Abstract“Direct action” emerged as a central concept in labour-movement politics in the late nineteenth and early twentieth centuries. This article traces and explains that process of invention. In doing so, it seeks to settle three currently unresolved historical problems: the problem of the meaning of direct action; the problem of its relative novelty; and the problem of its relationship to nation. The article draws upon pamphlets and newspapers published on four continents in English, French, Spanish, and German. It argues that the concept of direct action was used in several analytically distinguishable ways: categorical; performative; and strategic. While aspects of direct action were evident in many nations over several decades, French activists played a decisive and catalytic role in the development of the concept. They welded the categorical, performative, and strategic together. They assembled key performances into an agreed repertoire. And they underlined the revolutionary significance of this combination. This new assemblage was then widely taken up across the global labour movement.
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