Digital Art Research Articles

Analysis of the Relationship and Application of Film and Animation and Digital Media Art

Digital media has emerged as an innovative form that will disseminate information through new channels and facilitate the transformation of traditional mass communication into digital. The link between digital media and animation in movies and television shows is the primary topic of this essay. The study goes into additional detail about the significance of digital media in film and animation production by examining the relationship between the two. Animation in movies and on television frequently uses digital media technologies, such as computer graphics, augmented reality, virtual reality, and so forth. This paper concludes that there is a mutually beneficial relationship between the two. A thorough examination of their interrelationship will not only aid in comprehending the mutual influence between digital media art and film and animation, as well as the respective development trends of both, but it will also serve as a priceless resource for future innovation and advancement in both fields. In the new media era, it suggests that in the future, science, technology, and art will be increasingly closely entwined and that this will support the growth of the cultural sector.

An Era in Jinling: Game Interactive Heritage Digital Art Exhibition

Summary The ‘An Era in Jinling’ Heritage Digital Art Exhibition, which focuses on the interactive virtual reality game environment created by the audience's experience, is an immersive digital art exhibition composed of the audience, the hardware system of the digital exhibition environment and the virtual digital environment presented. As a game-interactive immersive digital art exhibition in a heritage exhibition, it invites the audience to take a personal digital role in the exhibition and use the game-interactive method to enjoy an immersive digital exhibition. This paper aims to engage audiences through the ‘audience-centric’ exhibition of digital art, allowing them to use their senses to enjoy immersive exhibitions of digital art. This paper also demonstrates how digital art exhibitions of history can provide new insights to the general public in the preservation and exploration of cultural heritage.

Esquemas de la Inteligencia artificial

When Pinocchio, the wooden doll created by Gepetto, becomes aware of the good and the bad, he illustrates, as a metaphor, a transformation from non-human to human. Entering the world of the human and technology can be equally fascinating, finding someone to talk to motivates the search, even more so when the talk is with a professional who has the knowledge and clarity to break into a complex analysis. That studious interlocutor is Dr. José Alberto Sánchez Martínez, Professor-Researcher of the Department of Social Relations of the Division of Sciences and Humanities of the UAM-Xochimilco, member of the National System of Researchers, level II. He is also Professor with PRODEP profile and Coordinator of the Doctorate in Humanities at UAM-Xochimilco. His academic history leads us to recognize his valuable contributions in various publications related to the subject of digital culture, virtuality and visual processes, including currently working on the issue of digital culture focused on the field of art and sociology of art. Texts such as Aesthetics of visual interaction and Virality. Aesthetics and politics of digital images, both from 2019. Figures of Presence. Cuerpo e identidad en los mundos virtuales, from 2013 and Redes sociodigitales en México from 2015; all his works show the epistemological baggage he has, to capture an insightful look at a plurality of plots associated with virtuality and socio-humanistic processes, the sociology of digital art, bodies, identities and cyberculture, but specifically to the evolution and impact that capitalism has on humanity today through digital culture. José Alberto Sánchez, an academic committed to research, stubbornly navigates in a cosmos of virtual bodies analyzing the avatar image as a representation of the subject in cyberculture; he also immerses himself in the horizons of informal education. All his experience leads us to go through the schemes of artificial intelligence.

Modern Translation of Rural Traditional Culture Led by Digital Art

Abstract As digital technology continues to evolve, the fusion of traditional cultural heritage with digital media art design has emerged as a crucial demand and innovative mode of expression. Within the context of digital art leadership, this study delves into the contemporary reinterpretation of traditional rural culture. By examining how rural traditional culture is portrayed under the guidance of digital art, we use the digital culture museum—which embodies both digital and rural traditional cultures—as a case study. A specifically designed questionnaire was employed to assess the effectiveness of this modern reinterpretation. Subsequently, key indicators influencing the efficacy of the contemporary translation of rural traditional culture were identified. The fuzzy set qualitative comparative analysis was utilized to conduct group analyses, aiming to delineate the pathways that could enhance the contemporary reinterpretation of rural traditional culture. The findings reveal that rural traditional culture, under the stewardship of digital art, achieves a more effective modern reinterpretation. Notably, over 85% of respondents exhibited a positive response to the amalgamation of digital art with traditional culture in museums, expressing a preference to engage with traditional cultural content through this medium. The analysis of pathways to enhance the modern translation of rural traditional culture showed overall consistency and coverage rates of 0.921 and 0.695, respectively. The integration of tradition with modernity, alongside enhanced interactivity and participation, are identified as pivotal elements in augmenting the modern reinterpretation of rural traditional culture.

On the Integration and Development of Artistic Creativity and Digitalization

In the era of digital technology, the development of information technology and art culture helps to enhance artistic creativity through digital technology. New forms of art emerge from the parallel between art and "digitization": This article discusses digitization in artistic creativity, and theoretically discusses and summarizes the creativity generated by the integration of artistic ideas and digital art in the current digital era in China. Digitization is a brand new mode of production and economic form, which has become an im-portant standard of modern economic development. At the end of 1980s, the rapid development of digital technology and information technology made digital art appear in the world. Based on computer and Inter-net technology, it has created a space for digital development, and provided a new platform for artists to create digital art in all aspects of digital technology and application ability. At present, digital art is growing into a new art form in the art and creative industry of the 21st century.

Digital social media expression and social adaptability of the older adult driven by artificial intelligence.

This study examines the impact of digital new media art on the health literacy and digital health literacy of older adults. It explores how digital new media art influences the social adaptability of the older adult, with a focus on variations in their engagement with digital technologies and community activities. The research employed interviews and observations of older adult participants from communities A and B. Data were collected on their smartphone usage, community engagement, and access to technological infrastructure. The study also assessed their interaction with digital new media across various domains, including interpersonal communication, information retrieval, entertainment, practical applications, and mobile payments. The study found significant differences in engagement with digital new media art among the older adult. Participants with prior computer experience were generally more skilled in using smartphones and more active in community events. In contrast, individuals in community B showed lower acceptance of digital new media art and no clear association with community participation. There was substantial variability in their use of digital media for information retrieval, entertainment, practical applications, and mobile payments. Some older adult individuals demonstrated proficiency with these technologies, while others were more reserved. The findings suggest that digital new media art can enhance community participation and social adaptability among older adults, particularly those with prior computer experience. However, disparities in digital media usage highlight the need for targeted interventions to improve digital health literacy and engagement across different community settings. The study underscores the importance of addressing these disparities to ensure that all older adults can benefit from digital advancements, thereby improving their overall well-being and health literacy.

CiteSpace-based visualization and analysis of digital media arts research

Abstract As an emerging art form, the development trend and impact of digital media art have attracted much attention, and the introduction of CiteSpace tools provides a new perspective for digital media art research, making it possible to analyze the scientometrics of this field. Relevant documents in Web of Science database were selected and analyzed by CiteSpace version 5.6.R4 for research collaboration and thematic co-occurrence networks. The results show that between 2004 and 2022, the total number of digital media arts research literature is 359, of which the literature volume from 2014 to 2022 accounts for 66.85%, and the average annual number of publications is about 27, reflecting the rapid growth of research in this field. Keyword analysis shows that “digital media art”, “digital technology”, “cultural industry”, “education “ and so on have become research hotspots. Digital media art research is gradually shifting from technology and nature exploration to university discipline construction and application practice, showing the trend of cross-border cooperation of disciplines.

Analysis of the application of 3D technology in digital media art animation design

Abstract The animation market is experiencing significant growth and diversification, with an expanding audience base and increasingly sophisticated aesthetic demands. This paper presents the development of a digital media art animation design system, leveraging four pivotal 3D technologies: mesh space deformation, 3D coordinate transformation, keyframe interpolation, and model collision detection. The system is enhanced with modules for scene editing, particle systems, and animation editing, which decompose the intricate special effects design of digital media art animations into manageable, editable components that offer real-time feedback. Furthermore, the system’s rendering capabilities and the animation design’s visual appeal were subjected to empirical evaluation. The findings indicate that within a 3D technology framework, the animation designs achieved average scores of 7.4371, 6.4720, and 7.0155 for recognizability, fidelity to the intended design, and overall impression, respectively, fulfilling the anticipated outcomes. Additionally, the animations produced are highly scalable and can be rendered swiftly and efficiently across diverse platforms. This study provides valuable insights for enhancing the effective deployment of 3D technologies in digital media art and animation design.

Research on the Visual Communication Effect of Combining Digital Art and Local Cultural Elements in Cross-cultural Communication

Abstract Digital technology has revolutionized and changed the way of interactive experience, among which digital art is widely acclaimed nowadays. This paper combines digital art with local cultural elements to create cross-cultural visual communication and constructs an evaluation index system for its effects. The weight values of the indicators calculated by the gray correlation and Euclidean distance methods are combined using the combination assignment formula. Afterward, the cloud model is used to determine the degree of affiliation of each indicator, and finally, the comprehensive evaluation results of cross-cultural visual communication of cultural elements in this paper are obtained. The cloud evaluation results show that the overall cloud body distribution interval of the cross-cultural visual communication of Guangdong local culture is (6.47, 9.65), indicating that the visual communication effect of Guangdong local cultural elements is at an excellent level. Furthermore, the study revealed that the audience spent the longest total gaze time (3.96s) on the photographic style-text bottom-left type visual images. This paper explores the role of digital art in promoting the development of local culture and cross-cultural communication, and the visual communication enhancement strategy proposed from the perspective of visual presentation opens up a new path for the visual communication of local culture.

Research on the Application of Digital Media Art in Film and Television Animation in Multimedia Perspective

Abstract The fusion of digital media art with film and television animation production ushers in a new artistic and technological synergy era. This form of art, merging visual, sound, and digital innovations, faces unparalleled growth opportunities and significant challenges. This paper investigates the impact of digital media art on animation, emphasizing its influence on creative expression and production processes. Through case study analysis, we demonstrate the efficiency gains and aesthetic enhancements afforded by digital media, including a 70% reduction in rendering time and a 40% increase in character animation realism. Incorporating Virtual Reality (V.R.) and Augmented Reality (A.R.) technologies also opens up novel avenues for immersive viewer experiences. Despite facing obstacles in technology adaptation and financial investment, the application of digital media art in animation represents a crucial driver of industry evolution.

A Study of the Intersection of Traditional Calligraphy and Digital Media Art

Abstract As a classic representative of traditional culture, Chinese calligraphy art has more and more obvious advantages in today’s digital media art creation. In this paper, the calligraphic text image is binarized by the OTSU method, the image enhancement is realized by linear gray value stretching, and the optimal tilt correction method is used to preprocess the traditional calligraphic text image and make a font library. Based on the data from the calligraphy font library, an immersive digital interactive context of traditional calligraphy is designed using digital media art. Pix2Pix network is introduced to combine with the PatchGAN network to establish a style migration network for traditional calligraphy text images, and three different types of loss functions are designed to ensure the accurate generation of traditional calligraphy text. The L1 loss of this paper’s model in generating traditional calligraphy characters is only 0.0359 at the lowest, the similarity values of the generated samples of calligraphy characters are mainly between 90% and 96%, and the maximum error of the relative position and relative size of the radicals is only 1.18%. The average value of the G2R indicator for the users’ images of calligraphic characters was 75.23%, and 89.86% of the users indicated that they were basically satisfied with the immersive interactive context of traditional calligraphy. Traditional calligraphy can achieve digital transformation and provide audiences with more diverse cultural experiences by relying on digital media art.

Research on the Innovative Development of Digital Media Enabled by Computer Visual Arts

Abstract This paper explores the integration of computer visual art with digital media, highlighting the innovative potential of computer technology in creating dynamic digital media art. Initially, we review relevant theories of computer-based visual art and examine their applications in digital media art. We then detail an immersive scene design using Web3D technology, where images are processed via a computer vision camera imaging model, transformed, and analyzed with the SIFT algorithm to extract feature points. These are integrated with the incremental SFM algorithm for three-dimensional image reconstruction in immersive environments. We validate these methods with real datasets and controlled experiments to assess user experience improvements in digital media applications. Results indicate that the SIFT algorithm’s image-matching accuracy ranges from 50% to 78%, and the incremental SFM algorithm shows an average rotation error of only 0.183°. User sentiment scores improved significantly, from 11.583 to 23.452, post-experience, demonstrating enhanced realism and a new direction for digital media art.

Exploration of New Digital Media Art Forms under the Combination of Virtual and Augmented Reality Technology

Abstract VR and AR not only expand the art field, but also enrich the form and content of digital media art and promote the development of digital media art. This paper proposes a 3D reconstruction of media art scenes based on the improved Neural Radiation Field (NeRF) technology and then completes the style migration, through which a unique scene art effect is formed, with a view to exploring new ways for the development of new digital media art forms. In the virtual orchard construction, the PSNR value of the optimized NeRF method is improved by 0.205, the SSIM value is improved by 0.015, and the LPIPS value is reduced by 0.018 compared with the state-of-the-art method, which can be concluded that the optimized NeRF method has a good image synthesis effect.

Traditional art design expression based on embedded system development.

This article describes constructing an embedded system for a painting art and style presentation platform, achieving the automatic integration of digital painting art with traditional art design. The frontend components are designed using the Bootstrap framework, with Django as the web development framework and TensorFlow architecture integrated into the code. Furthermore, the Inception module and residual connections are introduced to optimize the visual geometry group (VGG) network for recognizing and analyzing image texture features. Compared to other models, experimental results indicate that the proposed model demonstrates a 2.6% increase in image style classification accuracy, reaching 87.34% and 95.33% in architectural and landscape image classification, respectively. The system's operational outcomes reveal that the proposed platform alleviates the burden on the logical function modules of the system, enhances scalability, and promotes the automated fusion of digital painting art with traditional art design expression.

Exploring the Change of Literary Narrative and Reader Interaction Mode in the New Media Environment

Abstract Literature in the new media environment breaks the boundaries of the industry and reflects the Internet thinking of openness, sharing, and interaction. Starting from the study of interactive narrative phenomena in digital media art, this paper systematically explores the narrative style and characteristics of digital media art. X literary reading platform is selected as a representative, and through correlation analysis and regression analysis, the relationship between the reader interaction of the platform users, the readers’ perceived platform availability, and the readers’ perceived social interaction is explored. The study found that 0.2215 of the reader interactions in the reader interaction patterns of Platform X were social interactions, which are a type of social interaction mediated by the network, and that reader interaction had a significant positive effect on readers’ perceived platform availability and social interactions. The contribution of the study lies in the measurement of readers’ perceived social interaction through the definition of social interaction, while the mediating mechanism of platform availability reveals how readers perceive social interaction in their interactions with online literature. To enhance user services and narrative art changes in the online publishing of literary works, it is crucial to enhance the social interactions that readers of online literature perceive during the reading process.

Innovative design of digital sculpture art under 3D modeling technology

Abstract 3D modeling technology is one of the most important research directions in computer vision, which is increasingly linked with digital sculpture art. Combined with the point cloud, a new type of image data, this paper innovatively proposes a multi-view 3D digital sculpture reconstruction model to realize the 3D digital sculpture reconstruction of point cloud data.3D digital sculpture reconstruction is mainly divided into two parts: point cloud data processing and 3D reconstruction. The former uses radius, statistical filtering, and bilateral filtering algorithms for point cloud data denoising and proposes an NDT alignment algorithm to integrate point cloud data. The latter triangulates the unreconstructed observation points introduced by the new image, uses beam method leveling to globally optimize the point cloud structure, and proposes incremental recovery and global recovery reconstruction methods, respectively. In the point cloud data alignment performance test, the reconstruction plotting time of the reconstruction model in this paper possesses a large improvement, and the proposed NDT algorithm outperforms the traditional algorithm in terms of accuracy and execution efficiency. In the reconstruction of architectural digital sculpture, the average error of the parts of the digital sculpture is 0.00775, and the maximum residual difference is at about 4.5 pixels. Hence, the sculpture’s accuracy and precision performance are better.

Exploration of the Integration and Innovation of Digital Art Elements and Traditional Cultural and Creative Designs

Abstract Combined with the modern development form of traditional cultural and creative design, this paper proposes to use digital art elements to assist traditional cultural and creative design. The symbols of cultural and creative design are extracted using digital-assisted design technology, and the grayscale image extraction method is chosen to process the images of cultural and creative design. Then, combined with the YOLO v3 algorithm, CMT algorithm, and spatial mapping to realize three-dimensional tracking of real objects and real-time tracking interactions in mixed reality, adding digitally assisted experience of cultural symbols. With that, the theoretical model of digital art elements and traditional cultural and creative design is designed, and the procedural method of the entire cultural and creative design is analyzed. Online shopping consumer evaluations are selected, high-frequency words are classified, and consumers’ emotional tendencies are analyzed as well. The comprehensive scores of digital art and cultural and creative products are calculated using sense-quality evaluations. Consumers’ positive and negative emotions accounted for 75.72% and 17.49%, respectively, with the general negative emotion field accounting for the highest proportion of 10.54% and the medium and high negative emotion fields accounting for a lower proportion. It can be seen that the response of digital art elements to the cultural and creative design market is better, and its innovative design has a certain consumer market.

MIRROR, MIRROR ON THE DIGITAL WALL-EXPLORING SELF-CONSCIOUSNESS IN MEDIATED ENVIRONMENTS AS RESEARCH CREATION

This paper delves into the intricacies of self-consciousness within digital art by using the metaphorical concept of “mirror” to dissect the multifaceted layers of digital interfaces. Focusing on the work “Unstable Portraiture”, an extension of the earlier work “When You Are Not Your Body (WYANYB),” Through research creation, the works illuminates the digital interface’s role as a tool for self-reflection and self-consciousness. It aims to unravel the intricate tapestry of self-consciousness in the digitally mediated world, establishing a foundation for engaging discussions on the internal dimensions of artistic expression through digital means.

The Vat Treatment of Crypto Art: Between NFTs, Smart Contracts and the Metaverse: How a Bundle of New Concepts Can Fit into the Existing Categories

Art, like much of what surrounds us, is also evolving due to digitalization processes. The authors analyse some of the most relevant aspects of the VAT treatment of certain crypto art models and propose a legal analysis that has both important practical and theoretical implications. In addition to this, they also propose some tax policy assessments and stimulate a debate that proceeds beyond merely tax issues and discusses a number of constitutional values such as whether digital art can be considered ‘art’ and thus protected accordingly. VAT, Crypto art, smart contract, metaverse, reduced rates, constitutional values, place of supply

Development of Methods for Studying the Image of Culture in the Digital Era

There are a wide range of characteristics of cultural development in the digital age. One of the main features among them is the impact of modern information and communication technologies on the development of culture, which causes the new meanings and images of culture. These phenomena appear both in a real, traditional incarnation, and in a new — digital one. Moreover, both of these images are interconnected and often they are two sides of a cultural picture, process or phenomenon. The widespread use of information and communication technologies in the cultural sphere allows a person to realize his cultural potential. As a result, the cultural space is gradually saturated with works and objects of digital culture, digital art. And such objects no longer have analogues in the real world. They act as independent cultural phenomena and dominants, generating new cultural meanings. Therefore, an effective and comprehensive study of cultural images is possible only via new methods which are based on the information and communication technologies application, i. e. methods of Digital Humanities. Several new approaches to the study of culture are offered in the paper. They allow us to study the modern pervasive social and cultural space more effectively. These methods and approaches are used both in the scholarly research conducted by the authors and are effectively used for the study of culture by students of the St. Petersburg State University.