Container Image Schema Research Articles

МОДЕЛІ УКРАЇНСЬКОГО ПЕРЕКЛАДУ АНГЛІЙСЬКОМОВНИХ ЦІЛЬНИХ КОНСТРУКЦІЙ (НА МАТЕРІЯЛІ ЗАГОЛОВКІВ ТЕКСТІВ НОВИН)

The aim of the article is to identify the patterns of Ukrainian translation of English item-based constructions in the BBC headlines. Item-based constructions are a combination of form and function/meaning that is fixed within a particular language being entrenched in the long-term human memory. This aim is achieved by the application of constructionist methodology comprising three stages: selection & comparing, classification and correlation. The method of comparative translational analysis is meant to correlate the item-based constructions of the original with those in the translation as well as to single out translational patterns into Ukrainian. The novelty of the paper consists in the findings that the translation of itembased constructions of English BBC News headlines into Ukrainian follows four main patterns: lowering the status of the Latinized item-based construction in translation; expanding a Latinized construction in rendering; lexicalization or grammaticalization of its Cyrillic equivalent in translation. Within the lowering pattern, a Latinized item-based construction of the original is moved in the translation to the lead or various sections of the news text without any changes. The pattern of expanding the Latinized item-based construction of the original in the translation means that it remains unchanged in the translation being supplemented with one or more components represented by a proper name or an apposition. According to the lexicalization pattern, the Ukrainian equivalent of the original item-based construction is supplemented by one changeable component, usually represented by the anthroponym denoting oa celebrity or replaced by a lexicalized construction with a generalized meaning. According to the grammaticalization pattern, the item-based construction of the original, performing a classifying function unavailable on the BBC Ukraine is translated by a grammaticalized equivalent evoking the CONTAINER image-schema.

Paradise lost: Cognitive grammar, nature, and the self in Diane Seuss’s ekphrastic poetry

Abstract Diane Seuss’s ekphrastic poetry collection Still Life with Two Dead Peacocks and a Girl is a celebration of life and death, imagination and reality, stillness and movement. This paper focuses on the first poem of the collection to investigate the relationship between the poetic persona and the landscape surrounding her. I employ central principles of cognitive linguistics as applied in the field of stylistics to discuss the manifestation of her mind style and examine how she constructs and situates herself in the environment. Drawing on Langacker’s notion of construal, I analyze the perspective and the degree of specificity of the descriptions. I also trace the extensive use of the container image schema that underlies the semantics of the poem. The paper demonstrates that despite her assumed idyllic existence, the poetic voice’s ornate descriptions of nature conceal a sense of uneasiness and confinement and the highly granular lexical choices and figurative expressions reveal her anthropocentric view of the environment. This gives rise to her feelings of alienation while the presence of the container image schema reinforces her sense of confinement. From an ecostylistic perspective, the analysis demonstrates how an anthropocentric view may manifest itself linguistically, highlighting textual features of anthropocentric narratives.

Vista conoscenza, parola: lo “Schema del contenitore” applicato a un caso di polisemia indoeuropea

"View, Knowledge, Word: The Container Image-Schema Applied to a Case of Proto-Indo-European Polysemy. The present discussion aims at reconsidering the theoretical process of knowledge in some ancient Indo-European languages in the light of the prerequisites offered by cognitive linguistics and prototype theory. Thanks to the dynamic pattern of the Container Image-Schema – which is a primitive mental structure – some historical outcomes of a polysemic Indo-European root will be discussed in order to place them within the continuum of the semantic space in which the container is located. Keywords: Conceptual metaphor; polysemy; Image-Schema; Indo-European; semantics. "

REPRESENTATION OF IMAGE-SCHEME CONTAINER WITH IN-OUT ORIENTATION IN THE ENGLISH-LANGUAGE FICTIONAL TEXT

This article highlights the parameters of figurative conceptualization of the set of knowledge about the world and reveals cognitive specifics of metaphorical conceptualization of the CONTAINER image-schema with IN-OUT orientation in the English literary text. The article proves that the conceptualization process within the CONTAINER image-schema is based on Langacker’s "viewing metaphor", which is associated with human experience, based on our ability to see and perceive objects in our field of view. Metaphorical extensions of the CONTAINER image-schema conceptualize different spheres of reality, because they establish the relationship between the source domain (the concept based on human physical experience) and the target domain (abstract concept). In Doris Lessing's short story "To Room Nineteen", the authors found conceptual metaphors structured by the CONTAINER image-schema with the corresponding domains, which are verbalized by prepositions in, inside, into, out, adjectives inner, filled, full, etc. Dominant conceptual domains were selected: HOUSE, ROOM, GARDEN, MARRIAGE, BODY, HOTEL ROOM. The method of interpretive analysis was used to determine that the conceptual metaphors HOUSE is PRISON, MARRIAGE is PRISON and BODY is PRISON are involved in the formation of metaphors LIFE is PRISON, DEATH is LIBERATION, which are also structured by the CONTAINER image-schema. The relationships between the target domains HOUSE, MARRIAGE, BODY and the source domain PRISON are established by the following words and phrases: "freedom", "living out prison sentence", "prisoner", "never being free", "she felt even more caged”, “forbade”, “barred”. In addition, the death of the main character of the short story is described as a process of drifting into a dark river. As a result, according to the metaphor DEATH is LIBERATION, the image of the river in the story becomes a symbol of freedom. Thus, the conceptual metaphors reveal the problem of a woman sacrificing her own identity for the sake of family life. On the example of the main character of the short story, we can see that such a problem leads to suicide.

“Defect of a declaration of will” as a Metaphor in a Normative Act

The purpose of this essay is to analyze the metaphor of the “defect of a declaration of will” in the legal language. The secondary goal is to note that a reflection on the metaphor is a CONTAINER image schema. Simultaneously, the metaphor of the “defect of a declaration of will” is in fact a dead metaphor. This essay is also focused upon an analysis of a function fulfilled by the metaphor in normative acts, judicial decisions, and legal doctrine.

Emotion or Reason? Heart as a Container in English and Lithuanian

Body part lexemes are among the most frequently metaphorised lexemes across languages and cultures. Heart is often conceptualised as a container for feelings and emotions, especially in Western languages and cultures. The paper sets out to examine a typical construction signalling the image schema of heart as a container: in the/my/his/ her heart in English and šird-yje (heart-loc.sg) in Lithuanian to determine the relevance of the image schema for the semantics of the above construction, especially in reference to emotions and feelings. Also types of containers in each language are identified. The investigation is based on corpus data and the key principles of metaphor identification procedure. The results demonstrate that the construction is mostly used metaphorically in both languages and the container image schema is paramount in interpreting the semantics of the construction. It is employed in at least three senses: container for emotions and feelings, centrality and hiding. However, the distribution of the senses in the two languages is quite different with Lithuanian showing more adherence to the metaphor of a container for emotions and feelings and English giving preference to heart as centre of activity and attraction.

Defamiliarization of Spatial Metaphors for Voice in the Work of Herta Müller

In this article, the author analyzes spatial metaphors for voice in the work of Herta Müller. His analysis shows how she evokes spatial experience to convey her vision of voice. Drawing on conceptual metaphor theory and Viktor Shklovsky’s concept of defamiliarization, the author argues that Müller defamiliarizes conventional spatial language used to make sense of voice. She encourages her readers to recognize the figurative meaning of such language and invites them to build new and original associations between space and voice. The analysis focuses on verticality, figure-ground organization, motion, and container image schema as source domains for voice. The author’s research demonstrates that voice is associated with different sensory experiences and does not exist as a purely acoustic image. He claims that metaphorical conceptualization helps understand voice because the latter has different meanings depending on the context and is a complex physical, linguistic, and cultural phenomenon. The article concludes that Müller both relies on and defamiliarizes the tentative yet motivated association between space and voice.

The Container Image Schema as the Conceptual Basis of English Adjectives’ Semantics

This paper focuses on the cognitive foundation of the semantics of English adjectives that denote mental and moral characteristics of human beings. Research into these adjectives seems a challenging task because they denote abstract qualities that cannot be perceived through vision, hearing, or touch; and here a question arises: How are abstract qualities interpreted in English encoded through adjectives? To answer it, this study follows the idea of two-level semantics, i.e. word semantics is treated as a two-level phenomenon that comprises the semantic (external) level and the conceptual (deep) one. This study is the first to address adjectival semantics from this perspective. Here a novel approach to revealing the cognitive foundation of adjectives is introduced: given that adjectives originated from old syncretic items and a word cognitive model forms at the moment of word creation, cognitive models underlying adjectives' semantics are unearthed via analysis of their etymological data. Our contribution is two-fold. First, the approach has revealed that the image schema CONTAINER guides semantics of an array of various adjectives independent of their morphemic structure or date of origin. The examples demonstrate that abstract human qualities are interpreted via the following container features: boundary, container substance, size, hardness/softness of a container shell, etc. The semantics of affixed or compound adjectives appear to stem from the integration of concepts represented by an affix and a root or two roots, respectively. Second, the findings show that the value given to every container feature appears to predetermine the evaluation conveyed by an adjective. Container features tend to possess ambivalent value, realizing the positive or negative one due to the interaction with a frame in which the CONTAINER is incorporated, therefore the same polysemantic adjective may develop both positive and negative meanings. To reveal the whole inventory of cognitive models that govern adjectival semantics in English, further research needs to be conducted.

The Role of the “Path” and the “Container” Image Schemas in Political Discourse in Kenya

The study of conceptual interaction has attracted the attention of many scholars in Cognitive Linguistics. Primarily, the analysis has focused on the role of image-schemas in the construction of metaphors. This study explores the PATH and the CONTAINER image-schemas and the role they play in conceptual formation of metaphors in political discourse in Kenya. The study presents the PATH and its subsidiary image schemas of Verticality, Process and Force-Motion and the CONTAINER image-schema and the subsidiary image-schemas of Excess and In-Out. The analysis reveals that both the PATH and the CONTAINER image-schemas structure the relationship between the source domains (journey and container) and the target domain (politics) by activating subsidiary image-schemas in metaphors of politics in Kenya. The study further reveals that image-schemas provide the axiological value (positive or negative) of metaphorical expressions in political discourse. A positive political environment is a key ingredient for green growth and knowledge economy. The study contributes to the field of metaphor in political discourse by examining the politicians’ conceptualization of politics as a journey, which consists of four structural elements (a source, a destination, contiguous locations which connect the source and the destination and a direction) and as a container, which consists of an interior, an exterior and a boundary. The study used the Conceptual Metaphor Theory (CMT) as a tool to establish conceptual metaphors used during the 2005 Draft Constitution referendum campaigns in Kenya and the Image-Schema Theory to account for the presence of image-schemas in political discourse in Kenya. Lakoff and Johnson’s (1980) Conceptual Metaphor Theory is the locus classicus of the image schema theory.

The Relationship between Inner Structures of Image Schema and Hyper-Blends

The purpose of this article is to examine internal structures of image schema, which are influential in the hierarchy of blending webs. By analyzing Chinese religious texts through blending webs, I then investigate the existence of a hierarchy in hyper-blends and its role in building meaning in literary texts. The container image schema can be divided into physical (ontology) and valuation areas (epistemology). The schema is actively employed in the self-container metaphor. The physical area (background level of blending webs) is about the self as an object, and the valuation area (activating level of the webs) determines the qualities of the self. Zhunagzi is a story of human beings. By analyzing ‘Free and Easy Wandering’ through the self-container metaphor and hyper-blends, we see that the most crucial meanings of this story are to have an open mind toward changing the self and the emptying of the self.

A corpus-based analysis of the verb pleróo in Ancient Greek

Abstract This is a corpus-based study of the development of the verb pleróo in Ancient Greek, originally meaning fill, from the 6th c. bce in Classical Greek, up to the end of the 3rd c. bce in Hellenistic Koiné. It implements a hierarchical cluster analysis and a multiple correspondence analysis of the sum of the attested instances of pleróo of that period, divided by century. It explores the gains following a syncretism between two methodological strands: earlier introspective analyses postulating variant construals over intuitively grasped schematic configurations such as image schemas, and strictly inductive methods based on statistical analyses of correlations between co-occurring formal and semantic features. Thus, it examines the relevance of the container image-schema to the architecture of the schematic construction corresponding to the prototypical and historically preceding sense of pleróo, fill. Consequently, it observes how shifts in the featural configurations detected through statistical analysis, leading to the emergence of new senses, correspond to successive shifts on the perspectival salience of elements in the schematic construction of the verb.

An Account on the Expressions based on Container Image Schema –A Case Study of ‘Noun+ippai’ Construction-

An Account on the Expressions based on Container Image Schema –A Case Study of ‘Noun+ippai’ Construction-

A Cognitive-Semantic Study of the Spatial Preposition Fī (فِي) in the Quran

The existing literature has examined the preposition fī in the Quran from lexical syntactic perspective in strict spatio-geometric sense, but its abundant use with abstract concepts, emotions and states needs an elaborate approach to investigate its complex semantic functions. Therefore, this paper has taken a corpus based approach to investigate the functional semantic complexity of the preposition fī in the Quran from a cognitive perspective. The conceptual metaphor perspective holds that the sensorimotor neural structures define the use of spatial preposition in both spatio-geometric positions and abstract states. The linguistic data reveals that the container image schema is at work both in the literal and metaphoric use of spatial preposition fī. However, the preposition fī carries its own distinct semantic argument in each context and sometimes overrides the symmetry of container image schema. This paper recommends a broader perspective for a comprehensive analysis of spatial preposition fī and suggests further studies on its functional semantic complexity in the Quran. © Penerbit Universiti Sains Malaysia, 2017.

Functional effects, prepositional semantics, and metaphorical containment in Brazilian Portuguese: the case of em, dentro de, and fora de

<p>I analyzed conventional metaphorical expressions in Brazilian Portuguese having lexicalized functional effects of spatial scenes as complements of the prepositions dentro de [inside], em [in, on, at], and fora de [out of]. The functional effects investigated were ‘protection’, ‘covering/hiding’, ‘control’, and ‘envelopment’, which constitute the family resemblance concept of Containment. I provided a cognitive account of these conventional expressions in terms of primary metaphors such as invisible is inside and<br />uncontrolled is outside, emerging through experiential correlation in primary scenes. I described twelve meanings based on the container image schema, four based on the verticality schema, and four based on the nonimagetic notion of ‘non-existence’. Contradicting my initial expectations, the corpus-based analysis revealed little overlapping between em and sob [under], and fora de and sem [without]. However, the study confirmed the asymmetry between the prepositions meaning ‘in’ and those meaning ‘out’.</p><p>Keywords: Metaphor. Experiential correlation. Containment functional relation. Prepositional meaning. Brazilian Portuguese.</p>

Tematske i agentivne konstrukcije „straha” izvedene iz opojmljivanja unutarmjesnoga prostornog odnosa kodiranog prijedlogom „u”

This article presents an emergent model of the conceptualization of strah (Fear) in Croatian with focus on the constructions derived from the container image schema coded by preposition u (in). the semantic and syntactic analysis of the collocations of lexeme strah demonstrates conceptual hierarchy of the activation of metonymic and metaphoric processes via syntactic organization and perspectivization. It is argued that the meaning of the lexeme strah is conceptualized by metonymic profiling sensory-motor correlates of affective states and by superimposing metaphorical mappings of objects, spatial relations, object/entities with thematic and agentive roles that are organized in an emergent system of respective ontological, spatial, thematic and agentive patterns of linguistic constructions.

Dynamic conceptualizations of threat in obsessive-compulsive disorder (OCD)

abstractObsessive-compulsive disorder (OCD) is a severe mental health problem of a heterogeneous nature. To add to discussions around defining coherent subtypes of OCD, this paper uses qualitative, cognitive linguistic analysis to show how episodes of OCD can be differentiated based on their underlying conceptualizations of threat. Spoken narratives of OCD episodes told by people with OCD were analyzed using image schema theory and cognitive approaches to deixis in discourse. Through an exploration of the participants’ subjective experiences of time, space, and uncertainty in their recounted OCD episodes, the findings demonstrate that perceptions of threats fluctuate as OCD episodes unfold, and that it is the perceived movement (or not) of the threat that induces distress. Moreover, the dynamism of the threat is conceptualized differently for different subtypes of OCD. This variation can in part be explained by the role of two image schemas in structuring OCD episodes: the SOURCE–PATH–GOAL image schema and the CONTAINER image schema. It is argued that the blanket notion of threat as often investigated in clinical models of OCD is not sensitive enough to capture these shifting perspectives. It is thus recommended that threat perception in OCD is researched as a dynamic, evolving, and highly subjective experience.

Ageing creatively

The beneficial effect of creative activities on individuals’ subjective wellbeing has become a popular and academic given in recent years. Yet the creative processes occurring in a complex, non-drug intervention and their relationship with perceived beneficial effects on wellbeing are difficult to define. Health professionals, arts practitioners and commentators alike identify the need for the development of a multi-disciplinary vocabulary that reflects the interests and values inherent in this rapidly developing discipline. Newcastle University’s “Ageing Creatively” project was an 18-month pilot study to explore the relationship of creative arts interventions to wellbeing in later life (Adams, Thomas & Thomson, 2014). This paper presents the results of metaphor analysis in a series of exit interviews with 31 participants. One-to-one interviews were administered by telephone or in person by specialist, creative arts researchers and each interview was semi-structured using the CASP-12 questionnaire, which aims to measure quality of life in the third age (Sim et al., 2011). The Metaphor Identification Procedure was applied (double-blind) by hand to the transcribed corpus of c.93,000 words, inputted into MS Excel and then discursively coded with vehicles by the researchers. Two dominant vehicle groupings emerged that suggest subjective wellbeing amongst the participant group is conceptualized using the container image schema and the source-path-goal image schema. We therefore propose two systematic, novel metaphors — wellbeing is a container and wellbeing is a journey — as meaningful alternatives to Lakoff and Johnson’s conceptual metaphor wellbeing is wealth, especially in the search to better understand the relationship between creative activities and subjective wellbeing. Our findings suggest that systematic metaphor analysis may be usefully incorporated into the range of social science methodologies available for the measurement of subjective wellbeing.

A cognitive approach to the role of body parts in the conceptualization of emotion metaphors

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체현 인지에 기반한 개념 메타포에 관한 연구

The existing interface study has been focused on rhetorical metaphor based on a cognitive viewpoint in traditional objectivism. But the existing study viewpoint about the interface shows logical limitation by the changes in media environment. This study suggests conceptual metaphor based on embodied cognition for an alternative to solve the limitation, and research logical suitability of the existing interface environment. The result of this study is as follow; The first, the embodied cognitive viewpoint provides the interface as a space for holistic recognition communication, and the conceptual metaphor based on embodied cognition provides a well-structured metaphor logic and is a suitable metaphor to explain complicated metaphor structure. The second, the container image schema provides concrete and detailed metaphor structure than previous metaphor when it comes to explaining desktop metaphor by offering subsidiary image schema from `IN-OUT-BOUNDARY` image schema. The third, path image schema is possible to make a concrete logic and works off the laxity and confusion of logical structure in existing metaphor by offering subsidiary image schema from `SOURCE-PATH-GOAL` image schema. The conceptual metaphor based on embodied cognition is expected to be a basic theory to explain interfaces for various media environment by thinking of human physical experience as container and path image schema.

Representation of Categories

In the present study we investigated whether the mental representation of the concept categories is represented by the container image schema (Lakoff & Johnson, 1980). In two experiments participants decided whether two pictures were from the same category (animal or vehicle). Pictures were presented inside or outside a frame that should activate the container schema. We found that performance to pictures was influenced by the frame in congruence with the metaphorical mapping (same category—inside bounded region; different category—not in same bounded region). These results show that the concept categories is metaphorically represented by containers.