums and websites. In this study, we analyzed comments about false rape allegations posted to r/MensRights, a popular MRA forum. Just as the larger MRA movement emerged as a reactionary counterbalance to a feminist movement that MRAs believe has purportedly achieved equality, we found that MRAs construct a culture of false rape allegations to counterbalance a purportedly non-existent rape culture. Using a grounded theory approach to examine the narratives deployed by MRAs, we discovered that these men construct what we call a “compensatory culture of injury.” We found that MRAs are driven by “aspirational oppression,” which we theorize as a sense of grievance surrounding a group’s diminishing privilege and desire to achieve the guise of subjugation that warrants reparations to restore the status quo in the ostensible pursuit of fairness and equality. This co-optation of victimhood may be challenged by structural conversations about gender as well as the explicit identification of the misogynistic nature of MRA narratives.

Pre-service teachers’ world history discussions: Distancing global citizenship, justice, and identity

In this qualitative multi-case study, we illustrate how three pre-service teachers from varying programs and social positions framed discussions in world history classrooms, and we discuss the broader narratives about the world their discussions communicated. Using critical theories of global citizenship education (GCE) and the Dynamic Systems Model of Role Identity (DSMRI), three primary data sources inform our analysis: observations of participants’ discussions, decision memos written while reflecting on their discussion facilitation, and semi-structured interviews. The three participants prioritized making discussion content relevant to their students. However, their facilitation practice ultimately contradicted such aims by favoring dominant and distancing global narratives, though this tendency went unacknowledged in interviews and while writing reflective memos. Our DSMRI cross-case analysis reveals how candidates’ role identities manifested in classroom discourse, with ontological and epistemological beliefs reliant on dominant global narratives. Despite varied personal experiences offering potential strengths for critical GCE teaching, participants’ self-perceived limited world history content knowledge appeared to condition their distanced and power-neutral facilitation approaches. By unconsciously relying on dominant narratives, teachers’ discussion facilitation positioned global issues firmly in the past and distant from students’ lived experiences and agency.

Manufacturing January 6: How Republican County Parties Mobilized Anger to Promote #StopTheSteal

The #StopTheStealMovement, which culminated in the January 6 attack, was part of a coordinated, months-long campaign to convince the public that the 2020 election was stolen through fraud and that Donald Trump had won. The dominant narrative of how this movement emerged is a national one, with Donald Trump at the center. However, we show how state and local political institutions, events, and actors—in this case, county Republican parties on Facebook—were instrumental in paving the way for January 6.

Puns and pain in Palestine

Ahmed Masoud’s The Shroud Maker packs a powerful punch in using the implicative potential of black comedy as a site of resistance. Masoud deploys black comedy to resist and assert control over the exploitative discourse and action against the Palestinians living in Gaza. He does this by using black humour as a tool of alienation to detach people from their trauma, break the fourth wall to make the audience complicit, as a weapon to challenge Israeli dominant discourse, and to assert Palestinian control over the war’s narrative. Dark humour walks the thin line between humour and conflict in the play where “battered by injustice, but still defiant,” the eighty-four-year-old protagonist, Hajja Souad, a shroud maker by profession, introduces trauma through humour and then tips the balance in favour of trauma. Through her offensive jokes and satiric thrust, the play confronts the desensitisation of violence against Palestinians by evoking a reaction in the audience—laughter, followed by reflection on their laughter. While the balancing act between humour and trauma is maintained, The Shroud Maker argues that humour is perhaps the most effective way of communicating and ascribing responsibility to its spectators. Ahmed Masoud puts forth an alternative way of discussing political violence and war beyond the dominant western narrative that marginalises the Palestinian voice. Relaying the tragedy of violence and culture wars through dark humour underscores the message of resistance, coping and persistence in Palestine.

Re-Examining the Narrative of Structural Transformation: Insights from India’s Development Experience

The narrative of structural transformation, based on the experience of global North, posits that the process of development involves gradual ‘modernisation’ of the overall structure of the economy, where the traditional/low-productivity sectors give way to and support the modern/high-productivity sectors. However, much of the global South has not been able to experience this process along the anticipated lines, as a significant proportion of their workforce is still engaged in the low-productivity agriculture and non-agriculture informal sectors for their livelihood. We highlight that the dominant narrative does not take into account the importance of specific historical conditions, particularly the role of colonialism, that facilitated the process of structural transformation in the global North. The altered structural conditions in the post-colonial era, both at global and domestic level, question the possibilities of a similar process unfolding in the global South. In this regard, we analyse India’s development experience, both at macro and micro level, focusing on two villages of the Indian state of Tamil Nadu, surveyed in 1994 and later in 2018. We illustrate that the process of labour and employment transition across sectors is highly complex and heterogeneous. Rather than being driven solely by productivity growth, the nature and direction of these changes are characterised by economic distress. We argue that the prevailing narrative, which presents a linear understanding focused on productivity differentials across sectors, is inadequate to understand the nature of this transition in the South. Instead, the process needs to be understood in the particular socio-economic and ecological context specific to a given space and time.

Pentadic Cartography and India’s Foreign Policy: Insights from Jaishankar’s GLOBSEC Forum Interview

ABSTRACT India’s rise as the world’s largest democracy and its challenge to the Western-defined global order have attracted significant scholarly, political, and media attention. Using Anderson and Prelli’s pentadic cartography to enhance discursive analysis in international relations, this paper looks at journalist Maithreyi Seetharaman’s interview with Subrahmanyam Jaishankar, India’s External Affairs Minister at the GLOBSEC Forum in Bratislava, Slovakia. Depicting three interlocking maps of the symbolic landscape of the interview, we highlight the use of Seetharaman and Jaishankar’s scene-act ratio, situating India’s actions in its geopolitical contexts. Jaishankar’s dual use of materialist and idealist discourses presents India as both a reactive agent influenced by external circumstances and a proactive agent with its own distinct goals and ethical considerations. This approach offers a comprehensive understanding of international politics, balancing dominant empirical narratives in IR and emphasising a complex interplay of motives that drive state behaviour. Through this case study, we advocate for a broader application of pentadic cartography in international relations to uncover the deeper meanings and contexts that shape state actions, providing a richer, more textured understanding of geopolitics, global diplomacy and state interaction.

Ecological Imperialism and Indigenous Resistance: A Postcolonial Ecocritical Analysis of Selected Indian English Novels

This paper examines the representation of environmental degradation and critique of postcolonial development paradigms in two contemporary Indian English novels: Amitav Ghosh's The Hungry Tide (2004) and Indra Sinha's Animal's People (2007). Employing a postcolonial ecocritical framework, the study analyzes how these works articulate the environmental consequences of development in India, challenge Western models of progress, and highlight indigenous environmental perspectives. The research reveals that both novels effectively portray multi-faceted environmental issues, from biodiversity loss in the Sundarbans to long-term impacts of industrial pollution in urban areas. They offer pointed critiques of anthropocentric development models while presenting indigenous knowledge as a valuable alternative for sustainable human-nature relationships. The study contributes to postcolonial ecocriticism by demonstrating how Indian English literature engages with and critiques the environmental costs of postcolonial development. It underscores the potential of literature to provide nuanced, culturally-specific insights into complex environmental issues, challenging dominant narratives and proposing alternative visions of progress.

Narrative Space and the Figure of the Refugee in the Early Life Writing of Ocean Vuong

ABSTRACT This paper will read for the representation of space in the Vietnamese American author Ocean Vuong’s narrative essay “The Weight of Our Living: On Hope, Fire Escapes, and Visible Desperation”. The paper places Vuong’s text into conversation with theorists of narrative and architectural spaces – Yi-Fu Tuan, Umberto Eco, and Mikhail Bakhtin, among others – and draws on critical refugee studies to explore the representation of spaces and places in their relationship to Vuong’s account of refugee experience and trauma. In the essay’s manipulations of narrative space, meditations on architectural space, and engagements with theories of trauma, a spatial understanding of trauma emerges and comes to bear on first wave literary trauma theory, which the essay builds on and departs from with the suggestion that architectural space functions semiotically and is a medium of language by which topics socially and psychologically repressed can be “spoken” despite social taboos and prohibitions. Working against public discourse which reduces refugees to victims of trauma (in their country of origin) and beneficiaries of social uplift (in their resettlement country), Vuong critiques the discursive framing of the refugee as needful ward and perpetual other and works toward a means of speaking about personal experience that speaks back to dominant narratives about refugees.