Reviewed by: La clé USB by Jean-Philippe Toussaint Alexander Hertich Toussaint, Jean-Philippe. La clé USB. Minuit, 2019. ISBN 978-2-7073-4559-2. Pp. 192. Toussaint's latest novel is an odd amalgamation. First there is espionage. Jean Detrez, an expert in "strategic foresight" at the European Commission and the novel's narrator, discovers a USB flash drive filled with information about secret deals, holding companies, computer backdoors, and bitcoin mining. The flash drive was accidentally dropped during a meeting by John Stavropoulos, a shady lobbyist who along with his colleagues Dragan Kucka and Yolanda Paul—with their overcoats and sunglasses, internationally ambiguous names, and unplaceable accents—seem as though pulled from detective fiction. Drawn in by the unfolding mystery and against his better judgement, Detrez, without telling anyone his plan or destination, eventually travels to China to investigate. There he meets the taciturn Gu Zongqing, director of BTPool Corporation, a subsidiary of Dalian Weilei Technologies, led by Madame Li, a close affiliate with the Eastern European company XO-BR Consulting, whose subsidiary, Kaliakras Ltd., Stavropoulos represents: "J'étais maintenant en train de m'enfoncer profondément dans la clandestinité, de sorte que plus personne au monde ne pouvait savoir où j'étais en ce moment et ce que j'étais en train de faire" (118). Second, we learn about Herman Kahn and the history of scenario planning, about bootstraps, blockchain technology, and the equipment required to make it work, and about the protocols and routines of technocrats in Brussels. In addition to several touchstones of Toussaint's works, including meditations on time and ironic detachment, the novel [End Page 269] also contains intratextual winks at other works. During one ludic scene in a hotel restroom in China, the narrator, pensive, notes the calm and peacefulness inside the stall: "Je ne faisais absolument rien, je savourais l'instant présent" (130), an allusion to L'appareil-photo (1989), before exiting and catching a partial glimpse of his distorted self in the mirror in La réticence (1991). We also find out that the office for his former job was an "ancienne salle de bain" (148). As the novel concludes it takes a sudden turn from professional worries to personal ones when the protagonist rushes home from Japan. In several interviews Toussaint has proclaimed that this novel is his most autobiographical work, evoking Brussels, his childhood and current home, as well as the death of his father. Yet even with its specific references to recent history (9/11 and the 2016 Berlin Christmas Market attack, among others), La clé USB is not a precise key to reality. With writing we must dive deep below the water's surface, far from quotidian reality, to borrow a metaphor from Toussaint's L'urgence et la patience (2012). In the novel we are in gauzy, undefined "zones d'ombre" (9), somewhere between time zones, between the fast-paced technology-driven world of today with blockchains and data mining, exemplified by the East, and the humanist tradition of Europe. This space allows Toussaint's fiction to surge forth from both inside and outside of our contemporary world. Alexander Hertich Bradley University (IL) Copyright © 2020 American Association of Teachers of French
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