View Of Art Research Articles

A.I. Ziloti’s Educational Activity in St. Petersburg (According to Unpublished Correspondence Materials)

Collections of Russian libraries contain unique letters of pianist, teacher and conductor A.I. Ziloti (1863—1945). They demonstrate one of the facets of his talent as a musical public figure and educator. The correspondence of A.I. Ziloti with town governors is a unique phenomenon not only in his creative heritage, but also in the history of musical culture. The letters help to understand the musician’s worldview, artistic views, creative principles, giving as well a description of the cultural and historical context of the early 20th century period. The article aims to convey the importance of A.I. Ziloti’s correspondence for educational activities organization in St. Petersburg. The article identifies the letters’ specificity and studies A.I. Ziloti’s handwriting. For the first time, there are published his petitions addressed to the Director of the Imperial Thea­ters V.A. Telyakovsky and St. Petersburg town governors. The scientific analysis’ objectivity, connec­ted with comprehension of the value significance of A.I. Ziloti’s cultural ideas, requires to recognize the results of his musical and educational activities as his main achievements. Being an outstanding musician and teacher, A.I. Ziloti remains in the history of Russian culture, primarily, as a representative of musical education.

Weak Intramolecular Interactions to Stabilize Supramolecular Fullerene‐Porphyrin Conjugates and to Control the Conformation of Multiporphyrinic Arrays

AbstractInvited for the cover of this issue is Jean‐François Nierengarten from the University of Strasbourg and CNRS, France. The cover image shows an artistic view of a research team discussing weak intramolecular interactions involving metalloporphyrins. Minutes of this group meeting are presented in a minireview highlighting how such interactions have been used to stabilize photoactive supramolecular devices and to control the conformation of large multiporphyrinic arrays.

ВПЛИВ ВИКОНАВСЬКОЇ ШКОЛИ НА ІНТЕРПРЕТАЦІЮ ТВОРУ (на прикладі віолончельного концерту А. Дворжака)

The purpose of this article is analysis of possible versions concerning the interpretation of the Antonin Dvorak’s concert for cello with orchestra, h-moll or. 104, their origin and influence on the manner of performance. Moscow and Leningrad schools are taken as an example. Schools of S. Kozolupov and O. Strimer represent vividly different views on means of theory and interpretation. In my opinion, the most colorful and controversial on the matter of interpretation are the following representatives of the music schools: M. Rostropovich as a representative of the S. Kozolupov views and D. Shafran for O. Strimer school. These cellists are interesting not only because of their vivid difference in the vision of theory and interpretations of music works, but also by the fact that they have made a lot of effort to popularize the cello and bring it to the level of solo instrument as high as the violin and piano. The methods of this research consist of historical, empirical, practical, interpretive-comparative approaches, which are based on examination of performance versions through the prism of the pedagogical schools influence on the aspects of the art-technological plan. The scientific novelty consists in the lack of material on the comparison of interpretative versions of the concert for cello A. Dvorak h-moll op. 104 performed by Soviet cellists Mstislav Rostropovich and Daniil Shafran, in terms of the influence of "school" on technical techniques and artistic vision of the work, which is considered as an example, in his genre, of the most striking combinations of deep lyricism, drama and the need for a masterly skills of instrument proficiency. It’s one of a few favorite concerts of the Romantic era among the soloists of cello. Thus, it contains a broad background for an interpretative analysis. Conclusions. Comparison of interpretative versions, as a method of performing analysis contributes to a vivid representation of the artistic content of the work, helps to find its own style combining already used technical and agogic techniques of the performance with new artistic views.

Study the effect of the painted look in the works of illustration of iranian painter artists

Modern painting in Iran seems dynamic and energetic at first glance; however, some believe that it’s alien to Iranian national Identity and some others believe it has led to identity crisis. Painting and portraiture has undergone considerable changes. The importance of these changes, characteristics and functions, lead to our research goal. Research goal: to study the effects of artistic view in portraiture works of for Iranian painters: Ali Akbar Sadeghi, Mohammad Ali Bani Asadi, Karim Nasr and Farshid shafiei. Research method: The method used in this study is descriptive-analytic. Collecting data: The way to collect data is documentary and field research. Findings: Findings show that there is no significant difference between these two arts in many artistic works of modern painters and sometimes they overlap. Moreover, considering national Identity, painters have tried to modernize painting by the use of modern art methods. They have combined traditional art factors with western modern painting experience, added by national belief to create a kind of harmony and balance between these two arts.

Gem-Diethyl Pyrroline Nitroxide Spin Labels: Synthesis, EPR Characterization, Rotamer Libraries and Biocompatibility.

Invited for this month's cover picture is the group of Professor Enrica Bordignon at the Ruhr University Bochum. The cover picture shows an artistic view of E. coli cells and two spin-labeled recombinantly produced proteins, which can be inserted into the cells for EPR studies. The primary sequence of the proteins is schematically shown with the one-letter amino acid code, and cysteine residues are functionalized with the two new gem diethyl nitroxide spin labels designed to better sustain the reducing cellular environment. Read the full text of their Full Paper at 10.1002/open.201900119.

All Roads Lead to Unity: Tomasz Różycki’s Litery as a Search for the Contemporary Arché. The Philosophical Dimension of Poetic Expression

The article analyzes Tomasz Różycki’s poetic volume Letters in the light of selected philosophical contexts in order to demonstrate the correspondence between Różycki’s poetic imagination and Heraclitus’ philosophy and the possibility of equating the letters with a logos, a fundamental concept in the Ionian philosophy of nature. Accordingly, the letter helps to connect the poetic world and the absolute sense, from which everything else results. Secondly, the potential relations between the chaos often appearing in Różycki’s poems and the apeiron of Anaximander have been pointed out. Yet another correspondence concerns the thread of unity and the struggle of opposites, the notions crucial in Greek philosophy and in the work of the Polish poet, who wrote the poem The Eternal War of Opposites. Różycki explores the relation between man who tries to understand the world around him and the reality which undergoes a permanent process of change. Love can be seen as a force that alleviates confl icts arising from rather abstract philosophical problems in the Letters. The article additionally addresses the question of the symbolism of numbers and letters in Różycki’s poetry. The connection between his poetry and the artistic creativity and world view of Stéphane Mallarmé constitutes a special context in this respect. In Różycki’s Letters, the philosophical thought often provides a key to the poet’s most important concerns: the human condition in (post)modernity, the actual shape of objects, and the forces behind the image of the moment experienced in space-time.

Book Review: Freedom of the Presses: Artists’ Books in the Twenty-First Century edited by Marshall Weber

Freedom of the Presses: Artists’ Books in the Twenty-First Century, edited by Marshall Weber. Booklyn, 2018. 218 pp./$25 (sb). The nonprofit book arts organization Booklyn describes their 2018 book Freedom of the Presses: Artists’ Books in the Twenty-First Century as a “textbook and a toolbox.” Edited by Booklyn co-founder Marshall Weber, the collection gathers a rich variety of ­contributions—from historical and critical essays to excerpts of artists’ books—and ties them together with an emphasis on the medium’s potential to strengthen communities and promote social justice. By examining the production, reception, collection, and scholarship of artists’ books, Freedom of the Presses trades in-depth criticism of a single bookwork in favor of a holistic view of artists’ publishing. This is a welcome contribution to the discourse at a time when the term “publication” is often used as a convenient catchall for projects that aren’t quite books, without much consideration of the practice of publishing and the public it constructs. As a collection, Freedom of the Presses differs from much of the book-length scholarship on artists’ books. Johanna Drucker’s The Century of Artists’ Books (1995), Clive Phillpot’s Booktrek: Selected Essays on Artists’ Books (2013), and Michael Hampton’s Unshelfmarked: Reconceiving the Artists’ Book (2015) are just some of the tomes in which a single author writes about many artists’ books. Freedom of the Presses is a book by many authors, writing about relatively few books. It lacks the systematic taxonomies and replete bibliographies of works by Drucker or Keith Smith, for example, but is able, thanks to those earlier works, to wander further afield. Freedom of the Presses brings artists’ books into dialogue with socially engaged practice and activism in much the same way Drucker aligned them with twentieth-century avant-garde movements. The book’s multiple authors and diverse perspectives help account for the breadth and complexity of the contemporary situation. First-person accounts, manifestos, conversations, and interdisciplinary …

The Challenges of Adapting the Syntactic Constructions to the Translation of the Poems of Charles Baudelaire

The translation of poetry has always been a problem and is considered difficult, as it includes a number of language and extraneous factors that make it difficult. Our paper approaches to the translating process of the poetry volume “ The Flowers of Evil ” by Charles Baudelaire focusing on linguistic and syntactic literary translation. Studies done so far in Albania have focused mostly on the literary aspects of the poems, addressing its stylistic and artistic views. Thus, through this paper we thought to treat the language of the poems, concretely the syntactic challenges of their translation. This paper is conceived as a study of theoretical and practical character in the field of Translation Studies. Through translation theories and translation process strategies as well as grammar and syntax manuals, our study sheds light on the translation of Charles Baudelaire's " The Flowers of Evil " work by basing research and comparative analysis on the theories and views of theorists, researchers and syntaxists such as: Peter Newmark, Umberto Eco, Edmod Tupe, Émile Benveniste, André Lefevere, F. de Saussure etc. Keywords: Challenge, translation, poetry, syntax, comparative analysis etc. DOI : 10.7176/JLLL/52-07

JACOBUS JOSEPHUS EECKHOUT

JACOBUS JOSEPHUS EECKHOUT A Belgian painter’s times in The Hague (1831-1844) In 1831, shortly after the outbreak of the Belgian Revolution, the Belgian painter Jacob Joseph Eeckhout moved from Brussels to The Hague. As a supporter of King Willem I, he no longer felt at ease in his homeland. Eeckhout remained in the Netherlands until 1843 and played an important role in the cultural life of The Hague. This article analyzes the The Hague episode in Eeckhout’s life in the light of the political developments of that time. To what extent did notions of nationality and national identity play a role in his artistic views and career?

The Idea of Environmental Design Revisited

In China, environmental design is a discipline that traditionally focuses on tangibly built environments in an artistic view. However, when the environment is regarded as a condition under which people intentionally enact with their surroundings, environmental design means a course of actions to stimulate or realize that condition. This article promotes a new environmental design culture that focuses on using holistic, human-centered, and interdisciplinary approaches to create and enable a sustainable life/space ecosystem, including experiences, communication, and places, that optimize the interactions of humans with their surroundings. The article also examines the trends of environmental design in the Chinese context.

Художественная картина мира в произведениях Александра Ередеева

Художественная картина мира в произведениях Александра Ередеева

Gudommelig gymnastikk – kroppslighetens plass i Rudolf Steiners pedagogiske tenkning

ABSTRACT English title: Divine Gymnastics - The Significance of the Body in Rudolf Steiner's Pedagogy This article discusses how Rudolf Steiner’s belief in the importance of the body and movement inschool comes across in his book Oppdragelse og tidens andliv (1986) a collection of public lecturesheld in 1923 in Ilkley, England. I will juxtapose Steiner’s descriptions of the body’s significance forchildren’s processes of bildung with other ideas of reform pedagogy. My intention is to see whetherSteiner’s appreciation of the body and movement in school can be of relevance to today’s debate oneducational policy. Steiner views bodily processes as a foundation for mental processes and arguesthat one should make movement a central part of schools’ artistic work and view it as a contributionto the holistic processes of bildung. In the lectures, he places special emphasis on eurythmy as aschool subject. The conclusion is that Steiner’s lectures contribute to viewing education as somethingmore than knowledge-acquisition.

ТВОРЧІСТЬ ҐЕОРҐА КАЙЗЕРА В РЕЦЕПЦІЇ ЮРІЯ КЛЕНА

The given article deals with Klen’s research of the German dramatist George Kaiser. The main parameters of artistic universe of this author are presented in the article. There are also outlined the methodological strategies of research the German dramatist’s creativity by Yuri Klen – a well-known Ukrainian literary critic. Georg Kaiser is one of the brightest representatives of theatrical and literary expressionism. His plays are the unique phenomenon in the 20th century drama. His expressionism appeared to be the special one and the global and scope of plots allowed scientists to call G. Kaiser a «new myth creator». Among world scientists, who comprehended the features of author manner of this sign artist for history of world drama, a main place belongs to the Ukrainian literary critic – Yuri Klen. In his scientific work there is the article «George Kaiser», which an author compositionally divides into seven parts. Its pre-condition is an original metaphorical lineation (vivid registration of which is adopted from astronomy), structural-semiotics assertion that every writer creation has a basic idea or favourite main image, that can be found in many writings of the author. However, in the Ukrainian literary critic’s opinion, it is not impossible to say it on the first sight about George of Kaiser because every work of this author has a new incarnate idea, new and unexpected development of a plot, new and original interpretation of that problem which has been solved in his previous works. In the article “George Kaiser” by Yuri Klen the biographic approach can be highlighted while analyzing creative works of the German dramatist. The Ukrainian literary critic also outlines the secrets of psychology of the German artist creation in expressionism manner. Expressionism drama is always drama of ideas; therefore acting persons of this drama are not individuals, but types which helps writer to lead the general action of the characters. Yuri Klen asserts transformation of images in dramas by George of Kaiser, their original reduction up to separate characters and allegories: his characters lost the outlines of people and become symbols of idea, super individual creatures, typical samples, and logic of acting can be sacrificed for the sake of the higher logic – logic of composition and dramatic construction. Few times a researcher accents on closeness an artistic world view of the German dramatist to cubism: characters mainly don’t have the names, but appear on the stage under the names: a «father», «multimillionaire», «black», «yellow» – they are structural formulas. Summarizing these the structural-semiotics searches, Yuri Klen marks once again that in George Kayiser’s works can be found: 1) central idea of man renewing which is peculiar for all his creative work; 2) leading motive of escape-chasing and 3) element of contingency which manages events, that is a case-shove which suddenly gives dynamic of action and sets fire before a man as a distant lighthouse – dream about renewal. It is also possible to assert that researches of expressionism by some authors whose creation correlates with expressionism views demonstrates complete maturity of Yuri Klen to be a serious literary critic armed by the newest methodological approaches to study literature as theoretician and practician of literature studies.

Manliness and womanliness of national epos heroes in interpretation of Fyodor Buslaev

The problem of interpretation of anthropological artistic images by Fyodor Buslaev is considered in the article; those are presented in monuments of national literature. Tracing sources of origin of the aesthetic ideas in the most ancient forms of language, Fyodor Buslaev made an attempt to explain development of artistic views of the people of antiquity. He connected this long process with infl uence and interaction of many factors – evolution of religious mythological ideas and epic creative work, streamlining of matrimonial relations, more rational distribution of gender and role functions in everyday life, formation of of gender identity idea, origin of moral imperatives. Mythology and folklore gave him an opportunity to highlight changes of female images (from mannish battle-axes to owners of a classical ideal of beauty); the sage explained their aestheticisation with change of female essence criteria ideas and "canons" of female attractivity. Fyodor Buslaev came to a conclusion which was later confi rmed by Vladimir Propp and Aron Gurevich – indicators of external appeal of both women and men were inalienable from ethical estimates by society which considered moral nobility, decent conduct of life of mythical and epic characters.

Scriabin – piano music in the context of the composer’s creative ideology. Part 2

The article is the second part of the text devoted to the profile and piano works of Alexander Scriabin. The composer had an extraordinary piano talent and the ability of coloured hearing. He worked out an innovative musical language based on a unique harmonic style. He was an unprecedented visionary of art, he had knowledge on philosophical topics, he was also a mystic who wanted to save the mankind thanks to his creative output. Throughout the period of around 20 years, Scriabin’s musical language transformed drastically, which is most fully shown in his piano pieces, especially miniatures and sonatas. The second part of the article presents a general characterisation of Scriabin’s piano compositions and musical language in subsequent stages of his creative work. The analysis refers to style and form-related topics, melodics and harmony he used, texture and timbre phenomena and the connections between piano and symphonic pieces. The author of the article reflects on the essence of Scriabin’s artistic orientation and the fact whether the change of his musical language can be called an “evolution” as such. An important element of the article is the presentation of the structure of each piano sonata. The included characterisation of the change of his musical language is an addition to the first part of the cycle, enabling the reference to the stages of the composer’s life juxtaposed there with the description of the transformation of his artistic views.

Cultural and Artistic Consciousness and Cosmic Life Views in Songs of Strings

Cultural and Artistic Consciousness and Cosmic Life Views in Songs of Strings

작곡가 최영섭의 웰니스적 예술관 고찰 : 한국적 정서와 문화에 기반한 작품의 분석적 접근을 중심으로

본 연구는 작곡가 최영섭의 가곡 분석을 통해 그의 웰니스적 예술관과 음악어법을 고찰함을 목적으로 한다. 이를 위해 작곡가 본인과의 심층 인터뷰를 실시하여 작품분석의 기초로 삼았다. 연구의 결과는 다음과 같이 요약된다. 최영섭은 작품 활동 초기에 서양의 인상주의적 음악어법을 주로 사용하였고, 이후 방송매체를 통해 급속도로 인기를 얻으며 대중적인 공감을 자아내는 곡들을 많이 작곡하였다. 2000년대에 들어서면서는 민족의 정감을 담은 작품에 뜻을 두고 한국의 전통 장단과 민요선율 등의 민속적 음악요소를 사용함으로 가곡을 통한 한국적 정서와 문화의 표출을 위해 노력하였다. 그는 1950년대 후반으로부터의 사회적 혼란기 속에서 실의에 빠진 국민들에게 가곡을 전파함으로써 예술적 공감과 동시에 가곡의 대중화 또한 끌어냈으며 현 시점에서 그의 작품을 대중성이 아닌 웰니스적 예술관의 시점으로 재조명할 필요가 있다. 이러한 연구는 향후 한국가곡의 위치를 재정립하는 데에도 도움이 될 것으로 판단된다.

FEMALE HAIRSTYLE IN THE CONTEXT OF THE ANCIENT PHILOSOPHY OF BEAUTY

The purpose of the article is to determine the features of the development of women's hairstyles in the context of the specificity of the beauty philosophy of the era of Antiquity. The methodology consists of the principles of objectivity, historicism, multifactorial character, systemic nature, complexity and pluralism; and to achieve the goal, the following methods were used: problem-chronological, concrete historical, statistical, descriptive, logical-analytical. Scientific novelty. An art history analysis of works of art was carried out in order to determine the specifics of the stylistics of female hairstyles in Greece and Rome (5th century BC – I 5th century AD); the influence of visual images of ancient Greek goddesses created by ancient masters on the formation of the ideal of female beauty and the popularization of new styles of female hairstyles, according to the ancient philosophy of beauty. Conclusions. Based on the study of female hairstyles of the era of Antiquity, it is proved that their style features are one of the aspects of the modification of human beauty, according to philosophical views and aesthetic ideals. Combining utilitarian, aesthetic and symbolic functions, the female hairstyles of the goddesses of the Olympic pantheon reflect the material, spiritual and social position of society, meet the artistic and aesthetic views characteristic of the Antiquity, the beauty ideals of which, despite transformations and modifications in the process of evolution, retained specific characteristics, corresponding to the established mentality of ancient Greek culture.

Magnons propagating in graphene

Magnetism![Figure][1] Artist's view of magnon absorption by graphene CREDIT: SECOND BAY STUDIOS At sufficiently low temperatures, a two-dimensional electron system placed in an external magnetic field can exhibit the so-called quantum Hall effect. In this regime, a variety of magnetic phases may occur, depending on the electron density and other factors. Wei et al. studied the properties of these exotic magnetic phases in graphene. They generated magnons—the excitations of an ordered magnetic system—that were then absorbed by the sample, leaving a mark on its electrical conductance. The magnons were able to propagate across long distances through various magnetic phases in the bulk graphene. Science , this issue p. [229][2] [1]: pending:yes [2]: /lookup/doi/10.1126/science.aar4061

파스테르나크의 ‘산문 시학’과 통합적 예술관 : 초기 산문을 중심으로

The purpose of this study is to examine the mechanism of integration into poetics of prose through devices for integrated arts such as autobiographism, infant recognition, theatricality in the early prose of Pasternak, and to reveal his unique realism theory and artistic view as a whole. In the early prose of Pasternak - Safe Conduct, Apelles’ Mark, Letters from Tula, The Childhood of Louvers - a multi-layered integration pattern derived from the relationship between reality and subject is found. This integrated aspect is revealed through the relationship between prose and poetry, music and philosophy, form and content, symbolism and realism, poet and others, history and memory, and relationship between life and art. The prose of early Pasternak was a kind of poetic declaration of anti–romanticism. The eclectic and contradictory aspects of integration in his prose are also the implications of the intense creation process of conflict, breakup, change and rebirth of transitional poet who tried to build their own art.