The article deals with the peculiarities of the intonation design of certain elements of such rhetorical reception as a repetition on the material of audio recordings of Shakespeare's plays in chronology, namely rhetorical questions related to expressions of a peculiar interogative modality. The article deals with the results of the study of the invariant features of the prosody of the interrogative sentences in dramatic discourse in chronological terms. Repetition as a means of emotional enhancement is considered. In public speaking, repetition serves as a means of expressing a specific function of information - convincing which adds a rich emotional and intonational content. Through repetition, the speaker deepens the semantic side of speech and heightens emotional impact. Syntactic concurrency, which is realized in the combination of repetitions of syntactic constructions and various intensifiers, has been analyzed, which is perceived as rhythmicality. The syntactical parallelism of identical questions or sentences is amplified and correlated with the identical prosodic contour of intonation groups. To achieve an emotional effect, when presenting syntactically parallel interrogative constructions of the second and third questions, actors can violate the rule of normative intonation of a question, using a gradually ascending scale. Or, on the contrary, to adhere to the normative intonation contours, and design them according to the canonical rule.