This article examines the eschatological influence of the American desert on the metanarrative structure of Tanguy Viel’s novel La Disparition de Jim Sullivan (2013). Dwayne, the character en abyme, fantasizes about desert adventures but as he progresses towards the arid place, the boundaries between the two diegetic levels vanish. The notion of hyperreality, pervading the novel, reflects Dwayne’s ethnocentric posture. He is absorbed in his fantasies and unable to contemplate his environment without artifice. Bearing on the notion of desertification, I demonstrate that the desert, long considered an empty space to be filled, reclaims its rights over humanity with agency. In the last chapter, Dwayne commits suicide in the desert, and the arid place absorbs the character in its turn. The desert is no longer perceived as an archaic space of un-culture, but as the new place where anxieties about the future of humankind crystallize.
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